{"id":24285,"date":"2014-02-15T11:43:28","date_gmt":"2014-02-15T16:43:28","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/icon-for-an-icon\/"},"modified":"2014-02-15T11:43:28","modified_gmt":"2014-02-15T16:43:28","slug":"icon-for-an-icon","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/human-longevity\/icon-for-an-icon\/","title":{"rendered":"Icon for an icon"},"content":{"rendered":"<p><p>    Veteran actress Cherie Gil  <\/p>\n<p>    I would like to be able to emanate the human side of Diana    Vreeland. We talk about the woman, the human being, thats what    I like to capture, the poignancy of that.  <\/p>\n<\/p>\n<p>    Tucked into a dark corner of the bar right across the Peninsula    Manilas Salon de Ning, Evangeline Rose De Mesa Eigenmann     more popularly known by her on-screen moniker Cherie Gil     looked like a beautiful anachronism. With her pulled-back hair,    all black outfit, and with the lit cigarette she held in one    hand and the flute of wine in the other, she seemed to fit more    in the swinging 60s rather than the present day.  <\/p>\n<p>    A lot of it is due to    the veteran actress ability to get underneath the skin of the    characters that she portrays. When she sat down with the    Students and Campuses staff for this 60 Minutes interview, she    had just come from the press conference of her latest passion    project: Full Gallop, a one-woman play on the life and times    of legendary fashion editor Diana Vreeland, who helmed Vogue    from 1962 to 1971.  <\/p>\n<p>    My Own Mann Productions Full Gallop will open with a gala    night premiere on March 14 with regular performances on March    15 and 21 at 8 p.m. and on March 16 and 23 at 4 p.m. at the    Carlos P. Romulo Auditorium of the RCBC Plaza.  <\/p>\n<p>    I would like to be able to emanate the human side of her with    the help of Bart (Guingona, the director). Its actually quite    poignant, she says of the play. It all starts with who she    is. We talk about the woman, the human being. Thats what Id    like to capture, the poignancy of that.  <\/p>\n<p>    Diana Vreeland is merely the latest in the long list of    characters whose foibles, pathos, and poignancy she has    captured and performed on screen and on stage in her 37 years    in the business. Its easy to remember the various roles she    has played on screen, from the lesbian Kano in Lino Brockas    Manila By Night, to the spoiled Trining in Peque Gallagas    Oro, Plata, Mata, and to her oft-quoted villainess Lavinia    Arguelles in Emmanuel Borlazas Bituing Walang Ningning.  <\/p>\n<p>    Her success and longevity in the business isnt exactly    surprising. She does, after all come from a family of thespians     from her father and mother Eddie Mesa and Rosemarie Gil to    her brothers Mark Gil and Michael de Mesa.  <\/p>\n<p>    When I started, it wasnt even a planned thing. I just got    involved because my dad has a TV show. They would ask me to    come and sing a song and I would sing and play, she recalls    with a laugh. I just wanted to be on stage. I wanted to be    performing, even in school. I was meant to be on stage yata, to    be the center of attraction.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Follow this link:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.mb.com.ph\/icon-for-an-icon\/\" title=\"Icon for an icon\">Icon for an icon<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Veteran actress Cherie Gil I would like to be able to emanate the human side of Diana Vreeland. We talk about the woman, the human being, thats what I like to capture, the poignancy of that. Tucked into a dark corner of the bar right across the Peninsula Manilas Salon de Ning, Evangeline Rose De Mesa Eigenmann more popularly known by her on-screen moniker Cherie Gil looked like a beautiful anachronism.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/human-longevity\/icon-for-an-icon\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-24285","post","type-post","status-publish","format-standard","hentry","category-human-longevity"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/24285"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=24285"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/24285\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=24285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=24285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=24285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}