{"id":213447,"date":"2017-08-25T04:15:42","date_gmt":"2017-08-25T08:15:42","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/op-ed-pure-trance-argues-for-the-new-over-1999-edm-identity\/"},"modified":"2017-08-25T04:15:42","modified_gmt":"2017-08-25T08:15:42","slug":"op-ed-pure-trance-argues-for-the-new-over-1999-edm-identity","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/op-ed-pure-trance-argues-for-the-new-over-1999-edm-identity\/","title":{"rendered":"Op-Ed || Pure Trance Argues For The New Over 1999 &#8211; EDM Identity"},"content":{"rendered":"<p><p>Thanks to the Pure Trance Team, arecent post on    Facebookhas the collective Trance Family going crazy    debating the context.      <\/p>\n<p>    Today, the Pure Trance Team, headed under the direction of    Solarstone, posted a simple image to Facebook and opened    the floor to debate.  <\/p>\n<p>    Heated comments have flown around the internet in relation to    this post  both in favor of the new and the classic. As    a bonafide fan of the genre, and after reading the comments    flowing around, I decided that it might be good to lay some    context and to gather my personal thoughts on the matter.  <\/p>\n<p>    Want to know more about the recent Solarstone? We        interviewed him just a few months back!  <\/p>\n<p>    In regards to history, it is extremely hard to say that Rich    doesnt have respect for the classic styles of Trance.    Heck, he helped write a number of songs considered by many to    be classic tracks of the genre. Take the track Seven    Cities as a prime example of just that.  <\/p>\n<p>    Seven Cities was released in 1999, ripe in the era he    discusses in the post above. It is perhaps a zenith track    to epitomize the summertime mood and moving melodies of what    Trance is. He does not deny how important these tracks    are, nor does he lack respect for his own work.  <\/p>\n<p>    Having been in Ibiza and on a boat party with him in 2015, I    heard him drop this track as the sun set on the Mediterranean    Sea. He loves this track and what it means to his    fans. With that in mind though, remember he has continued    to produce tracks year after year to continue moving the genre    forward.  <\/p>\n<p>    If a quick look back into the discography of the labels    Solarstone has attached his name to doesnt show this, I    admittedly dont know what does. We could take a stance    and look at Pure Trance and Pure Trance Progressive onlybut    lets dig a bit deeper into the history books.  <\/p>\n<p>    From the Solaris-era youll find talents like Alucard, Mike    Shiver, Mark Eteson, Mark Pledger, Bot Cipryan, Matt Cerf,    Majera, LTN, and Forerunners. This doesnt even bend the    page to see who was selected to create remixes under these    artists, but Im picking out two samples below for you to    peruse.  <\/p>\n<p>    Here we find tracks by talents considered legend today     Bobina, Magic Island (aka Roger Shah),     Sunny Lax, and Agnelli & Nelson. The following two    tracks from FKN and Bobina show off the style presented during    the Deepblue Records era.  <\/p>\n<p>    It is clear to see the foundation Solarstone comes from when    developing his thoughts and releasing the statement he made on    Facebook.  <\/p>\n<p>    With the above all in mind, I offer this response in    the debate in favor of Richs statement:  <\/p>\n<p>      For the fans, it sounds strange but its about context. The      comment is about supporting the new wave of up and coming      talent  say a Forerunners or Sneijder three to four years      ago. It focuses on where the genre is heading, rather than      the legends of yesteryear. In some ways, he means breaking      away from old-school talent like Ferry Corsten and Paul      Oakenfold (who chase trends over sticking to the genre) and      giving new people a shot. Rich doesnt mean that the music      they make today isnt good, or that it isnt Trance right      now. He just wants to see support for the new at something      like Dreamstate or the rebirth of Trance Energy.    <\/p>\n<p>      Dont get me wrong, I love a ton of old-school Trance guys,      and would love to see Johan Gielen get a set here. Im stoked      to see Marco V play at Dreamstate and throw-down Trance. Yet,      Marco V left the genre years ago and lacks any major      accomplishment for the modern Trance community. Thats the      context of the comment. He wants us younger guys in the      scene, whove been working hard for years to get any      recognition in our local or break into the      national\/international scene. Hes excited for people like      Niko and Triceradrops to break through the ceiling and take      the mantle forward. He wants talent like Magnus to grow      and take over what makes the genre great!    <\/p>\n<p>      Rich is tired of seeing events (and maybe it is a regional      thing) that revolve around Trance of old, or bringing back      talents that may have been popular around the turn of the      century. I for one would rather see Forerunners over a Tiesto      set at this point. Id rather see Shugz over Dash      Berlin\/Alice Deejay. Thats the point hes trying to make. In      fact, a part of me really wanted to hear what Neptune Project      would have done with a open-to-close set down in San Diego      without the classics moniker.    <\/p>\n<p>      Heres the magic  there is no reason a DJ cant play classic      tunes! If you want to strictly play a set of them, sure,      label it as a classics set. When you have the table before      you, open to take people on a journey, why not give them      something vivid and new, instead of relying on memories of      sounds gone past? As a DJ personally, Im not afraid to weave      in Arksuns Arisen with modern tunes in a set. Ill take      Marco Vs Godd and slam it into two FSOE Excelsior tunes      or whatever.    <\/p>\n<p>      I understand the counterargument for why Ferry\/Paul\/Dash are      on lineups over the rising talent. That is not what he is      discussing from the conversations weve had (the true cash      flow issue of festival production and maximizing the base      that comes through the door). Hes talking about why people      like Alex Ryan or Ally Brown cant get a gig but people keep      booking someone like Armin hoping for that magical classics      set that blows all of our old-school minds. Why dont we stop      wishing for the past to be the present, and focus on the      present and future of the genre being great?    <\/p>\n<p>       Matt MyStro S    <\/p>\n<p>          MyStro's been embedded for years in dance music industry          - finding the passion during the early years of the          internet when in 6th grade.Since the passion began, he's          done a bit of everything - DJed in Ibiza, promoted and          thrown his own parties, VJed, created promotional          material, worked A&R for labels, and of course, wrote          for blogs.Now he is here with EDM Identity, ready to make          waves with his honest and unique perspective honed          through years of varied experiences in the industry.        <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See the rest here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/edmidentity.com\/2017\/08\/20\/op-ed-pure-trance-debate\/\" title=\"Op-Ed || Pure Trance Argues For The New Over 1999 - EDM Identity\">Op-Ed || Pure Trance Argues For The New Over 1999 - EDM Identity<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Thanks to the Pure Trance Team, arecent post on Facebookhas the collective Trance Family going crazy debating the context. Today, the Pure Trance Team, headed under the direction of Solarstone, posted a simple image to Facebook and opened the floor to debate. Heated comments have flown around the internet in relation to this post both in favor of the new and the classic <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/op-ed-pure-trance-argues-for-the-new-over-1999-edm-identity\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187758],"tags":[],"class_list":["post-213447","post","type-post","status-publish","format-standard","hentry","category-trance"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/213447"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=213447"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/213447\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=213447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=213447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=213447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}