{"id":212837,"date":"2017-08-20T18:44:46","date_gmt":"2017-08-20T22:44:46","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/phillys-the-war-on-drugs-reach-for-greatness-and-a-deeper-philly-com\/"},"modified":"2017-08-20T18:44:46","modified_gmt":"2017-08-20T22:44:46","slug":"phillys-the-war-on-drugs-reach-for-greatness-and-a-deeper-philly-com","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/war-on-drugs\/phillys-the-war-on-drugs-reach-for-greatness-and-a-deeper-philly-com\/","title":{"rendered":"Philly&#8217;s the War on Drugs reach for greatness and &#8216;A Deeper &#8230; &#8211; Philly.com"},"content":{"rendered":"<p><p>    When Adam Granduciel finished work on Lost in the    Dream, the 2014 album by the War on Drugs, the    Philadelphia guitarist and songwriter was satisfied with his    creative life and career trajectory.  <\/p>\n<p>    I had a very full life in Philadelphia, said Granduciel,    sitting down in the bands new South Philly rehearsal space to    discuss A Deeper Understanding (Atlantic ****), the    more-majestic-than-ever fourth War on Drugs album, which comes    out Friday.  <\/p>\n<p>    I had a clear identity of myself and my life, and what music    meant to me, says the 38-year-old rock auteur, who will lead    his band into the Dell Music Center in Strawberry Mansion for    former Eagle Connor    Barwins Make the World Better Foundation on Sept. 21. I    felt like I knew who I was. And then the record came out, and I    went out on tour. And I never came back.  <\/p>\n<p>    Lost in the Dream saw to it that Granduciel wasnt the    only one who knew who the War on Drugs were. After their    breakthrough, sodid nearly everyone else. Or, at least    those who cared about the state of rock and roll at a time when    pop music is more likely to be made on laptops than with the    arsenal of guitars that hang on the wall in the bands    capacious practice room. (Its also equipped with two pinball    machines and a Michael Jordan growth-chart poster from bass    player Dave Hartleys teenage bedroom.)  <\/p>\n<p>    That album topped many critics year-end lists (including    mine), and by the time Granduciel and his bandmates were done    with 18 months on the road, they had graduated from medium-size    clubs to well-known venues, like Radio City Music Hall and Los    Angeles Greek Theatre.  <\/p>\n<p>    The band was big and destined to get bigger, as evident from    indications such as Apple Music mahoff and legendary music exec    Jimmy Iovines quote in 2015: They should be gigantic.  <\/p>\n<p>    And A Deeper Understanding could do the trick: Its    already being greeted rapturously, as the New Yorker last week    called the band  bassist Hartley, keyboard player Robbie    Bennet, drummer Charlie Hall, guitarist Anthony LaMarca, and    sax player Jon Natchez  the best American    rock band of the decade. New York magazine, not to be    outdone, called them Americas Next Great Rock Band.  <\/p>\n<p>    The bands ebbing and flowing, peaking-ever-higher songs bear    the influence of classic rockers like Bruce Springsteen and Bob    Dylan, as well as steady-rolling German motorik bands    like Neu! and Kraftwerk. Theyre typically painstakingly put    together in the studio by Granduciel, who uses the    contributions of his mates in creating the illusion that a    band was playing together in a room, he says.  <\/p>\n<p>    On the road for Lost, the War on Drugs came together    as a band. For the group of lifetime musicians now mostly in    their mid-30s, Granduciel says, it was nice to be able to go    out on the road and have it be a little more comfortable than    last time, and come home with some money.  <\/p>\n<p>    But at the end of the tour, Granduciel  who grew up Adam    Granofsky in Dover, Mass., and got this nom de rock from an art    teachers French translation of grand of sky  no longer had    a Philadelphia home to come home to.  <\/p>\n<p>    While on the road, he had moved out of his house in South    Kensington with mushrooms growing out of the kitchen wall and    put his gear in storage in Cherry Hill. So when the tour was    through, he moved in with his girlfriend, actress Krysten    Ritter, who stars in the Netflix superhero    dramaJessica Jones(as well as The    Defenders), at her home in Los Angeles.  <\/p>\n<p>    A Deeper Understanding is an album of self-discovery    that begins its soul searching on the first track, with    Granduciel admitting, I dont know anything.  <\/p>\n<p>    The songwriter began working in a rented studio in L.A. almost    immediately. Im always wanting a project, says Granduciel, a    fidgety soul who first suggests hell be interviewed while    milling around the rehearsal space, before reluctantly agreeing    to sit.  <\/p>\n<p>    Progress on music was steady for tracks that eventually    coalesced into such gorgeous Deeper epics as Holding    On. That songs moving video features actor Frankie Faison,    who played Commissioner Burrell on HBOs The Wire, one    of Granduciels two favorite TV shows. (The other is The    Shield.)  <\/p>\n<p>    Working on the album, Granduciel flew his bandmates out to play    on Deeper cuts like Thinking of a Place, the    expansive 11-minute song that the band returned with on a    Record Store Day vinyl release this spring. Other    Philadelphians, like the French American duo the Dove & the    Wolf and drummer Patrick Berkery, appear on the album,     as do the vocal duo Lucius, who recently toured with Roger    Waters.The new album feels like Granduciels    California album in that the songs open up wider vistas than    ever before, ideal for contemplating the meaning of it all    while barreling down the Pacific Coast Highway (or while stuck    in traffic on the Schuylkill Expressway, as this listener was    one recent afternoon).  <\/p>\n<p>    But Granduciel felt there was something lacking.  <\/p>\n<p>    My whole life, my whole professional musical life was based    around Second and Girard and Girard and Palmer, he says. My    whole life was in a six-block radius!  <\/p>\n<p>    Granduciel studied art and photography at Dickinson College,    and later moved to Philadelphia in 2003, where he collaborated    with fellow stringy-haired rock-star guitarist Kurt Vile. In    between, he briefly lived in Oakland, Calif., where, while    under the influence of Beat poetry, he came up with the band    name the War on Drugs, of which he has said, I always felt    like it was the kind of name I could record all sorts of    different music under without any predictability inherent in    the name.  <\/p>\n<p>    The Drugs built their identity as a Philadelphia band through    releases like 2008s Wagonwheel Blues, 2011s    Slave Ambient, and Lost in the Dream. I had    done all this stuff, and been in a band, and then I kind of    isolated myself, he says of working in L.A. Why, he found    himself wondering. What happened?  <\/p>\n<p>    Finding his way home, artistically and literally, became    necessary for Granduciel. That search for self-definition and    belonging is present in songs like Thinking of a Place.    Granduciel, an obsessive tinkerer, talks about the recording    process he dearly loves with phrases like, Im still searching    for the magic.  <\/p>\n<\/p>\n<p>    Adam Granduciel in his South Philadelphia studio.  <\/p>\n<p>    OnA Deeper Understanding, Granduciel asks: Am I    living in the space between the beauty and the pain? which has    literal meaning when you consider he had back surgery last    winter.  <\/p>\n<p>    So in the process of making it, did he achieve a deeper    understanding?  <\/p>\n<p>    When do you stop searching, and when does it get to the point    where there are no outside forces preventing you from feeling    satisfied? he says, answering with a question. You can keep    moving, or keep changing or keep trying different combinations.    But you really have to just be. Which is easier said than    done.  <\/p>\n<p>    He is by no means ditching L.A.  or New York for that matter,    where he went to do additional recording to get some East    Coast mud, on the album, and where hes been living with    Ritter in Brooklyn while she shoots her Marvel shows second    season.  <\/p>\n<p>    When back in Philly, his home is a hotel. A true drifter, he    says. Hes psyched to play    Barwins benefit,and he jokes that the NFL pro, who    now plays for the Los Angeles Rams, is doing the opposite of    me. He bought a house here, and I sold mine. Maybe we should    get a time-share.  <\/p>\n<p>    But seriously, the other important thing to me is I really    wanted to keep the band in Philly, he says, noting the Drugs    played their first show at Johnny Brendas in Fishtown in 2006.  <\/p>\n<p>    This is where I had that spark and decided that I wanted to    pursue music even when it meant not knowing anybody, and I felt    compelled to start learning how to write songs. Philly was that    place for me, he says.Its the root of who I am.  <\/p>\n<p>          Lionel Richie: Why band          reunions are like seeing your grandfather in a          Speedo          Aug 10 - 5:30 PM        <\/p>\n<p>          Wait, is Arcade Fire          terrible now?          Aug 4 - 7:58 AM        <\/p>\n<p>                Published: August 18, 2017  3:01 AM EDT |        Updated: August        18, 2017  10:36 AM EDT<\/p>\n<p>            We recently asked you to support our journalism. The            response, in a word, is heartening. You have encouraged            us in our mission  to provide quality news and            watchdog journalism. Some of you have even followed            through with subscriptions, which is especially            gratifying. Our role as an independent, fact-based news            organization has never been clearer. And our promise to            you is that we will always strive to provide            indispensable journalism to our community.            Subscriptions are available for home delivery of the            print edition and for a digital replica viewable on            your mobile device or computer. Subscriptions start as            low as 25 per day.            We're thankful for your support in every            way.<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read this article:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.philly.com\/philly\/entertainment\/music\/war-on-drugs-a-deeper-understanding-adam-granduciel-20170818.html\" title=\"Philly's the War on Drugs reach for greatness and 'A Deeper ... - Philly.com\">Philly's the War on Drugs reach for greatness and 'A Deeper ... - Philly.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> When Adam Granduciel finished work on Lost in the Dream, the 2014 album by the War on Drugs, the Philadelphia guitarist and songwriter was satisfied with his creative life and career trajectory. I had a very full life in Philadelphia, said Granduciel, sitting down in the bands new South Philly rehearsal space to discuss A Deeper Understanding (Atlantic ****), the more-majestic-than-ever fourth War on Drugs album, which comes out Friday. I had a clear identity of myself and my life, and what music meant to me, says the 38-year-old rock auteur, who will lead his band into the Dell Music Center in Strawberry Mansion for former Eagle Connor Barwins Make the World Better Foundation on Sept <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/war-on-drugs\/phillys-the-war-on-drugs-reach-for-greatness-and-a-deeper-philly-com\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187832],"tags":[],"class_list":["post-212837","post","type-post","status-publish","format-standard","hentry","category-war-on-drugs"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/212837"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=212837"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/212837\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=212837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=212837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=212837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}