{"id":212418,"date":"2017-08-18T05:39:51","date_gmt":"2017-08-18T09:39:51","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/the-70s-naxalbari-lsd-poetry-and-the-emergency-times-of-india-blog\/"},"modified":"2017-08-18T05:39:51","modified_gmt":"2017-08-18T09:39:51","slug":"the-70s-naxalbari-lsd-poetry-and-the-emergency-times-of-india-blog","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/new-utopia\/the-70s-naxalbari-lsd-poetry-and-the-emergency-times-of-india-blog\/","title":{"rendered":"The 70s: Naxalbari, LSD, Poetry and the Emergency &#8211; Times of India (blog)"},"content":{"rendered":"<p><p>    It was the best of times, it was the worst of times, it was the    age of wisdom, it was the age of foolishness, it was the epoch    of belief, it was the epoch of incredulity, it was the season    of light, it was the season of darkness, it was the spring of    hope, it was the winter of despair, we had everything before    us, we had nothing before us, we were all going direct to    Heaven.  <\/p>\n<p>    Or so we thought as we entered the seventies. Smoking weed;    falling in love; writing poetry and dreaming of a new and just    world order.    I had barely entered Presidency College when Naxalbari happened    and classmates began to disappear.  <\/p>\n<p>    They had gone to the forests, in the memorable words of Marxist    poet Subhash Mukhopadhyay to fight a war for those who knew not    how to. By coincidence, that was when my first book of poems    appeared. I got married. All night I stayed awake translating    the nine cantos of the Meghnad Badh Kavya, Michael Madhusudan    Dutts 19th century epic. I did a day job as an office boy in    14 Bentinck Street where the Chinese shoe shops were.  <\/p>\n<p>    Satyajit Rays Aranyer Din Ratri had just released. No one had    known there was a sexual side to the Brahmo. Shombhu Mitra was    still staging Dasachakra based on Ibsens Enemy of the People    while Badal Sircar had discovered the Third Theatre and taken    his plays out of the proscenium and on to the streets.  <\/p>\n<p>    Shakti Chattopadhyay, then in his mid-thirties, was lying in    the gutters, drunk as usual. His poems scribbled on torn sheets    may yet outlive Tagore. Nikhil Biswas had died at 36, leaving    behind 10,000 drawings. Yes, it was the best of times.  <\/p>\n<p>    India was still recovering from the excitement of the Beatles    visiting Rishikesh. Ravi Shankar was storming the West, with    Yehudi Menuhin at times, with John Lennon other times. Rajneesh    was shocking Bombay with his spiritual sermons on free sex.  <\/p>\n<p>    Dylans harmonica rang in our ears as Blowing in the Wind    played everywhere. Madhubala had just passed away. Zubin Mehta    was conducting the LA Philharmonic. And I? I was smoking hash    with Ginsberg and listening to Howl midst the smell of burning    flesh as funeral pyres lit up Calcuttas night sky. Or    strolling home at daybreak with the great Ustad after a    nightlong concert. No, no one could sing the Malkauns like Amir    Khan did.  <\/p>\n<p>    We were all young then, full of anger and hope. We dreamt of a    just world. We believed poverty could be fought and defeated.    Che with his trademark beret stared down at us from red    posters, though very few among us were actually Red. It was    azaadi we yearned for. We protested against the Gulag as loudly    as we raised our voice against Mai Lai.  <\/p>\n<p>    I quit college. Not for politics but for poetry. Poetry, for    me, was hope. It was azaadi from the tired clichs of politics.    I started a magazine that brought together the best voices.    Agyeya and Faiz, Muktibodh and Yevtushenko, Octavio Paz.  <\/p>\n<p>    Brewing next door was a war. The young students of East Bengal    took on the Pakistani army with the poetry of Shamsur Rahman    echoing in their hearts: Freedom is a voice everyone hears;    freedom is a voice everyone fears. I remember Kaifi    telling students in Dhaka that poetry alone can win the war for    them.  <\/p>\n<p>    Around that time, a young man quit his job in Calcutta and    caught a train to Bombay to try his luck at the movies. KA    Abbas gave him his first break. But it took him a few more    years and a film with Rajesh Khanna to be noticed.  <\/p>\n<p>    A script by two young men, Salim and Javed defined his real    role: the role of the Angry Young Man ready to set the skies on    fire in his pursuit of hope and justice. It started with a    small film called Zanjeer but soon went well beyond cinema. It    defined the indomitable spirit of the seventies and raised its    richest baritone: Rage.  <\/p>\n<p>    The rhetoric of non violence had already tired. The young were    seeking hope, a new Utopia in a world without answers. Doubt    and dilemma dogged them. That is when Bachchan picked up the    gauntlet and showed them the way out. India found a new hero.    He stood up for the weak and the poor. He fought against    injustice and crime. And yes, he was violent when violence was    required. He was the new moral compass, the voice that    whispered in our ears: Fight back.  <\/p>\n<p>    The long war in Vietnam had ended. Free Bangladesh was born by    the will of its young writers and poets. And India showed it    will not cower before the Emergency, come what may. It was a    reassertion of our will. The left, the right, everyone got    together to fight back the darkness. Till Mrs Gandhi submitted    to the will of the people.  <\/p>\n<p>    The eighties came with the assassination of John Lennon. Andrei    Sakharov was arrested in Moscow. The Rubiks Cube arrived. So    did the first 24 hours news channel by CNN. Mrs Gandhi returned    to power. Mikhail Gorbachev broke the Kremlins grip. The USSR    was no more the USSR. Pac-Man took Japan by storm. Led Zeppelin    broke up. And Uttam Kumar died. So did Mohammed Rafi. And    Sahir.    By then I had married again. The Emergency was over. Mrs Gandhi    was back in power just one day before my birthday. Naxalbari    was also over. My poetry gave way to journalism.  <\/p>\n<p>    Two years later, Kapil brought home the World Cup. I moved to    Bombay. Amitabh won an election and went to Parliament. (I made    the same mistake a decade later.) Bofors broke out. And the    world as we knew it had changed forever.  <\/p>\n<p>    The seventies was about freedom, hope, courage. Each one of us    against the world, living out our bravest moment. Will that    ever come back again? I doubt it.  <\/p>\n<p>  DISCLAIMER : Views expressed above are the author's own.<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>More:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/blogs.timesofindia.indiatimes.com\/extraordinaryissue\/the-70s-naxalbari-lsd-poetry-and-the-emergency\/\" title=\"The 70s: Naxalbari, LSD, Poetry and the Emergency - Times of India (blog)\">The 70s: Naxalbari, LSD, Poetry and the Emergency - Times of India (blog)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven. Or so we thought as we entered the seventies. Smoking weed; falling in love; writing poetry and dreaming of a new and just world order <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/new-utopia\/the-70s-naxalbari-lsd-poetry-and-the-emergency-times-of-india-blog\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187819],"tags":[],"class_list":["post-212418","post","type-post","status-publish","format-standard","hentry","category-new-utopia"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/212418"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=212418"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/212418\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=212418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=212418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=212418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}