{"id":212051,"date":"2017-08-16T18:11:30","date_gmt":"2017-08-16T22:11:30","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/personal-and-politically-charged-the-press-release-for-kara-walkers-new-show-is-a-work-of-art-all-by-itself-artnet-news\/"},"modified":"2017-08-16T18:11:30","modified_gmt":"2017-08-16T22:11:30","slug":"personal-and-politically-charged-the-press-release-for-kara-walkers-new-show-is-a-work-of-art-all-by-itself-artnet-news","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/personal-and-politically-charged-the-press-release-for-kara-walkers-new-show-is-a-work-of-art-all-by-itself-artnet-news\/","title":{"rendered":"Personal and Politically Charged, the Press Release for Kara Walker&#8217;s New Show Is a Work of Art All by Itself &#8211; artnet News"},"content":{"rendered":"<p><p>    The title of Kara Walkers upcoming solo exhibition at New    Yorks Sikkema Jenkins &    Co., even by Walkers baroque standards, is ostentatious:    Sikkema Jenkins and    Co. is Compelled to present The most Astounding and Important    Painting show of the fall Art Show viewing season! But    its the extraordinary press release for the show that has    already caused a stir on social media.  <\/p>\n<p>    The first half of the release is written in the style of an    old-timey advertisement for a sideshow attraction. It reads, in    part, as acritique of the blockbuster status of Walkers    previous exhibitions, such as her 2014 Creative Time installation,    A Subtlety,    or the Marvelous Sugar    Baby.  <\/p>\n<p>    That35-by-75 sculpture, of a conspicuously naked black    women rendered in tons and tons of white sugar, seemed to    capture the cultural zeitgeist, attracting crowds and becoming    an Instagram sensation during its run at an abandoned Brooklyn    sugar factory.  <\/p>\n<p>    Earlier this year, Walker toldNew    Yorkmagazine that she was surprised to find that    visitors to the exhibition were just as quick to gawk at her,    when she stopped by, as at the mammoth sculpture.  <\/p>\n<p>    That interview also hinted at Walkers struggles with her    fame.Were in too much of a celebrity culture, she    said, but at least that means I can be a disappointment to    others.  <\/p>\n<p>      Kara Walker, A Subtlety (2014). Courtesy Creative      Time\/photographer Jason Wyche.    <\/p>\n<p>    Walker catapulted to fame in 1994, at the age of just 25, with    her show at New Yorks Drawing    Center, Gone:An Historical Romance of a Civil War as    It Occurred btween the Dusky Thighs of One Young Negress and    Her Heart. The exhibition introduced her signature, paper    cut-outs in the style of vintage silhouettes,    depictingcartoonish scenes of horror and debauchery from    the Antebellum South.  <\/p>\n<p>    Famously, that work attracted protest from artists including    Betye Saar, a veteran of the Black Arts Movement whose letter    condemning Walkers work askedAre    African Americans being betrayed under the guise of art?.  <\/p>\n<p>      Kara Walker, Gone, An Historical Romance of Civil War As      it Occurred Between the Dusky Thighs of Young Negress and Her      Heart (1994). Courtesy of the Museum of Modern Art.    <\/p>\n<p>    The new press release preemptively anticipates (or courts) more    contemporary criticism, with a tone at once defiant and ironic:  <\/p>\n<p>      Students of Color will eye her work suspiciously and exercise      their free right to Culturally Annihilate her on social      media. Parents will cover the eyes of innocent children.      School Teachers will reexamine their art history curricula.      Prestigious Academic Societies will withdraw their support,      former husbands and former lovers will recoil in abject      terror. Critics will shake their heads in bemused silence.      Gallery Directors will wring their hands at the sight of      throngs of the gallery-curious flooding the pavement outside.      The Final President of the United States will visibly wince.      Empires will fall, although which ones, only time will tell.    <\/p>\n<p>      Kara Walker, U.S.A. Idioms(2017), detail.      Courtesy of Sikkema Jenkins & Co.    <\/p>\n<p>    But the textthen shifts into a more personal and    world-weary register in a second section, in which Walker    begins by addressing the motivation for the unusual press    release itself:  <\/p>\n<p>      I dont really feel the need to write a statement about a      painting show. I know what you all expect from me and I have      complied up to a point. But frankly I am tired, tired of      standing up, being counted, tired of having a voice or      worse being a role model.    <\/p>\n<p>    Read the full exhibition press release    here:  <\/p>\n<\/p>\n<p>    Kara Walker: Sikkema Jenkins and Co. is Compelled to    present The most Astounding and Important Painting show of the    fall Art Show viewing season! is on view at Sikkema Jenkins & Co., 530 West    22nd Street, New York, September 7October 14, 2017.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Visit link: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/news.artnet.com\/exhibitions\/kara-walker-sikkema-jenkins-press-release-1051934\" title=\"Personal and Politically Charged, the Press Release for Kara Walker's New Show Is a Work of Art All by Itself - artnet News\">Personal and Politically Charged, the Press Release for Kara Walker's New Show Is a Work of Art All by Itself - artnet News<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The title of Kara Walkers upcoming solo exhibition at New Yorks Sikkema Jenkins &#038; Co., even by Walkers baroque standards, is ostentatious: Sikkema Jenkins and Co. is Compelled to present The most Astounding and Important Painting show of the fall Art Show viewing season! But its the extraordinary press release for the show that has already caused a stir on social media.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/personal-and-politically-charged-the-press-release-for-kara-walkers-new-show-is-a-work-of-art-all-by-itself-artnet-news\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187735],"tags":[],"class_list":["post-212051","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/212051"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=212051"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/212051\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=212051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=212051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=212051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}