{"id":209234,"date":"2017-08-01T18:29:41","date_gmt":"2017-08-01T22:29:41","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/ascension-community-theatres-august-osage-county-puts-the-fun-in-family-dysfunction-the-advocate\/"},"modified":"2017-08-01T18:29:41","modified_gmt":"2017-08-01T22:29:41","slug":"ascension-community-theatres-august-osage-county-puts-the-fun-in-family-dysfunction-the-advocate","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/ascension\/ascension-community-theatres-august-osage-county-puts-the-fun-in-family-dysfunction-the-advocate\/","title":{"rendered":"Ascension Community Theatre&#8217;s &#8216;August: Osage County&#8217; puts the &#8216;fun&#8217; in family dysfunction &#8211; The Advocate"},"content":{"rendered":"<p><p>    Director Keith Dixon sums up Tracy Letts' \"August: Osage    County\" in one sentence.  <\/p>\n<p>    \"We put the fun in family dysfunction,\" Dixon says.  <\/p>\n<p>    He can't help laughing, partly because of his quip and partly    because of some comic moments produced by the dysfunction in    Letts' Pulitzer Prize-winning play.  <\/p>\n<p>    The show is billed as a dark comedy, though its dramatic    moments can sometimes overshadow the laughter. Audiences can    judge for themselves when Ascension Community Theatre opens \"August: Osage    County\" on Thursday.  <\/p>\n<p>    \"This story is about a lot of things,\" Dixon says. \"It's about    adult children's relationships with their parents, it's about    what happens when you hold secrets for a long time without    airing grievances, and it's about how it doesn't always mean    you're the winner if you're the last one standing.\"  <\/p>\n<p>    The play is Dixon's return to directing area community theater    since leaving his job as Theatre Baton Rouge's artistic    director in 2014 to take the same position at Spokane Civic    Theatre in Spokane, Washington.  <\/p>\n<p>    He returned to Baton Rouge in 2016, where he's now the    communications and development director at the Louisiana Art    & Science Museum.  <\/p>\n<p>    \"It feels good to be back directing in a theater,\" he says.    \"And this isn't just any play  this is a big one.\"  <\/p>\n<p>    The play will be performed on a thrust stage, where the    audience is positioned three-quarters of the way around the    stage.  <\/p>\n<p>    \"It's like we're making them a part of the family, too,\" Dixon    says.  <\/p>\n<p>    \"August: Osage County\"  <\/p>\n<p>    won the 2008 Pulitzer Prize for Drama, along with six Tony    Awards, including one for Best Play, in the same year.  <\/p>\n<p>    \"Some of our audience members might know the play from the    (2013) movie starring Meryl Streep and Julia Roberts,\" Dixon    says.  <\/p>\n<p>    The story takes place over several weeks, opening with    patriarch Beverly Weston hiring a young Native American woman    as a caregiver for his drug-addicted wife, Violet. Beverly    disappears, the family gathers, personalities clash and secrets    surface.  <\/p>\n<p>    Then comes the bombshell of Beverly's whereabouts.  <\/p>\n<p>    \"I don't want to give away a spoiler,\" Dixon says. \"But it's a    major turning point in the play.\"  <\/p>\n<p>    The story calls for seven actresses and six actors, who all    play a big part in the story. Dixon has only praise for his    cast.  <\/p>\n<p>    \"I have seven amazing women in this show, which is primarily    about them,\" Dixon says. \"But I don't want to take away from    the men in the family, because they play an integral role in    driving the plot. The six men I have in these roles are great.\"  <\/p>\n<p>    Dixon also cautions his potential audiences that the play has    strong language.  <\/p>\n<p>    \"It's definitely an adult play, but even though the situation    is extreme, the audience will be able to relate to it, because    it's about family and family conflict,\" he says.  <\/p>\n<p>    It's a gathering where parents still see their adult children    as young children, where siblings forge mixed relationships of    love and resentment and where addiction is an obvious, yet    hidden, issue.  <\/p>\n<p>    \"They've been holding on to so much,\" Dixon says. \"And in the    end, it's also about letting go.\"   <\/p>\n<p>    An Ascension Community Theatre production  <\/p>\n<p>    WHEN: Thursdays through Sundays, Aug. 3-6 and    Aug. 10-13. Performances at 7 p.m.;Sunday matinees at 2    p.m.  <\/p>\n<p>    WHERE: Ascension Community Theatre, 823    Felicity St., Gonzales  <\/p>\n<p>    TICKETS\/INFO:$22.50-$25. (225) 647-1230    or actgonzalesla.wixsite.com\/actsite.  <\/p>\n<p>    Follow Robin Miller on Twitter, @rmillerbr.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Follow this link:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.theadvocate.com\/baton_rouge\/entertainment_life\/arts\/article_13b76724-7302-11e7-817c-f7c845cb250f.html\" title=\"Ascension Community Theatre's 'August: Osage County' puts the 'fun' in family dysfunction - The Advocate\">Ascension Community Theatre's 'August: Osage County' puts the 'fun' in family dysfunction - The Advocate<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Director Keith Dixon sums up Tracy Letts' \"August: Osage County\" in one sentence. \"We put the fun in family dysfunction,\" Dixon says. He can't help laughing, partly because of his quip and partly because of some comic moments produced by the dysfunction in Letts' Pulitzer Prize-winning play.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/ascension\/ascension-community-theatres-august-osage-county-puts-the-fun-in-family-dysfunction-the-advocate\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187766],"tags":[],"class_list":["post-209234","post","type-post","status-publish","format-standard","hentry","category-ascension"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/209234"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=209234"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/209234\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=209234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=209234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=209234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}