{"id":208654,"date":"2017-07-29T19:17:27","date_gmt":"2017-07-29T23:17:27","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/the-evolution-of-the-female-action-hero-time\/"},"modified":"2017-07-29T19:17:27","modified_gmt":"2017-07-29T23:17:27","slug":"the-evolution-of-the-female-action-hero-time","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/the-evolution-of-the-female-action-hero-time\/","title":{"rendered":"The Evolution of the Female Action Hero &#8211; TIME"},"content":{"rendered":"<p><p>    The    Evolution of the Female Action Hero  <\/p>\n<p>    From Ripley to Wonder Woman, these characters    are fighting for the future  <\/p>\n<p>    BY ELIANA DOCKTERMAN  <\/p>\n<\/p>\n<p>    The action genre has long been dominated by Bonds, Bournes and    Batmen. This summer is different. Gal    Gadots Wonder Woman and Charlize    Therons Lorraine Broughton both broke through. Wonder    Woman became the first female superhero to headline her own    major motion picture in over a decade. (Not to mention make a        boat-load of cash.)  <\/p>\n<p>    And, building on her Mad Max: Fury Road credentials,    Theron is poised to take the female-led action film places its    never been before with the     violent, stylish Atomic Blonde.  <\/p>\n<p>    Both films are important in the evolution of the female hero on    screen, which we look at here. Over the past fifty years, these    kinds of rolesthe Ellen Ripleys, the Sarah Connors, the Black    Widowshave grown, though slowly and without full    representation of race, sexual orientation and class.  <\/p>\n<p>    One thing is certain, after this summers successes, more films    with strong female leads are on the way.  <\/p>\n<p>    Jack Hills Foxy Brown (1974) cast Pam Grier as the    revenge-seeking hero of an unapologetic black epic. The films    portrayal of sex, drugs, crime and poverty also spoke to themes    of the womens and black power movements. She becomes the model    for women in blaxploitation movies to come.  <\/p>\n<p>    Then came Leia. Technically, she was a princess. But when the    boys of Star Wars showed up to save the supposed damsel in    distress in A    New Hope (1977), Carrie Fisher rolled her eyes,    grabbed a blaster and took over the escape mission. Leia walked    the line between sexy and powerful: The scene in which she    strangles her captor Jabba while wearing a slinky gold bikini    is an exercise in parsing. But she was the first truly    empowered princess, serving as a precursor to future characters    likes Elsa, Xena and Daenerys.  <\/p>\n<p>    MORE: Carrie    Fisher Played the First Truly Kickass Princess  <\/p>\n<p>    As Ripley in Alien (1979), Sigourney Weaver arguably    birthed the female action hero. Her characters ferocity    rejected tired stereotypes. Perhaps thats because the role was    originally written for a man, and director Scott Ridley has    said little changed about the character after Weaver was cast.  <\/p>\n<p>    The 1980s were bountiful with action moviesRambo    (1982), Lethal Weapon (1987), Die Hard    (1988)but bereft of female leads. In the Terminator franchise,    Linda Hamilton began as love interest and sidekick, but evolved    into a fighter when faced with a threat.The plot established    what would become a well-worn path for female heroes: A    defenseless woman forced to become strong in the face of    danger, a lioness protecting her cub and a study in fragility    when pushed to the limit. The Sarah Connor of Terminator 2    would let go of most of that, becoming a fervent, gun-touting,    pull-up machine.  <\/p>\n<p>    Directors like Luc Besson, Joss Whedon and Ridley Scott    established themselves as boosters of strong female characters.    Bessons La Femme Nikita (1990), The    Professional (1994) and The Fifth Element (1997)    kicked off his long history of featuring women as the ultimate    weapon. Joss Whedon first brought vampire slayer Buffy to the    big screen (1992), though she would make a more indelible mark    in the later TV series. Scotts G.I. Jane (1992),    played by Demi Moore, shared a shaved head and talent for    wielding guns with Alien 3s Ripley.  <\/p>\n<p>    While these men ushered in impressive heroes, female directors    were largely denied the opportunity to helm big budget films.    Thats just begun to change: This June, Wonder Woman    became the first film directed by a woman (Patty Jenkins) to    make $100 million opening weekend.  <\/p>\n<p>    Movies like Charlies Angels (2000), Resident    Evil (2002), Catwoman (2004), Aeon Flux    (2005) and Elektra (2005) fused girl power with sex    appeal to varying degrees of success.  <\/p>\n<p>    Meanwhile Angelina Jolie leveraged her role as the impossibly    proportioned tomb raider, Lara Croft (2001), into a    new phase of her career. After starring in Mr. and Mrs.    Smith (2005), Wanted (2008) and Salt    (2010), Jolie became perhaps the first woman to achieve a run    of successful action films. She joined the pantheon of action    stars that includes Sylvester Stallone and Bruce Willis.  <\/p>\n<p>    Every superhero ensemble seems to have     at least one woman: Black Widow in The Avengers    (2012), Gamora in Guardians of the Galaxy (2014),    Wonder Woman in Batman v Superman (2016), Letty in    Fast & Furious (2001). Too often these characters    are there to have chemistry with the leading man or to round    out the crew rather than move the plot forward.  <\/p>\n<p>    But women have also started to headline these movies, like in    Divergent (2014) and Rogue One: A Star Wars    Story (2016). Movies like The Hunger Games    (2012), Lucy (2014), Mad Max: Fury Road    (2015) have proven that women-led    action flicks are bankable too.  <\/p>\n<p>    Seventy-six years after her comic book debut, the most famous    female superhero in the world, Wonder Woman, finally got her    own movie. And its a smash. Scarlett Johansson cements her    current title as go-to action hero by adding Ghost in the    Shell to her resume. And Charlize Theron sets out to    create an action hero who isnt purely good in Atomic    Blonde.  <\/p>\n<p>    MORE: Why We    Need Wonder Woman Now  <\/p>\n<p>    All three heroes brawl for different reasons: One for a greater    moral good, another because shes programmed to do so and a    third because maybe she enjoys her license to kill a little too    much. Finally, were getting different types of female heroes.  <\/p>\n<p>    Getty Images (6); 20th Century Fox (4); Warner Bros.    Pictures (4); Lionsgate (3); Paramount Pictures (3); Universal    Pictures (3); Focus Features (2); Lucasfilm\/Disney (2);    Marvel\/Disney (2); Screen Gems (2); Columbia Pictures (2);    Gaumont; Orion Pictures; Sony Pictures Classics  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read more from the original source:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/time.com\/female-action-heroes\/\" title=\"The Evolution of the Female Action Hero - TIME\">The Evolution of the Female Action Hero - TIME<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The Evolution of the Female Action Hero From Ripley to Wonder Woman, these characters are fighting for the future BY ELIANA DOCKTERMAN The action genre has long been dominated by Bonds, Bournes and Batmen. This summer is different. Gal Gadots Wonder Woman and Charlize Therons Lorraine Broughton both broke through <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/the-evolution-of-the-female-action-hero-time\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187748],"tags":[],"class_list":["post-208654","post","type-post","status-publish","format-standard","hentry","category-evolution"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/208654"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=208654"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/208654\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=208654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=208654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=208654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}