{"id":208304,"date":"2017-07-28T18:40:34","date_gmt":"2017-07-28T22:40:34","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/how-clothing-made-from-milk-became-the-height-of-fashion-in-mussolinis-italy-atlas-obscura\/"},"modified":"2017-07-28T18:40:34","modified_gmt":"2017-07-28T22:40:34","slug":"how-clothing-made-from-milk-became-the-height-of-fashion-in-mussolinis-italy-atlas-obscura","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurist\/how-clothing-made-from-milk-became-the-height-of-fashion-in-mussolinis-italy-atlas-obscura\/","title":{"rendered":"How Clothing Made From Milk Became the Height of Fashion in Mussolini&#8217;s Italy &#8211; Atlas Obscura"},"content":{"rendered":"<p><p>    In 1909, Filippo Tommaso    Marinettia member of the Italian literati who had    studied in Egypt, France, and Italypublished his radical    Futurist Manifesto, a document whose exaltations of    technological disruption ignited the Italian Futurism movement.  <\/p>\n<p>    Marinetti called for art that embraced new innovations like    automobiles, glorified war, fought morality, and did away    with libraries and museums, which focused too heavily on the    past.  <\/p>\n<p>    The Italian Futurism he spawned revolted against the old:    Futurist poetry, for instance, often discarded grammar rules    and appeared in non-linear jumbles, while Futurist paintings    experimented with perspective and a collapsing of space.  <\/p>\n<p>    Fashion was a particular fascination of Futurists. Since 1914,    with the publication of Giacomo Ballas Futurist Manifesto of    Mens Clothing manuscript, the debate over how Italians should    dress raged within Marinettis circles. Futurists wanted    manufacturers to craft clothing out of new    revolutionary materials, such as paper, cardboard, glass,    tinfoil, aluminum, rubber, fish skin, hemp, and gas.  <\/p>\n<p>    In 1920, the Manifesto of Futurist Womens Fashion added a    new material to this list: milk.  <\/p>\n<p>    The idea was not entirely novel. Between 1904 and 1909, German    chemist Frederick Todtenhaupt     attempted to turn milk byproducts into a fibrous silk    substitute. Though his efforts failed, their underlying premise    intrigued Marinettis band of Futurists. Many began to    speculate that milk was the fabric of the future and would one    day comprise all styles of dress.  <\/p>\n<p>    It wasnt as crazy as it might sound. Wool is a protein, so on    a molecular level, it has a very similar structure to casein,    the protein found in milk. Chemists simply needed to figure out    how to process casein in a way that emulated the texture of    wool.  <\/p>\n<p>    Thus, for milk-based clothing to happen, Marinetti and the    Italian Futurists needed to wait for the technology to catch    up.  <\/p>\n<p>    That moment came during the 1930s, when Italian Prime Minister    Benito Mussolini began his push for the country to achieve    economic self-sufficiency. Mussolini had stormed into office in    1922 amid popular resentment for what many saw as British,    French, and American stiff-arming in the Treaty of Versailles.    Marinetti was one of his early proponents. In 1919, Marinettis    short-lived Futurist Political Partyan attempt to bring    Futurist ideas into governmentmerged with Mussolinis Italian    Fascist Party. The two were associatesMussolini once called    Marinetti a fervent    Fascistand they shared the goal of strengthening Italys    economy in preparation for coming wars.  <\/p>\n<p>    One way they accomplished that? Milk clothing.  <\/p>\n<p>    In the early 1930s, Mussolini commanded Italians to create more    of their own products and, in doing so, to innovate an Italian    style in furnishing, interior decoration, and clothing [that]    does not yet exist.  <\/p>\n<p>    Like many in the Fascist government, he pinned his hopes on    artificial fabrics, a market in which Italy proved dominant. As    the Futurists had earlier proposed, many Italian companies    began using organic materialsrather than less-prevalent silks    and woolsto develop textiles.  <\/p>\n<p>    Italys first great success came with rayon, an artificial silk    made of cellulose. In 1929, the nation became the worlds    leading producer of the material, boasting     16 percent of total rayon output.  <\/p>\n<p>    The party responsible for the lions share of that rayon was a    textile company known as SNIA Viscosa. By 1925, SNIA accounted    for 70 percent of Italys artificial fibers, growing so large    that it became the nations first company to be listed in    foreign stock exchanges (in London and New York).  <\/p>\n<p>    And in 1935, SNIA Viscosa acquired the rights to a new kind of    fiber: a milk-based synthetic wool that, building on    Todtenhaupts earlier work, the Italian engineer Antonio    Ferretti had recently perfected. This new milk fiber was dubbed    lanital (a compounding of lana, meaning wool, and    ital, from Italia).  <\/p>\n<p>    The lanital production process that Ferretti pioneered went    like this: first, scientists added acid to skim milk, which    separated out the casein. The casein was then dissolved until    it developed a viscous consistency. Next, according to        TIME, the casein was forced through spinnerets like    macaroni, passed through a hardening chemical bath, [and] cut    into fibres of any desired length. The result? A substance    that mimicked wool.  <\/p>\n<p>    A 1937 British Path    video offers a rare glimpse into this process, closing on    an incredible prediction: in the future, youll be able to    choose between drinking a glass of milk and wearing one.  <\/p>\n<p>    To Mussolini, lanital was ingenious. Italy, like most nations,    was wasting billions of pounds per year in excess skim milk.    Lanital gave them an inexpensive way to repurpose it and,    considering it otherwise would have languished, offered    a lot of bang    for their buck: 100 pounds of milk contained around 3.7    pounds of casein, which translated to 3.7 pounds of lanital.  <\/p>\n<p>    Though lanital was neither as strong nor as elastic as actual    wool, Mussolini remained steadfastly delighted. This was the    kind of Italian innovation he wanted more of.  <\/p>\n<p>    So in 1935, after his invasion of Ethiopia resulted in heavy    sanctions from the League of Nations (a post-World War I    prototype for the United Nations) that further isolated Italy,    Mussolini turned his full attention to lanital.  <\/p>\n<p>    Then more than ever, Mussolini needed to achieve the economic    self-sufficiency he craved. He invested more and more in what    Italy did best: artificial textiles. According to     Karen Pinkus, artificial fabrics, including lanital, became    a central obsession for the regime.  <\/p>\n<p>    SNIA Viscosa received large sums of government aid, and its    promising new milk fabric earned strong support: by 1937, an    astonishing     10 million pounds of lanital were produced. State-run    textile boards began publishing propaganda posters urging    citizens to Dress    in an Italian manner. Futurists, delighted by the newfound    prominence of milk fibers, enthusiastically praised the    invention and the ingenuity of the Fascist government.  <\/p>\n<p>    Marinetti himself became somewhat of a poet-in-residence for    SNIA. His 1938 poem The Poem of Torre Viscosa praised the    textile company, while The Simultaneous Poem of Italian    Fashion thanked the company for its exemplary Italianness,    dynamism, autonomy, [and] creativity.  <\/p>\n<p>    But most memorable was his Poem of the Milk Dress, which was    published in an illustrated propaganda booklet, and which    featured some     choice writing in praise of lanital:  <\/p>\n<p>      And let this complicated milk be welcome power power      power lets exalt this    <\/p>\n<p>      MILK MADE OF REINFORCED STEEL    <\/p>\n<p>      MILK OF WAR    <\/p>\n<p>      MILITARIZED MILK.    <\/p>\n<p>    The propaganda worked. Lanital became ubiquitous throughout    Italy, and the Futurist dream of milk clothing seemed to become    reality.  <\/p>\n<p>    In April 1937, British publication The Childrens    Newspaper reported    that milk wool had infiltrated Italian suits, dresses,    garments, and even flags: an order has gone forth that flags    and banners be made of this material, of which the Italians are    exceedingly proud.  <\/p>\n<p>    In fact, by 1938, SNIA Viscosa became intent on spreading    milk-based clothing around the world. Two years later, it had    sold patents to     eight countries (Holland, Poland, Germany, Belgium, Japan,    France, Canada, Czechoslovakia, and England).  <\/p>\n<p>    Yet there was one country in particular that SNIA Viscosa hoped    to woo: the United States.  <\/p>\n<p>    The U.S. was a natural target for SNIA Viscosas milk fibers.    Since the early 1920s, Americans had discussed casein as a    potential bridge between the agricultural and manufacturing    sectors and as a way to repurpose their     50 billion pounds per year of excess skim milk.  <\/p>\n<p>    In 1900, Henry E. Alvord, a president of multiple American    agricultural colleges, suggested that casein be used in glue,    buttons, and combs. During World War I, casein appeared in a    paint that coated airplane wings; by 1940, it appeared in piano    keys. Casein was also found in certain kinds of American paper,    where it attached to minerals to give off a glossy sheen.  <\/p>\n<p>    So SNIA Viscosa thoughtwhy not also in clothing?  <\/p>\n<p>    With the help of the Italian government, SNIA dispatched    fashion emissaries like American    journalist-turned-Italian-princess Marguerite Caetani to    promote lanital clothing in New York. A December 1937    TIME article describes how Caetani recruited American    socialites like Mona Bismarckwhom Chanel once voted the Best    Dressed Woman in the Worldto model high-end milk-based    dresses for American audiences.  <\/p>\n<p>    Their efforts paid off: in 1941, a team for the Atlantic    Research Associatesa division of the National Dairy    Corporationbegan producing lanital under the name aralac    (ARA as in American Research Associates + lac, Latin    for milk).  <\/p>\n<p>    The new milk fibers were a hit. As SNIA had hoped, the New York    fashion scene fixated on aralac-based clothing, and aralac    briefly denoted sophistication. But when the U.S. joined World    War II, it found a more universal use: military equipment.  <\/p>\n<p>    Aralac     was blended with rayon to produce hats, thus providing    modern historians with a trivia fact to trump all trivia facts:    during World War II, American soldiers wore milk to battle.  <\/p>\n<p>    Aralac spread so quickly throughout the United Statesit soon    appeared in coats, suits, and dressesthat a 1944 LIFE    article     declared, A great many U.S. citizens, without knowing it,    are wearing clothes made from skimmed milk.  <\/p>\n<p>    But despite the initial honeymoon period, milk-based fabrics    soon fell out of favor around the world. Despite press hype    about its luxury, lanital was much weaker than wool, and it    broke easily. Threads often came out when ironed. But most    damning was the putrid odor these fabrics sometimes gave off:    when    damp, [lanital and aralac] smelled like sour milk, causing many    consumer complaints.  <\/p>\n<p>    By 1948, production shut down in the United States. Soon after,    SNIA Viscosa itself began focusing its energy on other    synthetic products. Its reputation had taken a massive hit    after World War II, when lanital-infused boots, blankets, and    military uniformswhich Mussolini believed would resist poison    gasin fact did little to protect Italian soldiers, and led to        2,000 cases of frostbite during a battle against France.    Anyway, cheaper synthetic products were flooding the market,    pricing out lanital.  <\/p>\n<p>    Yet that is not the end of the story.  <\/p>\n<p>    Over the decades, milk-based clothing has remained popular    among futurists, and in recent years, the fibers have made    somewhat of a resurgence.  <\/p>\n<p>    In 2011 there was the debut of German-based clothing company    Qmilch, whose fashionable products are manufactured almost    entirely with casein. Started by German microbiologist and    designer Anka Domaske, Qmilch offers products that require    fewer chemicals than the lanital of the 1930s and 1940s. A    single dress costs between roughly $200 and $230 and is made    from six liters of milk.  <\/p>\n<p>    According to     Reuters, the fashion label Mademoiselle Chi Chia high-end    clothing producer that is a favorite of American celebrities    like Mischa Barton and Ashlee Simpsonhas also begun selling    milk-based clothing. Uniqlos popular Heattech apparel line,    too, is    partially made from milk proteins.  <\/p>\n<p>    Today, these clothes are especially attractive because they are    both biodegradable and sustainable. In fact, as global society    continues to emphasize reuse, one cannot help but think that    perhaps Marinettis Futurists were right all along. Perhaps our    future lies with the milk dress.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read this article:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.atlasobscura.com\/articles\/lanital-milk-dress-qmilch\" title=\"How Clothing Made From Milk Became the Height of Fashion in Mussolini's Italy - Atlas Obscura\">How Clothing Made From Milk Became the Height of Fashion in Mussolini's Italy - Atlas Obscura<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> In 1909, Filippo Tommaso Marinettia member of the Italian literati who had studied in Egypt, France, and Italypublished his radical Futurist Manifesto, a document whose exaltations of technological disruption ignited the Italian Futurism movement. Marinetti called for art that embraced new innovations like automobiles, glorified war, fought morality, and did away with libraries and museums, which focused too heavily on the past <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurist\/how-clothing-made-from-milk-became-the-height-of-fashion-in-mussolinis-italy-atlas-obscura\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-208304","post","type-post","status-publish","format-standard","hentry","category-futurist"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/208304"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=208304"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/208304\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=208304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=208304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=208304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}