{"id":20755,"date":"2014-01-03T20:42:56","date_gmt":"2014-01-04T01:42:56","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/2013-in-review-box-office-hits-and-misses-around-the-world\/"},"modified":"2014-01-03T20:42:56","modified_gmt":"2014-01-04T01:42:56","slug":"2013-in-review-box-office-hits-and-misses-around-the-world","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/politically-incorrect\/2013-in-review-box-office-hits-and-misses-around-the-world\/","title":{"rendered":"2013 in Review: Box Office Hits and Misses Around the World"},"content":{"rendered":"<p><p>      12:00 AM PST 1\/3\/2014 by THR      Staff    <\/p>\n<p>      Russia mined Stalingrad for box office gold, a Swedish biopic      about a 1960s jazz singer hit number two on the charts and a      politically-incorrect comedy about German school kids got top      grades. But a Japanese remake of Unforgiven faced harsh      retribution, the French had a rare off year and Australian      audiences thought a promising new comedy just wasnt cricket.      Here are the most surprising successes and shocking failures      from international films this year.    <\/p>\n<p>                Germany: School Comedy Fack Ju Gohte Does the                Sums              <\/p>\n<p>                For two years running, the director\/actor team of                helmer Bora Dagtekin and star                Elyas MBarek has topped the                German charts with politically incorrect comedies.                Their follow up to 2012 hit Turkish for                Beginners was the schooldays laffer Fack                Ju Gohte that opened in November and was                closing in on a $50 million gross just as German                school kids take off for the Christmas holidays.              <\/p>\n<p>                China: Finding Mr. Right Taps Mainlands New Rich              <\/p>\n<p>                Low budget local language comedies continue to rule                the Chinese box office and the breakout hit this                year was romcom Finding Mr. Right, from                director Xue Xiaolu. The $5                million feature pulled in $85.4 at the Chinese                tills. Star Tang Wei, best known                outside China for her role in Ang Lee's Lust,                Caution, plays a city girl who is pure New                China, a rich man's mistress obsessed with material                wealth, who comes to Seattle to have her lover's                baby.              <\/p>\n<p>                Argentina: GOOOOOL for Campanellas Foosball              <\/p>\n<p>                After winning the Oscar forThe Secret in Her Eyes,                Argentine director Juan Jose                Campanella tried something completely                different: a 3D animated kids film about soccer.                Foosball was a massive hit, scoring $14.2                million at the local box office, making it the                countrys number three film, just behind                Monsters Universityand                Despicable Me 2.              <\/p>\n<p>                India: Run Milka Run Finishes Strong              <\/p>\n<p>                The sports biopic genre is only beginning to be                tapped in Bollywood. Last year hit Paan                Singh Tomar, about a champion athlete                turned real-life bandit, was one of the first. But                sports drama hit broke new records with                Rakeysh Omprakash                Mehra's Run Milkha Run,                the story of Indian sprinter Milkha                Singh, aka the Flying Sikh. Star                Farhan Akhtar underwent grueling                physical training to lend credibility to his                performance which won over critics and audiences                alike. Run Mikha Run easily crossed the                coved film 1 billion rupee ($16.7 million) mark in                general release.              <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View post:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.hollywoodreporter.com\/gallery\/2013-review-box-office-hits-667182\" title=\"2013 in Review: Box Office Hits and Misses Around the World\">2013 in Review: Box Office Hits and Misses Around the World<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> 12:00 AM PST 1\/3\/2014 by THR Staff Russia mined Stalingrad for box office gold, a Swedish biopic about a 1960s jazz singer hit number two on the charts and a politically-incorrect comedy about German school kids got top grades. But a Japanese remake of Unforgiven faced harsh retribution, the French had a rare off year and Australian audiences thought a promising new comedy just wasnt cricket. Here are the most surprising successes and shocking failures from international films this year.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/politically-incorrect\/2013-in-review-box-office-hits-and-misses-around-the-world\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-20755","post","type-post","status-publish","format-standard","hentry","category-politically-incorrect"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/20755"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=20755"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/20755\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=20755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=20755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=20755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}