{"id":205174,"date":"2017-07-12T12:28:59","date_gmt":"2017-07-12T16:28:59","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/watch-christopher-nolan-explain-why-he-thinks-dunkirk-in-imax-is-like-virtual-reality-without-the-goggles-the-verge\/"},"modified":"2017-07-12T12:28:59","modified_gmt":"2017-07-12T16:28:59","slug":"watch-christopher-nolan-explain-why-he-thinks-dunkirk-in-imax-is-like-virtual-reality-without-the-goggles-the-verge","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/virtual-reality\/watch-christopher-nolan-explain-why-he-thinks-dunkirk-in-imax-is-like-virtual-reality-without-the-goggles-the-verge\/","title":{"rendered":"Watch Christopher Nolan explain why he thinks Dunkirk in IMAX is like &#8216;virtual reality without the goggles&#8217; &#8211; The Verge"},"content":{"rendered":"<p><p>    Christopher Nolans upcoming film Dunkirk is set to be    the     biggest 70mm film release in 25 years, and in an exclusive    new clip the filmmaker explains why shooting so much of it in    IMAX became essential to his creative vision. The director has    used IMAX for specific sequences in his films for years, but    Dunkirk  which tells the true-life story of the    evacuation of Allied soldiers in France  represents his most    ambitious use of large-format film to date. About 70 percent of    the film was shot on IMAX, with the remaining footage filmed on    65mm film.  <\/p>\n<p>    IMAX cameras are notoriously large and heavy, making them    difficult for use in tight quarters or handheld shots     scenarios that presented particular challenges given the    extensive cockpit photography and other sequences in    Dunkirk. However, as Nolan explains in the clip, the    visual clarity of the larger format made the trade-off worth    it. The immersive quality of the image is second to none,    Nolan says. We really try and create the sensation of virtual    reality without the goggles.  <\/p>\n<p>    Now, that statement on its own is an incredible stretch,    ignoring the fact that mediums like VR offer far more in terms    of interaction, audience agency, and field of view than even    the largest film format can. Theyre simply not comparable. But    in terms of the cinema-going experience itself, IMAX is    arguably the most immersive format out there, just in terms of    aspect ratio alone. In both IMAX 70mm film screenings and some    IMAX Laser screenings, the film will be presented in an aspect    ratio of 1.43:1  a towering, square image that can fill the    entire field of view depending on where an audience member sits    in the theater.  <\/p>\n<p>    Those screenings will be somewhat hard to come by, however. The    movie is also being presented in a number of different formats    that dont take advantage of the taller aspect ratio that    Nolans IMAX photography allows for. Thankfully, the Dunkirk website has    a tool to help audiences determine where they can see the    optimal version of the film. Dunkirk opens on July    21st.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View post:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.theverge.com\/2017\/7\/12\/15956904\/dunkirk-christopher-nolan-imax-featurette-virtual-reality\" title=\"Watch Christopher Nolan explain why he thinks Dunkirk in IMAX is like 'virtual reality without the goggles' - The Verge\">Watch Christopher Nolan explain why he thinks Dunkirk in IMAX is like 'virtual reality without the goggles' - The Verge<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Christopher Nolans upcoming film Dunkirk is set to be the biggest 70mm film release in 25 years, and in an exclusive new clip the filmmaker explains why shooting so much of it in IMAX became essential to his creative vision. The director has used IMAX for specific sequences in his films for years, but Dunkirk which tells the true-life story of the evacuation of Allied soldiers in France represents his most ambitious use of large-format film to date.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/virtual-reality\/watch-christopher-nolan-explain-why-he-thinks-dunkirk-in-imax-is-like-virtual-reality-without-the-goggles-the-verge\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187744],"tags":[],"class_list":["post-205174","post","type-post","status-publish","format-standard","hentry","category-virtual-reality"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/205174"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=205174"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/205174\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=205174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=205174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=205174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}