{"id":204795,"date":"2017-07-10T20:24:18","date_gmt":"2017-07-11T00:24:18","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/if-you-like-art-dont-take-the-bechdel-test-national-review\/"},"modified":"2017-07-10T20:24:18","modified_gmt":"2017-07-11T00:24:18","slug":"if-you-like-art-dont-take-the-bechdel-test-national-review","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/political-correctness\/if-you-like-art-dont-take-the-bechdel-test-national-review\/","title":{"rendered":"If You Like Art, Don&#8217;t Take the Bechdel Test &#8211; National Review"},"content":{"rendered":"<p><p>    Suppose your favorite film critic    started sprinkling his reviews with references to the Cowboy    Test and made it clear that he was factoring into his    appraisal of a work of art whether it contained cowboys. La    La Land? Manchester by the Sea?    Moonlight? All problematic, as these benighted films    contain no cowboys. On the other hand, Cowboys and    Aliens, Armageddon, and the Village People movie    Cant Stop the Music, each of which contains cowboy    characters, would easily pass the Cowboy Test and receive a    hearty blessing.  <\/p>\n<p>    You would think this approach to movies a bit odd. It is. But    no odder than the Bechdel Test, a feminist litmus test that is    currently being thrown around by movie critics as an important    way to assess the quality or at least the political correctness    of a film.  <\/p>\n<p>    Assuming youre a normal person, and not a film critic, you may    never even have heard of the Bechdel Test. Named for the    lesbian cartoonist Alison Bechdel, it first appeared in an    underground comic called Dykes to Watch Out For in    1985, in which it was called the rule. The rule is that a    movie must have at least two (named) female characters who talk    to each other about something other than a man. One Bechdel    character sniffed that she would go only to movies that pass    this test.  <\/p>\n<p>    Today Bechdel is an over-ground artist, a very big deal. In    2014, she won a MacArthur genius award. A show based on her    graphic novel Fun Home had a successful run on    Broadway and won a Tony for Best Musical. She is regarded as a    feminist savant by the left-leaning cultural cognoscenti.  <\/p>\n<p>    In the past few years, the Bechdel Test has begun popping up    casually in reviews like a feminist Good Housekeeping Seal of    approval. Take this appreciation last month of the 1992 film    A League of Their Own, published by Katie Baker on the    site The Ringer: It is, in my possibly blinded by    love but also correct opinion, one of the best sports movies    there is. And it is an honest ode to women and sisters and    friendships, with a story that breezes through the Bechdel test    by the end of the opening scene.  <\/p>\n<p>    Hey, and you know what? Tom Sellecks Matthew Quigley appears    almost immediately in Quigley Down Under. Hurrah, this    film breezes through the Cowboy Test by the end of the opening    scene!  <\/p>\n<p>    Neither of these two tests gives you any hint as to the worth    of a film, and furthermore neither of them tells you anything    about a films general feminist wokeness. It doesnt even tell    you whether the film is entirely about a woman. Lots    of films that have female protagonists fail the Bechdel Test     notably Alien 3; Run, Lola, Run;    Breakfast at Tiffanys (there is actual heated debate    on this one, but if it passes it barely does so); and    Gravity. The Princess Bride fails the Bechdel    Test, as does Finding Nemo, and some argue that    The Little Mermaid does, too. (Again, it might barely    earn a passing grade.) Lots of blockbusters with beloved female    characters fail the Bechdel Test, including the original    Star Wars trilogy, Avatar, and all of the    Lord of the Rings films. So do many classic Hollywood    films, from Citizen Kane to The    Godfather, and lots of films directed by women, including    Kathryn Bigelows The Hurt Locker, not to mention most    of the Harry Potter movies adapted from J. K. Rowlings novels.    Showgirls, on the other hand, passes the test. Do    feminists look at Showgirls and chalk that one up as a    big win?  <\/p>\n<p>    To give you some inkling of how little the Bechdel Test matters    when it comes to filmmaking, consider that Sofia Coppola had    never heard of it when asked about it in a recent interview.    Coppola is one of todays most accomplished and acclaimed    female directors, and all of her seven films prominently    feature women, usually in the main roles. Yet her latest movie,    The Beguiled, passes only incidentally. Although seven    out of the eight main characters in the film are female  girls    and women living at a girls school in Virginia in 1864  they    spend almost the entire film discussing a man, a wounded Union    soldier they nurse back to health.  <\/p>\n<p>    Some promoters of the Bechdel Test, stung by the many writers    who have pointed out its utter vapidity and uselessness, say it    isnt meant to be a litmus test but rather a strategy for    drawing attention to the general way women are sidelined in    Hollywood. But movies arent intended to be a proper    demographic cross-section of America. Movies (at least    Hollywood movies) are about people on the extremes of society     cops, criminals, superheroes. These extreme characters tend to    be men, and men tend to be the ones who create them. Women    enjoy much more prominence in the milieu of low-budget    independent movies, where the stories are more focused on    ordinary people with real-world problems, but those movies    usually attract small audiences.  <\/p>\n<p>    It might be true that there would be more women prominently    featured in movies if more women were writing and directing    more movies. But it might also be true that the reason there    arent as many women making films is that womens movie ideas    arent commercial enough for Hollywood studios. To be slightly    less reductionist than the Bechdel Test, women tend to write    movies about relationships, and men tend to write movies about    aliens and shootouts. Have a wander through the sci-fi and    fantasy section of your local bookstore: How many of these    books authors are female? Yet these are where the big movie    ideas come from. If a woman wants the next Lord of the    Ringsstyle franchise to pass the Bechdel Test, then a    woman should come up with a story with as much earning    potential as J. R. R. Tolkiens.  <\/p>\n<p>    READ MORE:    Artists Against Theater    In Chicago, Thought-Police Brutality    Elizabeth Banks: Wrong on Diversity  <\/p>\n<p>     Kyle Smith is    National Review Onlines    critic-at-large.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View original post here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.nationalreview.com\/article\/449340\/bechdel-test-feminist-litmus-test-movies-useless-political-correctness\" title=\"If You Like Art, Don't Take the Bechdel Test - National Review\">If You Like Art, Don't Take the Bechdel Test - National Review<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Suppose your favorite film critic started sprinkling his reviews with references to the Cowboy Test and made it clear that he was factoring into his appraisal of a work of art whether it contained cowboys. La La Land? Manchester by the Sea <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/political-correctness\/if-you-like-art-dont-take-the-bechdel-test-national-review\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187751],"tags":[],"class_list":["post-204795","post","type-post","status-publish","format-standard","hentry","category-political-correctness"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/204795"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=204795"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/204795\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=204795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=204795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=204795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}