{"id":202681,"date":"2017-06-30T17:03:31","date_gmt":"2017-06-30T21:03:31","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/the-leftovers-and-the-end-of-meaning-the-christian-century\/"},"modified":"2017-06-30T17:03:31","modified_gmt":"2017-06-30T21:03:31","slug":"the-leftovers-and-the-end-of-meaning-the-christian-century","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/nihilism\/the-leftovers-and-the-end-of-meaning-the-christian-century\/","title":{"rendered":"The Leftovers and the end of meaning &#8211; The Christian Century"},"content":{"rendered":"<p><p>    Christopher Eccleston (left) and Carrie Coon in The    Leftovers  <\/p>\n<p>    Watching the three seasons of the TV series The    Leftovers is like taking a short course on William    Jamess The Varieties of Religious Experienceexcept    richer and more entertaining. The Leftovers imagines a    world in which 2 percent of the worlds population has suddenly    vanished, Rapture-like, with no rhyme or reason governing who    is taken and who is leftover. In the absence of all scientific    and religious explanations, human meaning-making systems begin    to collapse.  <\/p>\n<p>    When I wrote about the series halfway through its first    season, I wondered how religion would be engaged going forward.    At that point, religion mostly seemed to be a coping mechanism,    and not a very good one. The only Christian, Matt Jamison    (Christopher Eccleston), is an Anglican priest on a smear    campaign to defame all the Departed. The main cult in town, the    Guilty Remnant, refuses to let people get on with their lives.    The season has an austere beauty and many rich character    portraits, but also nihilism, confusion, and despair.  <\/p>\n<p>    In season two, the action moves from Mapleton, New York, to    Jarden, Texas, also known as Miraclethe only place on earth    with no Departures. The town has become a national park and a    hotbed for every form of religious experimentation. This season    offers a primer in big philosophical questions: What is    religion? Where does it come from? Can we live without it? This    might sound didactic, but the show is so narratively and    formally creative that it feels more like a cross between    Alice in Wonderland and Flannery OConnor than a    philosophy of religion textbook.  <\/p>\n<p>    About midway through the second season, one of the    protagonists, Kevin Garvey (Justin Theroux), seeks help from    his ex-wife, Laurie (Amy Brenneman), because he is seeing    visions of the former leader of the Guilty Remnant, Patti Levin    (Ann Dowd), who died in his presence. Laurie, a psychiatrist,    explains to Kevin that he is having a psychotic breakdown. She    gently explains that the human brain is a clever and defensive    organ. In the face of chaos, it reaches for any system of order    or meaning. It reaches, in other words, for religion, which is    glossed by Laurie as the longing for security, comfort, and    narrative cohesion as found through magic, visions, portents,    prophesies, dream states, charismatic leaders, and ritualized    behaviors (all on abundant display in season two). Laurie has    some personal experience with this; she herself destroyed her    marriage to Kevin when she joined the Guilty Remnant for a few    years.  <\/p>\n<p>    Lauries speech offers one interpretation of the entire show:    the Sudden Departure is an instance of human fragility in an    indifferent world, which prompts some people to make a    therapeutic turn to religion. If Lauries view is correct, then    religion can be explained in scientific terms. It is a defense    mechanism of the fragile human mind.  <\/p>\n<p>    Laurie proposes that Kevin go on medication and seek therapy.    But Kevin chooses instead to do spiritual battle with Patti.    Under the guidance of a guru, Kevin drinks poison, dies (or    appears to die), and wakes up in (or is reborn into) the    apparent dream world of a corporate hotel. He assumes the role    of an international agent who must assassinate Patti. She has    become a senator running for president. I told you it was a    wild ride.  <\/p>\n<p>    Scattered through Kevins visions are clues that his quest is    happening in some way in the real world of the show, not just    in his own mind. But if that is true, Lauries therapeutic    secularism is not the final word on religion after all.  <\/p>\n<p>    In season three, news of Kevins death and resurrection is    taken up by the Anglican priest from season one. Matts faith    has been tested by more than a few plot twists, but it is a    testament to the shows sympathetic interest in traditional    religious belief that the episodes centered on Matt are some of    the best in the series (and theres a laugh-out-loud moment for    theological education nerds when were told Matt is a Berkeley    Divinity School alum). Matt becomes convinced that Kevin is a    new messiah, a harbinger of an unspecified reconciliation to    unfold on the seventh anniversary of the Departed. He even    writes a new book of scripture to explain his theology.  <\/p>\n<p>    Through the eyes of Matt and his small band of disciples,    including the skeptic Laurie, who plays a self-described Judas    to the group, The Leftovers offers many different    perspectives on how faith is made, formed, and lost. If the    strangeness of the Departure allows the writers to explore    religious belief and practice with verve and sympathy, the show    ultimately connects the Departure to the experience of loss and    griefreligion does not so much explain the mysteries of life    as provide a framework for living within them.  <\/p>\n<p>    The final scene is a conversation between Kevin and his    erstwhile lover Nora (Carrie Coon), who is also Matts sister,    many years after the Departure. Nora offers the best    explanation for the Departure that we are going to get, one    that reframes her life as caregiver rather than victim. Her    story doesnt end her grief so much as help her live into a new    life. This is the kind of religion The Leftovers finds    most interesting, and it makes the viewer interested toono    small feat for a show that begins with the end of meaning.  <\/p>\n<p>    A version of this article appears in the July 19 print    edition under the title A wild ride with The    Leftovers.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read the rest here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.christiancentury.org\/article\/leftovers-and-end-meaning\" title=\"The Leftovers and the end of meaning - The Christian Century\">The Leftovers and the end of meaning - The Christian Century<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Christopher Eccleston (left) and Carrie Coon in The Leftovers Watching the three seasons of the TV series The Leftovers is like taking a short course on William Jamess The Varieties of Religious Experienceexcept richer and more entertaining. The Leftovers imagines a world in which 2 percent of the worlds population has suddenly vanished, Rapture-like, with no rhyme or reason governing who is taken and who is leftover. In the absence of all scientific and religious explanations, human meaning-making systems begin to collapse <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/nihilism\/the-leftovers-and-the-end-of-meaning-the-christian-century\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187716],"tags":[],"class_list":["post-202681","post","type-post","status-publish","format-standard","hentry","category-nihilism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/202681"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=202681"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/202681\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=202681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=202681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=202681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}