{"id":19964,"date":"2013-12-23T05:41:19","date_gmt":"2013-12-23T10:41:19","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/futurist-architecture-wikipedia-the-free-encyclopedia\/"},"modified":"2013-12-23T05:41:19","modified_gmt":"2013-12-23T10:41:19","slug":"futurist-architecture-wikipedia-the-free-encyclopedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurist\/futurist-architecture-wikipedia-the-free-encyclopedia\/","title":{"rendered":"Futurist architecture &#8211; Wikipedia, the free encyclopedia"},"content":{"rendered":"<p><p>    Futurist architecture is an early-20th century form of    architecture born in Italy, characterized by anti-historicism,    strong chromaticism, long dynamic lines, suggesting speed,    motion, urgency and lyricism: it was part of the Futurism, an artistic movement founded by the    poet Filippo Tommaso Marinetti, who    produced its first manifesto, the Manifesto of Futurism in 1909.    The movement attracted not only poets, musicians, and artists    (such as Umberto Boccioni, Giacomo Balla,    Fortunato Depero, and Enrico    Prampolini) but also a number of architects. A cult of the    machine age and even a glorification of    war and violence were among    the themes of the Futurists (several prominent futurists were    killed after volunteering to fight in World War I). The    latter group included the architect Antonio    Sant'Elia, who, though building little, translated the    futurist vision into an urban form.[1]  <\/p>\n<p>    In 1912, three years after Marinetti's Futurist Manifesto,    Antonio Sant'Elia and Mario    Chiattone take part to the Nuove Tendenze[3]    exhibition in Milano. In 1914 the group presented their    first exposition with a \"Message\" by Sant'Elia, that later,    with the contribution of Filippo Tommaso Marinetti,    became the Manifesto dellArchitettura Futurista    (\"Manifesto of Futurist Architecture\").[2]    Also Boccioni unofficially worked on a similar manifesto, but    Marinetti preferred Sant'Elia's paper.  <\/p>\n<p>    Later in 1920, another manifesto was written by Virgilio Marchi,    Manifesto dellArchitettura FuturistaDinamica    (\"Manifesto of Dynamic Instinctive Dramatic Futurist    Architecture\").[2]Ottorino Aloisio    worked in the style established by Marchi, one example being    his Casa del Fascio in Asti.  <\/p>\n<p>    Another futurist manifesto related to architecture is the    Manifesto dellArte Sacra Futurista (\"Manifesto of    Sacred Futurist Art\") by Fillia (Luigi Colombo)[2]    and Filippo Tommaso Marinetti,    published in 1931. On 27 January 1934 it was the turn of the    Manifesto of Aerial Architecture by Marinetti, Angiolo    Mazzoni and Mino Somenzi.[2]    Mazzoni had publicly adhered to futurism only the year before.    In this paper the Lingotto factory by Giacomo    Matt-Trucco is defined as the first Futurist    constructive invention.[2]    Mazzoni himself in those years worked on a building considered    today a masterpiece[4] of    futurist architecture, like the Heating plant and Main controls cabin at    Santa Maria    Novella railway station, in Florence.  <\/p>\n<p>    The Art Deco    style of architecture with its streamlined forms was regarded    as futuristic when it was in style in the 1920s and 1930s. The    original name for both early and late Art Deco was    Art Modernethe name \"Art Deco\" did not come    into use until 1968 when the term was invented in a book by    Bevis    Hillier. The Chrysler Building is a notable example    of Art Deco futurist architecture.  <\/p>\n<p>    After World War II, Futurism is considerably weakened and    redefined itself thanks to the enthusiasm towards the Space Age, the Atomic Age, the    car culture, and the wide use of plastic. For example, this    trend is found in the architecture of Googies in the 1950s in California. Futurism    in this case is not a style, but a rather free and uninhibited    architectural approach, which is why it was reinterpreted and    transformed by generations of architects the following decades,    but in general it includes amazing shapes with dynamic lines    and sharp contrasts, and the use of technologically advanced    materials.  <\/p>\n<p>    In the 1980s, French architect Denis    Laming, was one of the members of this movement and founder    of Neo-Futurism. He designed all of the buildings in Futuroscope, whose    Kinemax is the flagship building.[5]  <\/p>\n<p>    In popular literature, the term futuristic is often used    without much precision to describe an architecture that would    have the appearance of the space age as described in works of    science fiction or as drawn in science fiction comic strips or    comic books.    Today it is sometimes confused with blob architecture. The routine use of the    term vague and futurismwhich rarely has political    implicationsmust be well differentiated from the Futurist    movement of the years 19101920. The futurist architecture    created since 1960 may be termed post-modern futurism.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See the original post:<br \/>\n<a target=\"_blank\" href=\"http:\/\/en.wikipedia.org\/wiki\/Futurist_architecture\" title=\"Futurist architecture - Wikipedia, the free encyclopedia\">Futurist architecture - Wikipedia, the free encyclopedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Futurist architecture is an early-20th century form of architecture born in Italy, characterized by anti-historicism, strong chromaticism, long dynamic lines, suggesting speed, motion, urgency and lyricism: it was part of the Futurism, an artistic movement founded by the poet Filippo Tommaso Marinetti, who produced its first manifesto, the Manifesto of Futurism in 1909. The movement attracted not only poets, musicians, and artists (such as Umberto Boccioni, Giacomo Balla, Fortunato Depero, and Enrico Prampolini) but also a number of architects. A cult of the machine age and even a glorification of war and violence were among the themes of the Futurists (several prominent futurists were killed after volunteering to fight in World War I).  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurist\/futurist-architecture-wikipedia-the-free-encyclopedia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-19964","post","type-post","status-publish","format-standard","hentry","category-futurist"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/19964"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=19964"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/19964\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=19964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=19964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=19964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}