{"id":199188,"date":"2017-06-15T21:31:49","date_gmt":"2017-06-16T01:31:49","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/dominican-republic-dreams-of-becoming-caribbean-hollywood-the-seattle-times\/"},"modified":"2017-06-15T21:31:49","modified_gmt":"2017-06-16T01:31:49","slug":"dominican-republic-dreams-of-becoming-caribbean-hollywood-the-seattle-times","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbean\/dominican-republic-dreams-of-becoming-caribbean-hollywood-the-seattle-times\/","title":{"rendered":"Dominican Republic dreams of becoming Caribbean Hollywood &#8230; &#8211; The Seattle Times"},"content":{"rendered":"<p><p>    SANTO DOMINGO, Dominican Republic (AP)  In the opening scenes    of the latest Vin Diesel action movie, troops in the Dominican    Republic chase the hero through a rainforest and down a twisty    mountain road. But in real life, the government is doing all it    can to welcome the Hollywood star  or anyone else who wants to    produce a film in this Caribbean country.  <\/p>\n<p>    The filming here of some scenes from xXx: Return of Xander    Cage is a sign of progress in efforts to persuade the film    industry to use the Dominican Republics lush mountains,    white-sand beaches and colonial architecture as a backdrop.  <\/p>\n<p>    Now, we are on the map, said Yvette Marichal, director of a    government agency created in 2010 to woo film production    companies to the country and to regulate their activities here.  <\/p>\n<p>    Marichal spoke in a recent interview after returning from the    Cannes Film Festival, where her agency had a pavilion promoting    the countrys varied landscape along with tax breaks and other    incentives to lure companies from other destinations, including    other parts of the Caribbean or the U.S.  <\/p>\n<p>    Besides the Vin Diesel action flick, which grossed more than    $300 million at the box office this year, the countrys film    credits have grown to include last years Netflix production    True Memoirs of an International Assassin, as well as 47    Meters Down, which stars Mandy Moore and opens in the U.S. on    Friday.  <\/p>\n<p>    There are small-screen offerings as well, including the Turkish    version of the competition series Survivor, which moved from    the Philippines to the Dominican Republics Samana area in the    north, as well as the Greek version of the same program, which    is moving from Argentinas Patagonian region, and a Swedish    production of The Bachelor.  <\/p>\n<p>    All or part of 45 foreign productions, including full-length    movies, documentaries and reality TV shows, were filmed here    last year. There were another 20 full-length movies for the    domestic market, compared to three in 2010.  <\/p>\n<p>    In the past, the country played host to some notable films.    Parts of Apocalypse Now were filmed here as were scenes in    Godfather II representing Cuba. In the 2006 movie adaptation    of Miami Vice, the Dominican Republic stood in for Haiti, the    other country occupying the island of Hispaniola. Those    occasional productions inspired former President Leonel    Fernandez, who was looking for ways to diversify the economy    and bring jobs to the country of more than 10 million.  <\/p>\n<p>    That bit of investment in the Dominican Republic without any    type of incentives motivated the president, said Omar de la    Cruz, who served on an advisory board that helped launch a more    concerted effort to attract the film industry.  <\/p>\n<p>    In 2010, the government established tax credits for productions    costing at least $500,000 and exemptions on such things as    import duties for audiovisual equipment. The movie A Dark    Truth, starring Andy Garcia, was the first to take advantage    of the new law in 2011.  <\/p>\n<p>    In addition to the incentives and marketing, universities in    the Dominican Republic began offering courses to provide the    technical skills that production companies could use to find    the local production and technical workers they are required to    hire under the law. In 2013, the prominent Vicini family opened    Lantica Media, which operates what it describes as the    Caribbeans most modern studio and sound stage facilities in a    partnership with Britains Pinewood Studios.  <\/p>\n<p>    Among the movies that Lantica Media worked on is xXx: Return    of Xander Cage, which required hiring 300 local people with    technical skills, providing valuable experience for them to    work in future major productions, said Rafael Nunez, a    production director at the companys location in San Pedro de    Macoris on the southern coast. The facilities were also used in    47 Meters Down and True Memoirs of an International    Assassin.  <\/p>\n<p>    Marichal credits some of the success to the countrys varied    landscape. It is incredible how we have almost all ecosystems    on this little island, she said. The only thing we lack is    snow but for that we have studios.  <\/p>\n<p>    The benefits are difficult to measure, but Marichals office    says that film production in 2016 injected nearly $87 million    into the economy and created 4,000 direct jobs. Most lucrative    for the country are the long-running reality TV series, which    bring crews staying six months or more at a time. There is also    the benefit of promoting the country, already among the    Caribbeans top tourist destinations.  <\/p>\n<p>    It encourages me to see how much the Dominican Republic has    achieved in so little time, Marichal said.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Here is the original post:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.seattletimes.com\/nation-world\/dominican-republic-dreams-of-becoming-caribbean-hollywood\/\" title=\"Dominican Republic dreams of becoming Caribbean Hollywood ... - The Seattle Times\">Dominican Republic dreams of becoming Caribbean Hollywood ... - The Seattle Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> SANTO DOMINGO, Dominican Republic (AP) In the opening scenes of the latest Vin Diesel action movie, troops in the Dominican Republic chase the hero through a rainforest and down a twisty mountain road.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbean\/dominican-republic-dreams-of-becoming-caribbean-hollywood-the-seattle-times\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187816],"tags":[],"class_list":["post-199188","post","type-post","status-publish","format-standard","hentry","category-caribbean"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/199188"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=199188"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/199188\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=199188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=199188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=199188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}