{"id":198034,"date":"2017-06-11T16:47:33","date_gmt":"2017-06-11T20:47:33","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/egyptian-rappers-fight-against-censorship-deutsche-welle\/"},"modified":"2017-06-11T16:47:33","modified_gmt":"2017-06-11T20:47:33","slug":"egyptian-rappers-fight-against-censorship-deutsche-welle","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/egyptian-rappers-fight-against-censorship-deutsche-welle\/","title":{"rendered":"Egyptian rappers fight against censorship &#8211; Deutsche Welle"},"content":{"rendered":"<p><p>    \"Egypt Rap School for Biggenas\" is plastered across the wall of    a tiny recording studio in Alexandria, Egypt. Above it, hang    three portraits: Notorious BIG, Bob Marley and Tupac Shakur.    Like millions of fans, Temraz - his stage name - grew up    listening to these icons.  <\/p>\n<p>    Now, the 29-year-old Arabic rapper is part of Revolution Records, an underground label    that he helped establish in Alexandria 11 years ago.  <\/p>\n<p>    \"We decided to name the label Revolution Records because we    thought rap was still a very weird [genre] to Egyptian ears,\"    Temraz said, before rolling a cigarette. \"We also named it    'revolution' because rap music is about rebelling. To us, [rap]    is about rebelling against everything.\"  <\/p>\n<p>        Read:Egypt's women find their voice against sexual    harassment  <\/p>\n<p>    There are 14 members in Revolution Records, which is one of    many hip-hop movements in Egypt. Cairo, the capital, has a    bustling scene. But Alexandria is considered the pioneer of rap    music in the country.  <\/p>\n<p>    Before the Arab Spring, rappers from Alexandria released tracks    that mocked social norms and crony political elites. The lack    of mainstream attention even enabled some artists to push the    boundaries of censorship. And while their music was gaining    traction, it wasn't popular enough to invite a crackdown from    the state.  <\/p>\n<p>    But in today's Egypt, where thousands of youth are in jail for    criticizing the regime, rapping about politics is riskier than    ever.  <\/p>\n<p>    Rapping to ridicule  <\/p>\n<p>    Shakur (photo, above) is the stage name of a 31-year-old artist    who is part of a group called DaCliQue 203. He said that most    rappers have been reluctant to ridicule Egypt's President Abdel    Fattah el-Sissi. His group, however, is one of few    exceptions.  <\/p>\n<p>    In February 2014, DaCliQue 203 released \"Ana Malak,\" which    means\"I'm the King.\" The track was a remix of a song that    Shakur originally recorded in 2005. The new version was made to    mock el-Sissi who was by then fixed in power.  <\/p>\n<p>      Notorious BIG, Bob Marley and Tupac Shakur bedeck the wall at      Revolution Records' studio    <\/p>\n<p>    \"The lyrics go like this,\" said Shakur, as he proceeded to    recite his impersonation of el-Sissi. \"I'm not on the right and    I'm not on the left. I'm not an Islamist nor an anarchist. I    just follow the money so show me the money.\"  <\/p>\n<p>    The song was daring. And yet, Shakur wouldn't record another    track for three more years. He said he couldn't bring himself    to make another one. Not after his younger brother, a former    supporter of the outlawed Muslim Brotherhood, passed away    suddenly in his home before \"Ana Malak\" was released.  <\/p>\n<p>    Read:Marteria    - a German rapper in Africa  <\/p>\n<p>    \"We always fought about my love for hip-hop,\" said Shakur. \"[My    brother] thought I was wasting my time. He thought I should be    writing articles about politics instead. But at the same time,    he remained curious. He always wanted to know about the lyrics    I was writing.\"  <\/p>\n<p>    Other rappers became increasingly political while Shakur took a    break from hip-hop. In April 2016, Revolution Records released    \"Masahsh Keda\" - \"That's Not Right\" - on YouTube. The group    appropriated the phrase from el-Sissi, who often says it    condescendingly when addressing his citizens. The group made a    music video for the song and included English subtitles.  <\/p>\n<p>    \"We sampled el-Sissi's voice and incorporated it in our music,\"    Temraz told DW. \"The track did well when we first uploaded it.    I think it received more than 200,000 likes.\"  <\/p>\n<p>    Despite the success, Temraz feared that the song might bring    reprisal. After the track was released, members of Revolution    Records were invited to Denmark to perform in a concert. Temraz    was anxious when he arrived at the Cairo airport. He thought he    would be arrested. Lucky for him, nothing happened.  <\/p>\n<p>    Weeks later, the group was informed that \"Masahsh Keda\" had    crossed a line. Their friend, who worked in the presidential    palace, warned them that the government wouldn't tolerate    another track like that again.  <\/p>\n<p>    \"We had to stop,\" Temraz said. \"I gave up trying to change this    country for the better.\"  <\/p>\n<p>    Moving away, coming back  <\/p>\n<p>    Not everyone lost hope. Some rappers tried to broach sensitive    topics without explicitly blaming the state. Y-Crew, which is    one of Egypt's first hip-hop groups, released a track titled    \"Blinded\" nine months ago. The song was about the abuse and    violence that street children face in Egypt.  <\/p>\n<p>    \"Mainstream music in Egypt is just about love. It doesn't talk    about real problems,\" said Omar Bofolot, one of the original    members of Y-Crew. \"We want to talk about real stuff. But we    don't want to preach to people about what they should do.\"  <\/p>\n<p>    The group has recently moved to Dubai to work on their latest    album. They told DW that they are also losing hope that their    music can make a positive impact in Egypt.  <\/p>\n<p>    \"We been rapping about social and political issues since we    started,\" said Shahin, the second member of Y-Crew. \"Nothing is    changing [in Egypt], and we're getting sick of it. Our next    album is just going to promote peace, love and unity.\"  <\/p>\n<p>    Shakur, however, won't stop rapping about the issues that    matter to him. In January, he released his comeback track. And    now, he's writing lyrics about the refugee crisis in Egypt and    Europe.  <\/p>\n<p>    Thousands of refugees and Egyptians have died     trying to cross the Mediterranean from Alexandria. Shakur    knows their stories firsthand. He's been a migration advocate    for years and has even collaborated with some refugee rappers    in Egypt.  <\/p>\n<p>    The oppressive political climate doesn't scare him. Even if    Egyptian rap becomes more commercial, he vows to never censor    himself.  <\/p>\n<p>    \"I have to keep it real,\" he told DW. \"The price might be    bigger. But Egyptians are paying a heavy price anyways.\"  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continue reading here:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.dw.com\/en\/egyptian-rappers-fight-against-censorship\/a-39182318\" title=\"Egyptian rappers fight against censorship - Deutsche Welle\">Egyptian rappers fight against censorship - Deutsche Welle<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> \"Egypt Rap School for Biggenas\" is plastered across the wall of a tiny recording studio in Alexandria, Egypt. Above it, hang three portraits: Notorious BIG, Bob Marley and Tupac Shakur. Like millions of fans, Temraz - his stage name - grew up listening to these icons.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/egyptian-rappers-fight-against-censorship-deutsche-welle\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-198034","post","type-post","status-publish","format-standard","hentry","category-censorship"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/198034"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=198034"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/198034\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=198034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=198034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=198034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}