{"id":197950,"date":"2017-06-10T19:11:50","date_gmt":"2017-06-10T23:11:50","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/dance-dance-evolution-the-real-collective-gets-moving-reykjavk-grapevine\/"},"modified":"2017-06-10T19:11:50","modified_gmt":"2017-06-10T23:11:50","slug":"dance-dance-evolution-the-real-collective-gets-moving-reykjavk-grapevine","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/dance-dance-evolution-the-real-collective-gets-moving-reykjavk-grapevine\/","title":{"rendered":"Dance Dance Evolution: The REAL Collective Gets Moving &#8211; Reykjavk Grapevine"},"content":{"rendered":"<p><p>            Photos by          <\/p>\n<p>            Agnes Grelinger          <\/p>\n<p>    Published June 10, 2017  <\/p>\n<p>    In late 2016, Icelands dance scene got a fresh addition when a    group of LH students decided to form the REAL Collective.    Having been fascinated and inspired by an improv workshop from    Israeli dancers Emma Rozgoni and Noam Carmeli, the aim of the    group is to investigate and express the possibilities of group    improvisation, through research, workshops and performances.  <\/p>\n<p>    Selma Reynisdttir, Yelena Arakelow and Erna Gunnarsdttir are    three of the founding members. Weve been dancing a lot    together, at school, smiles Selma. Its like a funny,    disrupted family. Yelena smiles, adding: You spent 12-14    hours together in a small studio, body on body, going in and    out of the shower.  <\/p>\n<\/p>\n<p>    Aware and connected  <\/p>\n<p>    This level of intimacy was perhaps a factor in forming their    aesthetic. Along with the spontaneity and freedom of    improvisation, they share an interest in developing a mindful    style of silent communication.  <\/p>\n<p>    We train a lot around awareness, says Yelena. How much    awareness you have of yourself, your body, your movement, and    what the group is doing. We found some kind of magic in it    its like flocking, when a huge amount of birds move together.    Sometimes you have a moment thats mesmerising, like you start    to develop a collective body. You take decisions together that    are suitable for everyone. And thats a certain artistic    message, for lifeto be present.  <\/p>\n<p>    Theyre plugged-in moments, adds Erna, when everyone is    totally on board.  <\/p>\n<\/p>\n<p>    Trust exercises  <\/p>\n<p>    This weekend, the group will invite the public to join them in    a workshop at the Breiholt Festival, where participants can    experience their spontaneous, mindful and mutually supportive    technique first hand. Its different every time, says Yelena.    We judge what we do on the crowd, how used to moving they are    and their age. We work on some trust exercises, and loosen up    the bodies. Then we have an open session, where everything is    allowed.  <\/p>\n<p>    The audience is responsible for the space, says Erna. We    give them some tools on how to approach it. Weve been doing    sessions like this at our Real Monday workshops, and its been    going well. Its blossoming.  <\/p>\n<p>    Jumping ahead  <\/p>\n<p>    The collective recently ran a successful campaign to raise    money for a trip to Israel to further their studies, exceeding    their 14000 goal on the Karolina Fund crowdfunding platform.    While there isnt a huge amount of money around to fund dance    projects, Selma explains that with that comes a certain sense    of freedom.  <\/p>\n<p>    People often say art is on the bottom of the budgetand dance    is at the bottom of the arts, she says. So it doesnt belong    to a capitalistic wheel so it can do whatever the fuck it    wants. Its a young scene here in Iceland, with a lot of    independence. And its growing fast.  <\/p>\n<p>    Dance doesnt belong to a capitalistic wheel so it can do    whatever the fuck it wants.  <\/p>\n<p>    The audience for dance is Iceland is also on the rise. Dance    is often linked to high culture, and people dont feel like    they understand it, says Selma. But there are so many things    happening, in Central Europe, and Sweden. Theyre    choreographing books, and asking What is choreography? And    choreography is just organising things in time and space.  <\/p>\n<p>    People are getting more used to it and starting to understand    it a bit more, finishes Yelena. Today, people are starting to    understand that movement and dance arent connected to a    specific genre like ballet. Its jumping ahead, as an art    form.  <\/p>\n<p>    Follow the REAL Collective on Facebook here. Sign up for the session at Breiholt    Festival, which will be at 12:30 on Sunday June 11th at    Seljakirkja, by emailing <a href=\"mailto:info.realcollective@gmail.com\">info.realcollective@gmail.com<\/a>.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Visit link: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/grapevine.is\/culture\/art\/2017\/06\/10\/dance-evolution-the-real-collective-gets-moving\/\" title=\"Dance Dance Evolution: The REAL Collective Gets Moving - Reykjavk Grapevine\">Dance Dance Evolution: The REAL Collective Gets Moving - Reykjavk Grapevine<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Photos by Agnes Grelinger Published June 10, 2017 In late 2016, Icelands dance scene got a fresh addition when a group of LH students decided to form the REAL Collective. Having been fascinated and inspired by an improv workshop from Israeli dancers Emma Rozgoni and Noam Carmeli, the aim of the group is to investigate and express the possibilities of group improvisation, through research, workshops and performances.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/dance-dance-evolution-the-real-collective-gets-moving-reykjavk-grapevine\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187748],"tags":[],"class_list":["post-197950","post","type-post","status-publish","format-standard","hentry","category-evolution"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/197950"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=197950"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/197950\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=197950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=197950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=197950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}