Back in 1993, 26-year-old author Yukito Kishiro could have scarcely imagined the success that his first long-form manga series would achieve in his home country, let alone on an international scale. Initially published as a serial in the manga anthology Business Jump before being quickly adapted into English, Spanish and Italian, Battle Angel Alita (or Gunnm, as its known in Japan) was Kishiros breakout and quickly earned him his status as one of mangas rising talents. Speaking in an interview with Animerica, Kushiro expressed reservations and doubt over Gunnms viability as an overseas success. [Its a very] introspective story [...] when I was first approached about allowing it to be published in foreign-language editions, I wasnt sure it was a good idea. It was an experimental work for me and I didnt think it could be popular, especially not in the United States. To me, its a never-ending wonder that my work is being translated and read by all sorts of different people. <\/p>\n<\/p>\n
22 years following the series conclusion, Battle Angel Alitas popularity has only grown, with a persistent legacy among fans and a new live-action adaptation slated for release next year from director Robert Rodriguez. In the lead-up to its release, publisher Kodansha will reissue the series in a collection of deluxe hardcovers this fall, following a now-available digital release of the first three volumes on comiXology that restores the manga to its pre-Americanized glory. Set in a dystopian metropolis dubbed the Scrapyard in some dark, undetermined future, Battle Angel Alita follows the series namesake, a mysterious cyborg woman whose chassis is discovered half-buried in a massive landfill by a benevolent surgeon named Ido. Ido adopts the memory-less mech woman, names her Alita (Gally in the Japanese original) and sets about finding pieces to restore her body. Through the course of their daily adventures, Alita discovers that her mind possesses a long-buried aptitude for the Panzer Kunst, a legendary cyborg fighting style thought to be one of the strongest martial art forms in the known world. Armed with a new body, Alita and Ido team up as bounty hunters to protect the Scrapyards denizens from a rogues gallery of serial killers, organ harvesters and psychopathic cyborgs. <\/p>\n
Battle Angel Alita Vol. 1 Interior Art by Yukito Kishiro <\/p>\n
Even in its earliest chapters, Kishiros aptitude for choreography and dynamic perspective layouts is unmistakable; a time-capsule of a young storyteller whose nascent talents, impressive as they were, only hint at the mastery of kineticism and detail he would later go on to exhibit. Though fledgling, his grasp for dialogue, foreshadowing and pacing, not to mention his sensibility for intellectually and visually mature subject matter, was already on full display from Battle Angel Alitas outset, flirting with the astuteness the series would later grow into. <\/p>\n
Alita poses the question, What good is happiness if its only given to you? Thats no life Moments like these elevate the series above its contemporaries and solidify Battle Angel Alitas enduring appeal to this day. In a similar vein to Ghost in the Shells Masamune Shirow, Kishio is well-known for his exhaustive footnotes that add to the speculative heft and reality of his characters universe, freewheeling capably between biochemistry, neuroscience and even western folklore and philosophy. Moreover, the characters, in particular Alita, are full-fledged personalities who escape the rigidity of early anime tropes, and instead grow and fumble as flawed, yet deeply aspirational, human beings. <\/p>\n
Battle Angel Alita Vol. 1 Interior Art by Yukito Kishiro <\/p>\n
This is a summary of what long-time admirers of the manga have already come to expect from Kishiro since Battle Angel Alitas early publication. The real draw of this particular edition is how its both translated and preserved. Gone are the unnecessary exposition bubbles and clunky sound effects of the series initial english editions; Kodansha has restored the manga to its intended right-to-left panel format and Japanese katakana, making this new edition an essential read for purists. Full-page color splashes that were previously reduced to crude monochromatic scans are now fully restored to their original glory. Worthy of note is this editions handling of translations, renaming the floating city of Tiphares back to its original title, Zalem, while retaining the main characters name as Alita out of respect for the series popular presence in the West. <\/p>\n
Succinctly, Battle Angel Alita is a major accomplishment not only as a Japanese comic, but for its erudite contributions to the cyberpunk genre as a whole. For those who have grown to love the adventures of Alita and her dogged quest for meaning in a world of apocalyptic nihilism, these new editions are a more than ample excuse to jump back into this world and experience it anew from the start. For those new to the series, you couldnt ask for a better time or means to get to know this character and discover for yourselves what all the fuss is about. <\/p>\n
Battle Angel Alita Vol. 1 Interior Art by Yukito Kishiro <\/p>\n
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New Digital Editions Reintroduce Battle Angel Alita's Cyberpunk Iconoclasm - Paste Magazine<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Back in 1993, 26-year-old author Yukito Kishiro could have scarcely imagined the success that his first long-form manga series would achieve in his home country, let alone on an international scale. Continue reading