{"id":195047,"date":"2017-05-26T04:26:52","date_gmt":"2017-05-26T08:26:52","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/geoffrey-rush-reflects-on-more-than-a-decade-of-piracy-on-the-caribbean-gizmodo\/"},"modified":"2017-05-26T04:26:52","modified_gmt":"2017-05-26T08:26:52","slug":"geoffrey-rush-reflects-on-more-than-a-decade-of-piracy-on-the-caribbean-gizmodo","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbean\/geoffrey-rush-reflects-on-more-than-a-decade-of-piracy-on-the-caribbean-gizmodo\/","title":{"rendered":"Geoffrey Rush Reflects on More Than a Decade of Piracy on the Caribbean &#8211; Gizmodo"},"content":{"rendered":"<p><p>Geoffrey Rush is back as Barbossa in Pirates of the Caribbean:    Dead Men Tell No Tales. All Images: Disney    <\/p>\n<p>    After five movies playing a ruthless pirate, you might think an    Oscar-winning actor like Geoffrey Rush would be tired of it. He    is not. He relishes playing Captain Barbossa, the longtime    nemesis of Jack Sparrow, because he believes Pirates of the    Caribbean is the rare franchise that stands out in a world    dominated by franchises.  <\/p>\n<p>    I think all the franchises battle with each other, to [try    and] out-do each other, Rush told io9 in Los Angeles last    week. I think were lucky in that were one of the few stories    that are set on the open sea. Most of the others are very    urban. Or theyre all about the apocalypse or the cataclysm of    metropolitan life. Theres something thrilling about the    adventures on the high seas that connects.  <\/p>\n<p>    When Rush was cast as Barbossa for the first Pirates of the    Caribbean film, it wasnt conceived as a franchise.    According to Rush, the first versions of the script just said    Pirates of the Caribbean on them; Ii wasnt until    Curse of the Black Pearl was added to later drafts    that the actor realized the sequel potential. At that time, he    was part of a very small group.  <\/p>\n<p>    On the first film, there was a certain cynicism about making a    film about a Disneyland ride, Rush said. And we were very low    on the list of the summer releases. [But] Jerry Bruckheimers a    very thoughtful, very creative producer. He really looked hard    for a spin on the pirate genre. And once the writers came up    with the Curse of the Black Pearl, he thought, Ive    got something thats going to really excite all of you.  <\/p>\n<p>    Rush returns as Barbossa in the fifth film, Pirates of the    Caribbean: Dead Men Tell No Tales. He still relishes the    opportunity, even after 14 years playing the role.  <\/p>\n<p>    Its a fantastical world mixed in with a surprising reality    for a Disney film, he said. In this film, you actually see    swords go through peoples torsos. And the supernatural element    has always been part of the romance of pirate folklore. The    artistry behind that from the costume designer, the    cinematography, the injection of a Nordic team of directors    (Joachim Rnning and Espen Sandberg) bringing in a kind of new    Euro angle to telling the story. Thats all been really    exciting.  <\/p>\n<p>    But while Rush may be happy, Barbossa is not. In Dead Men    Tell No Tales, hes become the most powerful pirate in the    world, but, lacking any real rivals, hes gotten bored.  <\/p>\n<p>    Hes always been a transformational character because hes a    survivor, Rush said. Hes worked for a king. Hes become the    wealthiest pirate. Hes taken his eye off the ball, hes gotten    lazy. I love in this film, I said to the directors, at the    beginning, Id love to have a string quartet in my cabin. I    dont know how to spend my money, but, so much money, what do I    spend it on? And I said, Thats his iPod. He wants access to    the best. And thats Barbossas first scene in the film:    sitting in a room full of treasure, listening to his own person    string quartet.  <\/p>\n<p>    From there, Dead Men Tell No Tales takes Barbossa on    his own epic, personal journey, which Rush refused to elaborate    upon. However, he would say that no matter what you    may think is happening in the film, you can never be sure that    Barbossa isnt playing another game altogether. Whatever you    think his involvement is with the rough and tumble of the plot,    you have to suspect that theres a wily, smart, super-plan in    the back of his head, Rush said.  <\/p>\n<p>    Pirates of the Caribbean: Dead Men Tell No Tales opens    May 26.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>The rest is here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/io9.gizmodo.com\/geoffrey-rush-reflects-on-more-than-a-decade-of-piracy-1795538310\" title=\"Geoffrey Rush Reflects on More Than a Decade of Piracy on the Caribbean - Gizmodo\">Geoffrey Rush Reflects on More Than a Decade of Piracy on the Caribbean - Gizmodo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Geoffrey Rush is back as Barbossa in Pirates of the Caribbean: Dead Men Tell No Tales. All Images: Disney After five movies playing a ruthless pirate, you might think an Oscar-winning actor like Geoffrey Rush would be tired of it. He is not.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbean\/geoffrey-rush-reflects-on-more-than-a-decade-of-piracy-on-the-caribbean-gizmodo\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187816],"tags":[],"class_list":["post-195047","post","type-post","status-publish","format-standard","hentry","category-caribbean"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/195047"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=195047"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/195047\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=195047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=195047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=195047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}