{"id":192303,"date":"2017-05-11T12:44:27","date_gmt":"2017-05-11T16:44:27","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/creative-freedom-the-source-weekly-press-release-registration-blog\/"},"modified":"2017-05-11T12:44:27","modified_gmt":"2017-05-11T16:44:27","slug":"creative-freedom-the-source-weekly-press-release-registration-blog","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/freedom\/creative-freedom-the-source-weekly-press-release-registration-blog\/","title":{"rendered":"Creative Freedom &#8211; The Source Weekly (press release) (registration) (blog)"},"content":{"rendered":"<p><p>    Upon the announcement of De La Soul's upcoming performance    at the 10 Barrel 10th Anniversary Party, everyone I talked to    had a similar reaction. \"Aw man! No way! De La Soul reminds me    of high school.\" Of course, as someone in her 30s, that's the    reaction one could expect. But nonetheless, De La Soul reminds    listeners of a certain time in their life. No surprise, since    until last year, the hip-hop trio hadn't released an album in    12 years.  <\/p>\n<p>    The group comes to Bend in support of its most recent album,    \"And the Anonymous Nobody...\" For the past 10 years, they've    remained independent, free of a record label interfering in    their creative process. For the new record, De La Soul went    directly to the source  the fans  for financing. \"And the    Anonymous Nobody...\" gained funding via a Kickstarter campaign,    meeting its goal in a few short hours, then surpassing it six    times over. The album was the first by a major hip-hop group    financed completely by crowdfunding.  <\/p>\n<p>    While De La Soul has always sampled, experimented and blended    genres, \"And the Anonymous Nobody...\" takes it to another    level. The album features collaborations with a breadth of    artists and includes songs you won't typically expect from a    hip-hop trio. De La Soul brings typical hip-hop players,    including the likes of Usher, 2 Chainz, Snoop Dogg and Jill    Scott, to the album. But it's the less conspicuous guests that    make the album truly unique.  <\/p>\n<p>    \"Snoopies\" features Talking Heads singer David Byrne. Swedish    dreamy electro-pop band Little Dragon makes a guest appearance    on the less than typical joint, \"Drawn.\" In that song, Little    Dragon takes the lead for nearly five minutes before De La Soul    even utters a word. A song like this may never have made it    onto a major label record release, which is why Kickstarter    provided the perfect platform for the artists to have complete    creative freedom. These two songs cross genre lines and    challenge the idea of modern hip-hop.  <\/p>\n<p>    On the crowd funding side of things, some question why you    would pay for your favorite hip-hop pioneers to make a new    album. As independent artists, it hearkens back to the quest    for freedom over the entire creative process. Giving your    favorite artists free reign to create exactly what they want    and not what the record label wants pushes music to the    pinnacle of artistic expression.  <\/p>\n<p>    For fans, contributing $15 to the De La Soul Kickstarter got    them a digital copy of the album with bonus songs. At that    price point, you're basically paying for the album, which you    would have done anyway. With Kickstarter, it allows you to feel    personally invested in the production of the album. For super    fans, higher donations led to more imaginative rewards. From    shopping for new kicks with Posdnous to appearing on a skit on    the album, to Dave's own platinum record plaque, donors had the    chance to realize their dreams within the De La Soul universe.  <\/p>\n<p>    No matter where De La Soul falls in your \"time-of-life\"    experience, their genre-pushing blend of hip-hop with jazz,    funk, rock, electronicand anything else they feel in the    momentwill have you on your feet. Dance freely, knowing you'll    be supporting independent musicians and artists who've been    allowed to exercise their creative freedom.  <\/p>\n<p>    Saturday May 13, 8:45pm  <\/p>\n<p>    10 Barrel 10th Anniversary Party  <\/p>\n<p>    10 Barrel Brewing Co. Brewing Facility  <\/p>\n<p>    62970 NE 18th St., Bend  <\/p>\n<p>    Free  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read the original:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.bendsource.com\/bend\/creative-freedom\/Content?oid=3190456\" title=\"Creative Freedom - The Source Weekly (press release) (registration) (blog)\">Creative Freedom - The Source Weekly (press release) (registration) (blog)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Upon the announcement of De La Soul's upcoming performance at the 10 Barrel 10th Anniversary Party, everyone I talked to had a similar reaction. \"Aw man! No way! De La Soul reminds me of high school.\" Of course, as someone in her 30s, that's the reaction one could expect. But nonetheless, De La Soul reminds listeners of a certain time in their life <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/freedom\/creative-freedom-the-source-weekly-press-release-registration-blog\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187727],"tags":[],"class_list":["post-192303","post","type-post","status-publish","format-standard","hentry","category-freedom"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/192303"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=192303"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/192303\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=192303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=192303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=192303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}