{"id":191865,"date":"2017-05-09T15:05:17","date_gmt":"2017-05-09T19:05:17","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/reel-fx-explores-alternate-history-in-animated-trailer-for-prey-animation-world-network-press-release-registration-blog\/"},"modified":"2017-05-09T15:05:17","modified_gmt":"2017-05-09T19:05:17","slug":"reel-fx-explores-alternate-history-in-animated-trailer-for-prey-animation-world-network-press-release-registration-blog","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/reel-fx-explores-alternate-history-in-animated-trailer-for-prey-animation-world-network-press-release-registration-blog\/","title":{"rendered":"Reel FX Explores Alternate History in Animated Trailer for &#8216;Prey&#8217; &#8211; Animation World Network (press release) (registration) (blog)"},"content":{"rendered":"<p><p>            Dallas, TX-based digital studio Reel FX director    Barrett Lewis recently oversaw the creation of an intriguing    promotional animated short for Bethesda Softworks upcoming    sci-fi horror video game Prey. The    History of TranStar depicts decades of orbital mystery by    masquerading as a classified leak from the fictional TranStar    companys archives. This archival footage-disguised marketing    narrative describes a history full of counterfactuals, from the    cold war-era discovery of the hostile alien lifeform Typhon, to    the debut of refurbished, TranStar-owned space station Talos I.  <\/p>\n<p>    The discovery of a hostile lifeform during a manned Soviet    mission begets a U.S.-Soviet collaboration gone-wrong. In this    alternate history, President Kennedy survives to seize control    of the space station, which is ultimately acquired by TranStar.    The video ends with the implication of a transhuman future,    where the game presumably begins.  <\/p>\n<p>    Lewis also composed original music for the short, combining his    lifelong experience as a musician and his decades of animation    expertise into a cohesive cinematic product: Having the    opportunity to write the music for the piece afforded me a    unique creative viewpoint, allowing me to let both the    animation and music inform one another as the piece took form,    he said. I was able to connect the dots in a way that an    outside composer likely would not have had the chance to do,    and it made it all the more fun!  <\/p>\n<p>    Lewis worked closely with digital agency AKQA to bring a retro,    2D-cartoon aesthetic to the piece that stylistically evolves as    the piece progresses. The Reel FX team crafted the character    design for the trailer, leveraging their in-house feature    artists to deliver a defined motif. Lewis then carefully    developed an arc that unfolds through color, camera, design and    music changes, progressing from 50s Space Race-style, to the    futuristic look of cosmic 2035.  <\/p>\n<p>    Reel FX develops and produces short form content and virtual    reality experiences. Reel FXs first full-length animated    feature, Free Birds, was released by Relativity Media    in 2013 and grossed over $110 million worldwide. Reel FX VR has    developed interactive experiences and 360 narrative content    for organizations like 20th Century Fox, GMC, Acura, American    Express, AT&T, Frito Lay, GE, Legendary Pictures,    Lionsgate, Porsche, Samsung, Shinola and the U.S. Air Force.  <\/p>\n<p>    Developed by Arkane Studios, creators of the    critically-acclaimed game Dishonored 2, the rated-M    Prey launched worldwide for Xbox One, PlayStation 4    and PC on May 5th. A free Prey demo is available for    PlayStation 4 and Xbox One that allows fans to board Talos I    and play the opening hour of the game.  <\/p>\n<p>                            Source: Reel FX  <\/p>\n<p>      Jennifer Wolfe is      Director of News & Content at Animation World Network.    <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View post:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.awn.com\/news\/reel-fx-explores-alternate-history-animated-trailer-prey\" title=\"Reel FX Explores Alternate History in Animated Trailer for 'Prey' - Animation World Network (press release) (registration) (blog)\">Reel FX Explores Alternate History in Animated Trailer for 'Prey' - Animation World Network (press release) (registration) (blog)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Dallas, TX-based digital studio Reel FX director Barrett Lewis recently oversaw the creation of an intriguing promotional animated short for Bethesda Softworks upcoming sci-fi horror video game Prey. The History of TranStar depicts decades of orbital mystery by masquerading as a classified leak from the fictional TranStar companys archives. This archival footage-disguised marketing narrative describes a history full of counterfactuals, from the cold war-era discovery of the hostile alien lifeform Typhon, to the debut of refurbished, TranStar-owned space station Talos I <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/reel-fx-explores-alternate-history-in-animated-trailer-for-prey-animation-world-network-press-release-registration-blog\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-191865","post","type-post","status-publish","format-standard","hentry","category-transhuman-news-blog"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/191865"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=191865"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/191865\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=191865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=191865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=191865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}