{"id":190292,"date":"2017-04-30T22:14:07","date_gmt":"2017-05-01T02:14:07","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/gasmac-gilmore-on-spring-2017-tour-now-grateful-web\/"},"modified":"2017-04-30T22:14:07","modified_gmt":"2017-05-01T02:14:07","slug":"gasmac-gilmore-on-spring-2017-tour-now-grateful-web","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hedonism\/gasmac-gilmore-on-spring-2017-tour-now-grateful-web\/","title":{"rendered":"Gasmac Gilmore On Spring 2017 Tour Now &#8211; Grateful Web"},"content":{"rendered":"<p><p>    They traveled the world, they drank from the fountains of    madness, they nibbled at the forbidden fruits of wisdom and    laved at the shores of freedom. They are vagabonds, united by    their wish to crush frontiers, tear down walls and open dams.    Not only with their music, but also within our hearts. They    will stop at nothing until they achieved this and absolutely    refuse to take any prisoners whatsoever. Enter Gasmac Gilmore,    sinners galore and the massively rocking heralds of a new age.  <\/p>\n<p>    Emir Kusturica's new favorite band, trade magazine Melodies    & Rhythms judged, even the strongly conservative Rock    Hard's couldn't help but be enthused by their Polka on speed.    What we are talking about here is one of these rare sensations    proving even after 66 wild years of Rock'n'Roll that    originality isn't something that can be bought or studied.    Either you got it. Or you don't. Gasmac Gilmore got it. Their    reservoir of musical astonishments and aural surprises seems as    inexhaustible as Kustirica's visionary visual worlds. Gogol    Bordello meets Kaizers Orchestra meets System Of A Down     witty, ludicrous, insane from tip to toe.  <\/p>\n<p>    Some things can't and shouldn't be explained. They should be    sensed. Gasmac Gilmore is one of them. A Viennese band    consisting of members who one day felt that pure Death Metal    just wasn't enough anymore. A band boldly engrossing all the    dichotomies of the unmatched indulgence and morbidity of their    home town on four prior albums. Where Orient meets Occident,    where the river Danube flushes Western culture into the haven    of the Black Sea they chose to settle down, becoming the    fearless and somewhat lunatic pioneers in the borderlands of    allegedly disparate cultures. The geographic vicinity to    Eastern Europe already left its mark on the local music scene    in the 19th century, drummer Max Berner says. A massive    Balkan hype emerged around a club called Ostklub, not failing    to ignite us as a band. Victor Ezio Gabriel adds: We love to    combine things that don't belong together at first glance. Like    a battery-powered tube amp and a crowded Viennese underground    carriage during rush hour. Yes, it really happened! And what's    more: All these tired people getting home from work suddenly    grabbed our beer cans, began to dance and even forgot to leave    the train.  <\/p>\n<p>    It is important to note, however, that Gasmac Gilmore are not    your typical vernacular brand of semi-traditional group setting    out to proclaim a new Viennese dandy revolution using the    momentum of their iconic artist Falco. On their first German    album Begnadet fr das Schne (Blessed by Beauty) Gasmac    Gilmore prove to be the band everyone will be talking about in    2017. This is not a forecast. It is a warning. Their music is a    sweaty stampede through Alt-Metal, thrashing Rock,    tongue-in-cheek Polka Punk, Balkan chuzpe and the fury of    Klezmer. To add even more megalomania to their antics, the new    album title Begnadet fr das Schne is a direct quote from    Austria's national anthem! It is a very strange sentence which    of course didn't fail to impress us, vocalist and guitarist    Matthias Wick grins wickedly. Usually, you are considered    'blessed' for something you're really good at. For being    blessed for our sense of beauty? That doesn't sound like hard    work, but more like that certain type of hedonism quite common    in Austria. With this in mind, the album cover fits like a    glove: On it, Gasmac Gilmore sport swanky gingham pattern    pullovers while playing golf at a miniature golf course and    cheer at a couple of Wrestlers while having Champagne.    Decadence, hedonism and a certain disconnection from reality    are the essential pillars carrying this album, Elias Berner    (guitar) says. We approach it via our very own irony and make    a point not to take ourselves too seriously.  <\/p>\n<p>    In the past, a multitude of sources compared their breakneck    approach to that of esteemed icons System Of A Down. A bold    move indeed. But a move not unjustified. Apart from the uncanny    vocal similarities of Matthias to dervish Serj Tankian, it is    the throbbing push towards eclecticism and a glaring aversion    against blinkers of all sorts that justifies a comparison like    this. We were never about playing authentic Balkan music.    Others are way better at that than we are, Max points out    regarding the vast breadth of influences. Beginning as a Rock    band, we just wanted to push the envelope as far as we can.    Metal, Rock, Polka, Punk, Klezmer, Blues, Pop? Gasmac Gilmore    dance on the graves of obsolete drawers and smilingly beckon    their listeners to join in their enraptured dance macabre.    Ultimately, everything they do is blessed by their sense of    beauty.  <\/p>\n<p>    Tour de nations  <\/p>\n<p>    As of this day, daredevilry has a new hero. It's called Gasmac    Gilmore and is leading this enterprise begun in 2002 to    unprecedented heights. A cornucopia of musical ardor, Storm and    Stress in an universe of Metal, Rock and Balkan folklore. There    is no no in their language, between two stools is where they    sit best. Then again, this troupe never finds time to sit down    anyway. After gigs in Austria, Switzerland, Germany, Romania,    Italy, the Czech Republic, Slowakia and the Netherlands, the    conquering of uncharted territory is right on top of their    ambitious agenda. It was not for nothing that Germany's rather    merciless online magazine laut.de found these explicit words:    The fact that this team is not playing the festival stages    throughout Europe is a nuisance that must be rectified    immediately. And it will be. With gusto, Gasmac Gilmore    trample down genre limitations like a pack of scallywags    stealing fruits off the neighbors' trees. Unconventional like a    die hard Heavy Metal fan at a Balkan party, unrestrained like a    Gypsy celebration at full moon, bursting with ideas like a    think tank full of geniuses and crazy like a witch after too    many magic shrooms... Gasmac Gilmore is all that and yet so    much more. A shapeshifter with a twinkle in his eyes and    melancholy in his heart, daydreamer and nightwalker, lost in    reverie and yet rooted firmly in the here and now. Heavenly    joy, followed by deadly sorrow, thirsty and hung over,    optimistic and critical, enthusiastic and elegiac. Colorful    like life, loud like life, wonderful like life, strange like    life, unique like life. And by now also officially blessed by    beauty.  <\/p>\n<p>    Euro Live Gigs:  <\/p>\n<p>    30.04. DE - Sonthofen, Barfly  <\/p>\n<p>    12.05. AT  Wien, B72  <\/p>\n<p>    27.05.-28.05. DE  Kln, Roleplayconvention  <\/p>\n<p>    29.06.-30.06. DE  Dsseldorf, Sommerkult  <\/p>\n<p>    01.07. AT - Weiz, Cross Check Festival  <\/p>\n<p>    05.07. CZ - Hradec Kralove, Rock for People  <\/p>\n<p>    08.07. DE  Halle\/Kln, Rhein Rock Festival  <\/p>\n<p>    25.07. DE  Mnchen, Free and Easy  <\/p>\n<p>    04.08.-05.08. DE  Gssnitz, Open Air  <\/p>\n<p>    26.08. DE - Rudolstadt, Residenzschlo Heidecksburg (Support    von IN EXTREMO)  <\/p>\n<p>    27.08. DE - Hanau, Amphitheater Hanau(Support von IN EXTREMO)  <\/p>\n<p>    15.09. DE  Kummerfeld, Ackerfestival  <\/p>\n<p>    13.10.-14.10. DE  Hameln, Autumn Moon29.04. DE - Geislingen,    Seemhle  <\/p>\n<p>    30.04. DE - Sonthofen, Barfly  <\/p>\n<p>    12.05. AT  Wien, B72  <\/p>\n<p>    27.05.-28.05. DE  Kln, Roleplayconvention  <\/p>\n<p>    29.06.-30.06. DE  Dsseldorf, Sommerkult  <\/p>\n<p>    01.07. AT - Weiz, Cross Check Festival  <\/p>\n<p>    05.07. CZ - Hradec Kralove, Rock for People  <\/p>\n<p>    08.07. DE  Halle\/Kln, Rhein Rock Festival  <\/p>\n<p>    25.07. DE  Mnchen, Free and Easy  <\/p>\n<p>    04.08.-05.08. DE  Gssnitz, Open Air  <\/p>\n<p>    26.08. DE - Rudolstadt, Residenzschlo Heidecksburg (Support    von IN EXTREMO)  <\/p>\n<p>    27.08. DE - Hanau, Amphitheater Hanau(Support von IN EXTREMO)  <\/p>\n<p>    15.09. DE  Kummerfeld, Ackerfestival  <\/p>\n<p>    13.10.-14.10. DE  Hameln, Autumn MoonTODO 24.04.2017  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read more from the original source: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.gratefulweb.com\/articles\/gasmac-gilmore-spring-2017-tour-now\" title=\"Gasmac Gilmore On Spring 2017 Tour Now - Grateful Web\">Gasmac Gilmore On Spring 2017 Tour Now - Grateful Web<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> They traveled the world, they drank from the fountains of madness, they nibbled at the forbidden fruits of wisdom and laved at the shores of freedom. They are vagabonds, united by their wish to crush frontiers, tear down walls and open dams. Not only with their music, but also within our hearts.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hedonism\/gasmac-gilmore-on-spring-2017-tour-now-grateful-web\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187715],"tags":[],"class_list":["post-190292","post","type-post","status-publish","format-standard","hentry","category-hedonism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/190292"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=190292"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/190292\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=190292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=190292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=190292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}