{"id":188160,"date":"2017-04-17T12:45:08","date_gmt":"2017-04-17T16:45:08","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/the-human-cost-of-a-forced-upgrade-what-we-lose-when-technology-platforms-fade-away-salon\/"},"modified":"2017-04-17T12:45:08","modified_gmt":"2017-04-17T16:45:08","slug":"the-human-cost-of-a-forced-upgrade-what-we-lose-when-technology-platforms-fade-away-salon","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/technology\/the-human-cost-of-a-forced-upgrade-what-we-lose-when-technology-platforms-fade-away-salon\/","title":{"rendered":"The human cost of a forced upgrade: What we lose when technology platforms fade away &#8211; Salon"},"content":{"rendered":"<p><p>    In the new Netflix series 13    Reasons Why, high schooler Hannah Bakers suicide note is    divided into seven cassette tapes, and each episode is split up    by which side of the cassette is being listened to: side A or    side B. When her co-worker Clay first receives the box of    cassettes, they show up on his doorstop in a heavy shoebox,    slathered shut with paper and tape. His first task is figuring    out how to actually listen to Hannahs cassettes: he tries his    dads old boom box (did they actually call it that? he asks    his father when asking permission), then steals his friends    Walkman. As the series continues, Clay fuses technologies from    different eras together: The click and spin of the cassette    tape delivers Hannahs story to Clays ears through    black-and-red Beats Headphones.  <\/p>\n<p>    There is something particularly intimate about listening to    Hannahs reasons over seven tapes. The physical presence of the    tapes exists in stark contrast to the lack of physical presence    of Hannah. Throughout 13 Reasons Why, Hannah is a ghost that    Clay is desperately searching for as he tries to understand why    his friend and crush would take her own life. The tapes are    clunky, heavy and hard to carry around  they exist in the    series as a constant physical connection to Hannah, even after    she is gone. Each artifact, covered in deeply feminine doodles    of flowers and labeled with a number painted in deep blue nail    polish, is a concrete reminder of who she was.  <\/p>\n<p>    But the cassettes also seem to tap into our current nostalgia    for 80s tchotchkes, from the big clunky computers and TV sets    in the world of The Americans to the glorious video game    consoles and old-school card catalogues in Stranger Things.    As someone who grew up thinking  knowing!  that CD technology    was superior to cassettes, its fascinating to see a technology    that was once maligned as schlocky and unsophisticated upheld    now as a rich source of intimacy between creator and listener.  <\/p>\n<p>    And that evolution is constant. Today we are constantly and    rapidly ushered into using new modes of communication, which     unlike the clunky VHS tapes and video rental stores of the past     can also disappear without leaving a trace. When Google makes    the decision to dissolve the classic messaging system Gchat in    favor of Google Hangouts, for example, most users simply accept    the adoption of the new technology as a natural and necessary    step.  <\/p>\n<p>    This passive trust in companies to enable us to communicate    better can end up minimizing the diverse and creative ways that    people actually use technology. Shortly after Twitter dissolved    the short-form social video platform Vine, for example,    numerous articles came out highlighting the ways Vines    disappearance is a kind of cultural loss, especially for young    black artists. Vine was easily accessible and inexpensive,    something that young people with a phone could easily use to    craft narratives with art and humor.  <\/p>\n<p>      The question of who gets to continue using a kind of      technology is a question of power  who gets to claim that a      communication tool is meaningful or who gets to cast it off      as pointless is more and more a decision that is made by      corporations rather than people. Were not supposed to mourn      the death of Vine, just as we werent supposed to mourn the      death of MySpace when Facebook went into wide use. Were      supposed to see all texting as the same, even though texting      from my Nokia was an entirely different experience than      texting on my iPhone. We diminish the emotional nature of      these near constant correspondences, pretending that daily      messaging does not also inspire a potent kind of intimacy,      one that isnt exactly the same as letter writing and one      that isnt exactly the same as sharing a phone call.    <\/p>\n<p>      Appreciating these daily forms of communication is also about      more than preservation. In 30 years well probably have a      slew of TV shows that highlight the unique ways in which the      primitive technologies we use today inspired real      connection. But in a world full of interchangeable and      disposable things, there is value not only in unplugging      from an overly connected world but from actually valuing the      specific ways that we are plugged in to one another, too.      This means recognizing that Facebook stickers and Snapchat      posts actually do mean something to the person on the other      end of a screen.    <\/p>\n<p>      In the final scenes of 13 Reasons Why, Hannahs parents are      given Hannahs tapes as 13 digital audio files with the      instructions to listen to them in order. By the time Hannahs      parents hear their daughters voice, we in the audience have      heard the first line of Hannahs tapes many, many times, and      can tell how, even though the files allow the Bakers a      glimpse at their daughters story, the full impact seems a      bit gentler and more muted from the experience her peers had      of opening the box and pulling out those cassettes her hands      had touched.    <\/p>\n<p>      Of course, this difference is imperceptible to Hannahs      parents, even though her mother has been searching for a      physical and emotional connection to her daughter from the      very beginning of the series. In one of the most moving      scenes, we see Mrs. Baker paint a blue stripe on one of her      fingernails using her daughters favorite blue nail polish       the same one Hannah used to write numbers on her tapes.    <\/p>\n<p>      In the final scene of 13 Reasons Why that features Hannahs      parents, we see her mother and father prepare to listen to      their daughters last words together. They hold hands as they      click on the first of many nondescript wav files on their      nondescript Dell computer, frightened of what they may be      about to hear, but also eager to connect in any way they can.    <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Excerpt from: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.salon.com\/2017\/04\/16\/the-human-cost-of-a-forced-upgrade-what-we-lose-when-technology-platforms-fade-away\/\" title=\"The human cost of a forced upgrade: What we lose when technology platforms fade away - Salon\">The human cost of a forced upgrade: What we lose when technology platforms fade away - Salon<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> In the new Netflix series 13 Reasons Why, high schooler Hannah Bakers suicide note is divided into seven cassette tapes, and each episode is split up by which side of the cassette is being listened to: side A or side B. When her co-worker Clay first receives the box of cassettes, they show up on his doorstop in a heavy shoebox, slathered shut with paper and tape <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/technology\/the-human-cost-of-a-forced-upgrade-what-we-lose-when-technology-platforms-fade-away-salon\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187726],"tags":[],"class_list":["post-188160","post","type-post","status-publish","format-standard","hentry","category-technology"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/188160"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=188160"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/188160\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=188160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=188160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=188160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}