{"id":187016,"date":"2017-04-10T02:45:16","date_gmt":"2017-04-10T06:45:16","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/michael-douglas-shares-secrets-of-his-long-career-from-cuckoos-nest-to-wall-street-variety\/"},"modified":"2017-04-10T02:45:16","modified_gmt":"2017-04-10T06:45:16","slug":"michael-douglas-shares-secrets-of-his-long-career-from-cuckoos-nest-to-wall-street-variety","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/michael-douglas-shares-secrets-of-his-long-career-from-cuckoos-nest-to-wall-street-variety\/","title":{"rendered":"Michael Douglas Shares Secrets of His Long Career, From &#8216;Cuckoo&#8217;s Nest&#8217; to &#8216;Wall Street&#8217; &#8211; Variety"},"content":{"rendered":"<p><p>    Oscar-winner Michael Douglas revealed the ups    and downs in his film career during a live conversation with    Ben Mankiewicz at the eighth annual TCM Classic Film Festival    on Saturday. Held at Hollywoodshistoric Montalban    Theatre, the two-hour discussion covered everything from    Douglass early television roles to his work on Marvels    upcoming Ant-Man and the Wasp. Here are some of the    surprising highlights.  <\/p>\n<p>    Hairy Beginnings  <\/p>\n<p>    In 1969, Douglas made his feature debut in Hail, Hero! an    obscure anti-war drama about a college student who joins the    army during the Vietnam war. Arthur Kennedy played my father,    and in the movie he takes my long hair and he chops it all    off, Douglas said. So Im showing it to my dad (Kirk Douglas)    and he said You should go to my barber. Theres a way to do    that so it looks halfway decent, so you wont look like a total    dork. Things didnt go quite that smoothly, however. For    continuity, I had to wear a wig, a longhair wig, throughout the    movie, Douglas said. So I go to put my hippie wig on and I    look like Veronica Lake. Despite his shaggy appearance, the    role earned him a Golden Globe nomination as most promising    male newcomer.  <\/p>\n<p>    Filling the Nest  <\/p>\n<p>    Casting was crucial, Douglas said about his Oscar-winning    adaptation of Ken Keseys novel One Flew Over the Cuckoos    Nest. Douglas, who produced the film, worked closely with    director Milos Forman to fill the fictional Oregon mental    institution with the perfect rogues gallery of patients and    staff. Several stars were approached to play the lead,    including Gene Hackman and Marlon Brando, both who turned the    part down. According to Douglas, Forman lobbied hard to cast    Burt Reynolds in the role because he had what the director    described as cheap charisma. Casting Nurse Ratched proved    equally difficult. With all due respect to the ladies out    there, Douglas said, the womans movement at that particular    time said that a woman could not play the bad guy. Jane Fonda    and Angela Lansbury passed on the role before Louise Fletcher    was eventually cast.  <\/p>\n<p>    Silent Meltdown  <\/p>\n<p>    Douglas learned a valuable lesson about sound (or the lack    thereof) while producing his next hit, The China Syndrome.    The film depicts a series of accidents at a fictional nuclear    power plant, culminating in a tense near-meltdown sequence. Yet    in the editing room, something just didnt feel right to    Douglas. We were doing our final mix, putting things together,    and I was really impressed with our sound editors in terms of    all these unique sounds they found for the control room,    Douglas said. The problem came with the addition of music.    Were doing the final mix and we had music by a very good guy,    and this weird thing happened, Douglas said. All of a sudden    we add the music and it became melodramatic. It lost its    vitality. The risky solution was to remove the entire score.    Without the music, it became taut, Douglas said.  <\/p>\n<p>    Tragic Jewel  <\/p>\n<p>    That was the lowest point in my producing career, Douglas    said, referring to The Jewel of the Nile, the trouble-plagued    followup to his blockbuster hit Romancing the Stone. The    films difficult production was marked with repeated tragedy,    including a plane crash in Morocco that killed six production    team members, as well as the death of 39-year old screenwriter    Diane Thomas, who wrote Romancing the Stone and consulted on    the sequel. To thank Thomas for her contributions to the film,    Douglas asked her what type of car she liked. She said a    Porsche, and so I got her a Porsche, Douglas said. The last    time I saw her was when she took me out to the parking lot to    show me the Porsche. And then she got killed in a car accident    in it two weeks later.  <\/p>\n<p>    Stones Gambit  <\/p>\n<p>    Douglas earned an Oscar for Best Actor in Oliver    Stones 1987 financial drama Wall Street, in large part    thanks to Stones psychological method of direction. Two weeks    into shooting, Stone came to Douglass trailer with a serious    problem. He said, Michael are you doing drugs? Because you    look like youve never acted before in your life. Douglas,    though concerned, had no idea what Stone was talking about. I    never look at dailies, Douglas said, So I assumed Id better    go take a look. And he said yeah, youd better. Not    surprisingly, what he saw looked pretty good. The    confrontation was a ruse on Stones part. Oliver wanted just a    little bit more anger, Douglas said. He was willing to forgo    our relationship to get that performance, and I went to town    and worked my ass off after that conversation. According to    Douglas, Stones Vietnam mentality is what made all the    difference. He wants you in the trench with him.  <\/p>\n<p>    Courting Controversy  <\/p>\n<p>    The gritty 1993 thriller Falling Down gave Douglas one of his    most memorable roles. It hit on the zeitgeist, Douglas said.    Its a picture thats constantly brought up as one that people    genuinely like. Thats not to say it wasnt without    controversy, however. The films edgy violence and dark subject    matter drew complaints from some ethnic groups. I remember for    instance, there was a Korean grocers scene where I go in and    go ballistic, Douglas said. Soon after the picture was    released, I got a call from Warner Brothers, saying, Mike can    you come down here? Wed like you to meet the head of the    Korean grocers association. The group objected to the    sequence, which they felt portrayed Koreans in a negative    light. Douglas did his best to address their concerns. I tried    to explain that theres a reason why the writer took the scene    and made it what it is, Douglas said. And as a result of that    meeting the Korean grocers association put those smile buttons    on everyones shirts.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Visit link: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/variety.com\/2017\/film\/news\/michael-douglas-tcm-classic-film-festival-1202027124\/\" title=\"Michael Douglas Shares Secrets of His Long Career, From 'Cuckoo's Nest' to 'Wall Street' - Variety\">Michael Douglas Shares Secrets of His Long Career, From 'Cuckoo's Nest' to 'Wall Street' - Variety<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Oscar-winner Michael Douglas revealed the ups and downs in his film career during a live conversation with Ben Mankiewicz at the eighth annual TCM Classic Film Festival on Saturday. Held at Hollywoodshistoric Montalban Theatre, the two-hour discussion covered everything from Douglass early television roles to his work on Marvels upcoming Ant-Man and the Wasp.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/michael-douglas-shares-secrets-of-his-long-career-from-cuckoos-nest-to-wall-street-variety\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187735],"tags":[],"class_list":["post-187016","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/187016"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=187016"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/187016\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=187016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=187016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=187016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}