Jamiroquais eighth album straddles two traditional scenarios: a dystopian, digital future and booze-soaked sunny days spent spying on sophisticated ladies. Set to the sounds of French touch, disco funk, Tron movie scores and Bond-style strings, there are agitated prophecies such as on synth onslaught Automaton and libidinous love songs: he worships at the feet of a cosmopolitan female on Summer Girl, while Hot Property is about a woman whose mind is so sharp that she just killed a man. <\/p>\n
While his energies might have waned (his voice on the chemically addled Dr Buzz is particularly fried), the spooky groove of We Can Do It and the chintzy jazz-lite of Vitamin revive the classic traits of his early career. Despite some naff phrases, dodgy song titles and a lot of robotic trickery, during times of grim austerity, the return of Jay Kays elite, escapist lifestyle full of fast cars, fast girls and big bulldozing basslines offers a flash of ostentatious fun. <\/p>\n
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Read more: Jamiroquais eighth album straddles two traditional scenarios: a dystopian, digital future and booze-soaked sunny days spent spying on sophisticated ladies. Set to the sounds of French touch, disco funk, Tron movie scores and Bond-style strings, there are agitated prophecies such as on synth onslaught Automaton and libidinous love songs: he worships at the feet of a cosmopolitan female on Summer Girl, while Hot Property is about a woman whose mind is so sharp that she just killed a man. While his energies might have waned (his voice on the chemically addled Dr Buzz is particularly fried), the spooky groove of We Can Do It and the chintzy jazz-lite of Vitamin revive the classic traits of his early career Continue reading
\nJamiroquai: Automaton review escapist futurism and libidinous ... - The Guardian<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"