{"id":184617,"date":"2017-03-23T13:58:07","date_gmt":"2017-03-23T17:58:07","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/how-artificial-intelligence-helped-to-create-a-gaud-inspired-thinking-sculpture-archdaily\/"},"modified":"2017-03-23T13:58:07","modified_gmt":"2017-03-23T17:58:07","slug":"how-artificial-intelligence-helped-to-create-a-gaud-inspired-thinking-sculpture-archdaily","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/artificial-intelligence\/how-artificial-intelligence-helped-to-create-a-gaud-inspired-thinking-sculpture-archdaily\/","title":{"rendered":"How Artificial Intelligence Helped to Create a Gaud-Inspired Thinking Sculpture &#8211; ArchDaily"},"content":{"rendered":"<p><p>      How Artificial Intelligence Helped to Create a Gaud-Inspired      Thinking Sculpture    <\/p>\n<p>    IBM and New-York-based    design studio SOFTlab have teamed up to create    the first thinking sculpture, inspired by Gaud and developed    with IBMs Watsoncognitive technology for the    Mobile World    Congress in Barcelona,    Spain.  <\/p>\n<p>    In order to help design the sculpture, Watson was taught about the history and style    of Gaud and the architecture of    Barcelona through volumes of    images, literary works, articles, and even music. From these    references, Watson helped to uncover    critical insights on patterns in Gaud's worklike crabs,    spiders, and color palettesthat the design team didn't    initially associate with Gaud. The    resulting four-meter-tall sculpture features a structural    surface made of over 1200 unique aluminum parts, and is    unmistakably reminiscent of Gauds    work both in look and feel, yet entirely distinct.  <\/p>\n<p>    The sculpture was on display from February 27 to March 2 at    Mobile World Congress in Barcelona, where it interacted with    visitors by changing shape in real-time, in response to    sentiments from Twitter. To learn more about the sculpture,    ArchDaily was given to opportunity to speak with IBM Watson Manager    Jonas Nwuke.  <\/p>\n<p>                        +10  <\/p>\n<p>    Sabrina Santos: Why was Gaudis work in    particular chosen to inspire the project?  <\/p>\n<p>    Jonas Nwuke: Architects at SOFTlab knew Mobile World Congress 2017    would be hosted in Barcelona,    which sparked them to create something they had never done    before. The SOFTlab team worked with    Watson through the inspiration of    legendary Barcelona architect    Antoni Gaudi to create a sculpture alive with data. Antoni    Gaudi was an iconic architect that shaped the city of Barcelona with his avant-garde    architecture that was light years ahead of its time. In turn,    the city of Barcelona heavily    shaped the work he created. SOFTlab    wanted to work with Watson to bring    this approach from the past to the present.  <\/p>\n<p>    SS: Approximately what percentage of the    project decisions were made by Watson, as opposed to IBM and SOFTlab    designers?  <\/p>\n<p>    JN: Watson acted as    a guide throughout the design process, uncovering insights from    Gaudis work to inspire the architects, rather than making    decisions on its own. Watsons    ability to process volumes of information from images and    documents sparked new ideas and helped the architects to    reimagine their construction. Our vision for Watson has always been to use cognitive    computing to augment, rather than replace, human intelligence.  <\/p>\n<p>    SS: Besides the crab and spider references,    were there any other particularly interesting ideas or    connections that Watson created?  <\/p>\n<p>    JN: Watsons    analysis of thousands of Gaudi-inspired works helped the team    pick unique, transformative colorsultramarine blue, jade    green, yellow and orangewhich in turn helped SOFTlab select the iridescent dichroic film    that brings the sculpture to life. Gaudis work brings about    clear themes like waves, undulations and arches. With Watson, the designers were able to see themes    that werent as obvious previously, such as candy and shells,    in addition to crabs and spiders. These elements helped inspire    the hanging chains and funnels of the sculptures design.  <\/p>\n<p>    SS: How long did it take for Watson to review the images, documents,    colors, and so forth?  <\/p>\n<p>    JN: The entire project took a little over one    month to complete.  <\/p>\n<p>    SS: Were any of these tools (images,    documents, colors, etc.) more influential than others, or do    the various mediums integrate evenly as inspiration?  <\/p>\n<p>    JN: Watson reviewed    thousands of images, literary works, articles and even music    surrounding Gaudi and Barcelona.    With this, Watson was able to    integrate these mediums evenly to become a Gaudi expert that    could help the team understand a century of inspiration to    re-inspire the design process.  <\/p>\n<p>    SS: Who is creating the sculpture this week in    Barcelona? How long will this take?  <\/p>\n<p>    JN: Over a dozen SOFTlab designers worked over one week to    install the sculpture at Mobile World Congress in Barcelona.  <\/p>\n<p>    SS:What are the measurements and    materials of the sculpture?  <\/p>\n<p>    The height on the sculpture is 4 meters. The structural surface    is made of over 1200 unique aluminum parts. This surface was    clad in 3M Dichroic film which has an iridescent quality and    was chosen based on suggestions from Watson and inspired by Gaudi's interest in    similar colors. This material in combination with data    controlled lighting produces a range of coloration and cast    light. The Dichroic film was then clad in petal like laser cut    aluminum panels that are inspired by some of the tiled forms    used by Gaudi. The gravity driven cables underneath are made of    100 meters of ball chain.  <\/p>\n<p>    SS: How will Tweet tones influence the height    of the sculpture (for example, do positive Tweets make the    sculpture extend lower?)?  <\/p>\n<p>    JN: The sculpture is responsive to social    sentiment and uses the IBM Watson Tone Analyzer API to identify and    react to sentiment from Twitter. The tone and sentiment    extracted from the tweets will be reflected in the sculpture,    which is comprised of 3 funnels representing distinct topics.    Each funnel is comprised of rings that will shift in height    based on a given 'big 5' personality trait. One funnel contains    one ring that addresses how open people are to Artificial    Intelligence at Mobile World Congress. The Openness score for    each tweet related to AI will drive the ring height. As the    confidence Watson determines in    peoples openness changes, the height of the ring changes as    well. The second funnel contains three rings that react to    Watsons confidence level in how open    people are to the top 3 trending topics of the moment. The    third funnel has 5 rings addresses the collective buzz of the    event. Each ring represents a 'big 5' personality trait    (Passion, Joy, Excitement, Curiosity & Encouragement) and    confidence scores will drive ring height.  <\/p>\n<p>    SS: How do you envision Artificial    Intelligencelike Watsonbeing influential to the architectural    world in the future?  <\/p>\n<p>    JN: We envision Watson will serve as an assistant to other    architects, acting as an extension of the creative process in    the future. Cognitive technologies have the ability to uncover    facts and answer questions, and can be applied to invent and    explore new frontiers, such as architecture. For example,    beyond architecture, Watson is    helping professionals in many creative industries. At the 2016    Met Gala, IBM and Marchesa unveiled a    cognitive dress worn by model Karolina Kurkova that served as    an innovative collaboration with cognitive woven into every    step of the creative process  from concept, to R&D, from    design and alteration to the finished product. In music, Grammy    award-winning music producer Alex Da Kid collaborated with    IBM Watson to    inspire his breakout song as an artist, Not Easy. For this    partnership, Watson analyzed the last    five years of culture and music data to uncover new emotional    insights to augment Alexs creative process. We believe    Watson will continue to serve as a    resource for creative professionals looking for inspiration.  <\/p>\n<p>    Learn more about the project     here.  <\/p>\n<p>    News via IBM.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Here is the original post:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.archdaily.com\/867048\/ibm-watson-how-artificial-intelligence-helped-to-create-a-gaudi-inspired-thinking-sculpture\" title=\"How Artificial Intelligence Helped to Create a Gaud-Inspired Thinking Sculpture - ArchDaily\">How Artificial Intelligence Helped to Create a Gaud-Inspired Thinking Sculpture - ArchDaily<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> How Artificial Intelligence Helped to Create a Gaud-Inspired Thinking Sculpture IBM and New-York-based design studio SOFTlab have teamed up to create the first thinking sculpture, inspired by Gaud and developed with IBMs Watsoncognitive technology for the Mobile World Congress in Barcelona, Spain.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/artificial-intelligence\/how-artificial-intelligence-helped-to-create-a-gaud-inspired-thinking-sculpture-archdaily\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187742],"tags":[],"class_list":["post-184617","post","type-post","status-publish","format-standard","hentry","category-artificial-intelligence"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/184617"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=184617"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/184617\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=184617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=184617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=184617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}