{"id":184042,"date":"2017-03-19T16:46:52","date_gmt":"2017-03-19T20:46:52","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/beauty-and-the-beast-enchants-with-350m-global-bow-180m-offshore-international-box-office-deadline\/"},"modified":"2017-03-19T16:46:52","modified_gmt":"2017-03-19T20:46:52","slug":"beauty-and-the-beast-enchants-with-350m-global-bow-180m-offshore-international-box-office-deadline","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/offshore\/beauty-and-the-beast-enchants-with-350m-global-bow-180m-offshore-international-box-office-deadline\/","title":{"rendered":"&#8216;Beauty And The Beast&#8217; Enchants With $350M Global Bow; $180M Offshore  International Box Office &#8211; Deadline"},"content":{"rendered":"<p><p>    Refresh for latest: Disneys    Beauty And The    Beast charmed its way into the international box    office this weekend with a wild $180M    start. Combined with the equally monstrous domestic opening, that puts the global    tally for the live-action update of 1991s animated classic at    a magnifique $350M worldwide. The    Bill Condon-directed film is now the No. 2 March debut of all    time both globally and internationally, behind Batman V    Superman: Dawn Of Justice.  <\/p>\n<p>    We had a sense yesterday that BATB was headed across $300M global and indeed    it sprang past pre-weekend estimates on all fronts.  <\/p>\n<p>    Looking at the same suite of offshore markets, and at todays    rates, the opening BATB frame is running 35% ahead of    The Jungle Book, 96% ahead of Alice In    Wonderland, 100% ahead of Maleficent and 148%    ahead of Cinderella.  <\/p>\n<p>    The Emma Watson\/Dan Stevens-starrer was No. 1 in virtually all    debuts  its playing in 44 material markets this weekend. A    dazzling $22.8M in the UK    gave BATB the highest grossing 3-day opening weekend    ever for a PG title; and China opened to    $44.8M for the biggest-ever Disney Live Action    launch weekend (note that Disney Live Action refers to    non-Lucasfilm\/Marvel releases).  <\/p>\n<p>    In other highlights, this is the top March opening ever in    several territories, including the UK, Germany and Mexico.    BATB also had the No. 1 bow of 2017 in those markets    as well as Italy, Sweden and Brazil, among others. The film    further surpassed the lifetimes of Maleficent and    Alice In Wonderland in China, Korea and India.  <\/p>\n<p>    In IMAX plays,    BATB waltzed to a record-setting $21M    on 1,026 screens worldwide. In 55 international markets, the    gross was $8.5M on 649. The movie, which features an expanded    aspect ratio that is exclusive to IMAX, is the 300th DMR    (digital media remastering) title in the formats history and    pushes IMAX past the $6B total global box office    mark.  <\/p>\n<p>    BATB is the No. 1 global bow ever for a PG-rated film    in IMAX, topping Disneys own Jungle Book ($20M) from    last year. It is the No. 2 overseas launch for a PG movie after    TJBs $9.7M and the No. 3 international opening    weekend in March after BVS and Logan.  <\/p>\n<p>    Overall, the UK is a big part of this fairy    tale. Along with the PG record noted above, the $22.8M score is    the 5th highest grossing 3-day launch of all time. The Saturday    was the 2nd biggest ever only behind Star Wars: The Force    Awakens. The film is doing Jungle Book-style    business overseas  and indeed outpacing it  with a launch in    the UK that is +83% on that film. This is further the biggest    Disney Live Action opening in the market and the top March    debut frame ever. It also tops the start for all musicals in    the market.  <\/p>\n<p>    The Top 5 hubs this session are China ($44.8M), the UK    ($22.8M), Korea ($11.9M), Mexico ($11.6M) and Germany ($10.7M).    Market breakdowns are coming below.  <\/p>\n<p>    Other notable numbers this frame include Foxs Logan    passing $100M in China; Warner Bros Kong: Skull Island    getting thisclose to $150M international after two    sessions; Universals Split crossing $250M worldwide;    Unis A Dogs Purpose sitting up to over $100M    international; and Illumination\/Universals Sing    nearing $600M global. New was the opening of Jordan Peeles    Get Out from Universal and Blumhouse.  <\/p>\n<p>    Breakdowns on those and others are being updated below.  <\/p>\n<p>    NEW    BEAUTY AND THE BEAST<\/p>\n<p>    Disney  <\/p>\n<p>    The tale as old as time was expected to resonate around the    world and just continued to run all weekend. Thats despite any    controversy that reared up over Josh Gads gay moment in the    film. Any distraction over Russia giving the film a 16+ rating    (on par with Dis Pirates films, btw and equivalent to    a PG-13 in the U.S) did not damage the start there (see more    below).  <\/p>\n<p>    With all this cash in the castle, there are still openings to    come in such majors as France, Australia and Japan.    BATB has lots of runway ahead of it and with ongoing    play, plus the addition of those markets which are poised to    belly right up to the beast, $1B global looks all but assured.  <\/p>\n<p>    Currently offshore, China is in the lead with    $44.8M to become the biggest ever Disney Live Action opening    weekend of all time. BATB repped 67% of the market    share there and has already bested the entire run of both    Maleficent and Alice In Wonderland. In 2015    dollars, Cindy opened to $25M across her first 3-day    with BABT almost doubling that start this weekend. In    IMAX, the film grossed $3.4M on 386 screens.  <\/p>\n<p>    The UK, as noted above, had a fairy tale    launch with $22.8M and several benchmarks set including the    highest grossing 3-day opening weekend ever for a PG title; the    5th highest grossing 3-day bow of all time; and the 2nd biggest    Saturday ever only behind Star Wars: The Force    Awakens.  <\/p>\n<p>    Korea, which is the No. 3 play on    BATB this weekend, came in at $11.9M for the top    Disney Live Action opening frame ever. With 67% market share    the opening already exceeds the entire run of both    Maleficent and Cinderella. Belle and her    Beast are 80% ahead of Jungle Book currently.  <\/p>\n<p>    Mexico comes in as the No. 4 offshore hub with    $11.6M, again the biggest ever DLA bow; the No. 1 March opening    of all time; and the top industry start of 2017. It is also the    6th industry opening weekend ever. It dominated the market with    74% and is running 91% swingier than Jungle Book.  <\/p>\n<p>    In Germany, the table was set with $10.7M for    the top March opening weekend on record and 2017s best so far.    There, its 118% ahead of Jungle Book.  <\/p>\n<p>    Brazil is next with $10.4M: top DLA ever, top    2017 start and 7th industry opening of all time. The score more    than tripled The Jungle Books launch.  <\/p>\n<p>    Italys first dance was worth $7.6M for 2017s    biggest start and 124% over The Jungle Book.  <\/p>\n<p>    At $6M, Russia defied the local controversy    which saw it slapped with a 16+ rating. Disneys Dave Hollis    tells me, The result is as impressive in Russia as it is    anywhere else in the world. Its also more than double    Cinderellas first sweep.  <\/p>\n<p>    The Philippines and Spain    round out the Top 10 with $5.9M and $5.8M, respectively. In the    former, this is the top DLA opening and the No. 4 industry bow    ever. Shattered are the entire scores of Jungle Book,    Cinderella and Alice In Wonderland. In Spain,    this is the biggest non-local March opening ever and is running    36% ahead of Jungle Book.  <\/p>\n<p>    In other notables not cited above, BATB is the biggest    March opening ever in Albania, Austria, Bosnia\/Herzegovina,    Croatia, Czech Rep, Denmark (non-local), Finland, Macedonia,    Norway (3-day only), Slovenia, Switzerland and Ukraine. It is    also the biggest opening of the year in Austria, Bulgaria,    Denmark, Finland, Serbia, Switzerland, U.A.E. and Ukraine.  <\/p>\n<p>    Further openings across South East Asia that are DLAs best    include Hong Kong, Indonesia, Singapore and Thailand.  <\/p>\n<p>    The only markets where Mrs Potts didnt top the box office were    Vietnam (Kong: Skull Island was still No. 1 there),    Turkey (with two local movies and Logan ahead) and    India (where Foxs Badrinath Ki Dulhania retained No.    1).  <\/p>\n<p>    Tuning up for next weekend are France, Australia, Belgium,    Hungary, Israel, Trinidad and Argentina. Japan, a huge Disney    market, bows April 21. This Beauty will also open on 22 more    IMAX screens in nine markets next frame.  <\/p>\n<p>    GET OUT<\/p>\n<p>    Universal  <\/p>\n<p>    HOLDOVERS\/EXPANSIONS    KONG: SKULL ISLAND<\/p>\n<p>    Warner Bros  <\/p>\n<p>    Particularly notable is the performance in    Vietnam which figures in the film.    Kong beat the new Beauty in the market with a    No. 1 and $5.3M total to become the 2nd highest-grossing movie    there ever behind Furious 7.  <\/p>\n<p>    Overall, the UK was the best play this frame    with $3.3M on 931 screens, ranking No. 2 with a $13.5M cume.    Korea followed at $2.5M on 644 for the No. 2    spot and an $11.1M total so far. Up next was    France where the film maintained No. 1 (Belle    arrives next weekend there) with $2.4M on 540 for a 31% drop    and a total $7.3M to date. Australia (which    also has BATB as a new guest next frame stomped on    $2.4M\/388 to bring the running total to $7.2M.    Mexico similarly added $2.4M (on 1,597) for    $10.1M running. There is a long-holiday weekend in Mexico and    WB is looking at strong numbers in an expanded market.  <\/p>\n<p>    Other top cumes include Russias $9.3M;    Brazil with $6.9M; Germanys    $6.2M; Taiwans $6M;    Malaysias $4.8M; and Spains    $3.2M.  <\/p>\n<p>    Next weekend, Kong travels to China and Japan.  <\/p>\n<p>    LOGAN<\/p>\n<p>    20th Century Fox  <\/p>\n<p>    Elsewhere, Logan is now 10% bigger than the lifetime    of X-Men: Apocalypse at current exchanges in the    UK with a cume of $25.3M.    Brazil held this frame at No. 2 for $23.4M so    far after a 43% drop. The next biggest market is    Russia with $15.7M so far and 19% higher than    X-Men: Days Of Future Past at todays f\/x rates.    Korea has grossed $15.3M to date and held No.    3 this session. In most plays, holds were better than -50%.    Japan releases Logan on June 1.  <\/p>\n<p>    A DOGS PURPOSE<\/p>\n<p>    Universal  <\/p>\n<p>    We talked about the success of this film in China last week    and its marketing prowess with local partner Alibaba has    continued to pay off. The movie was No. 2 behind new opener    Beauty And The Beast after playing well throughout the    week. It normally has about two weeks left to wag there.    Universal will next release in Russia on March 30 and Japan on    September 23.  <\/p>\n<p>    SING<\/p>\n<p>    Universal  <\/p>\n<p>    SPLIT<\/p>\n<p>    Universal  <\/p>\n<p>    MOANA<\/p>\n<p>    Disney  <\/p>\n<p>    MISC UPDATED CUMES<\/p>\n<p>    Lionsgate  <\/p>\n<p>    MORE  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Here is the original post: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/deadline.com\/2017\/03\/beauty-and-the-beast-logan-kong-skull-island-international-box-office-1202046567\/\" title=\"'Beauty And The Beast' Enchants With $350M Global Bow; $180M Offshore  International Box Office - Deadline\">'Beauty And The Beast' Enchants With $350M Global Bow; $180M Offshore  International Box Office - Deadline<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Refresh for latest: Disneys Beauty And The Beast charmed its way into the international box office this weekend with a wild $180M start. Combined with the equally monstrous domestic opening, that puts the global tally for the live-action update of 1991s animated classic at a magnifique $350M worldwide. The Bill Condon-directed film is now the No.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/offshore\/beauty-and-the-beast-enchants-with-350m-global-bow-180m-offshore-international-box-office-deadline\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187814],"tags":[],"class_list":["post-184042","post","type-post","status-publish","format-standard","hentry","category-offshore"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/184042"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=184042"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/184042\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=184042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=184042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=184042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}