{"id":183583,"date":"2017-03-17T07:37:14","date_gmt":"2017-03-17T11:37:14","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/the-art-of-paying-attention-sojourners\/"},"modified":"2017-03-17T07:37:14","modified_gmt":"2017-03-17T11:37:14","slug":"the-art-of-paying-attention-sojourners","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/intentional-communities\/the-art-of-paying-attention-sojourners\/","title":{"rendered":"The Art of Paying Attention &#8211; Sojourners"},"content":{"rendered":"<p><p>    Truth, naked and cold, had been turned away from every door    in the village. Her nakedness frightened the people. When    Parable found her she was huddled in a corner, shivering and    hungry. Taking pity on her, Parable gathered her up and took    her home. There, she dressed Truth in story, warmed her and    sent her out again. Clothed in story, Truth knocked again at    the doors and was readily welcomed into the villagers houses.    They invited her to eat at their tables and warm herself by    their fires.  Jewish Teaching Story  <\/p>\n<p>    The parable above demonstrates the very reason why I tell    stories the way that I do. In my youth, I experienced firsthand    the varied but often very limited effects of getting on ones    soapbox and preaching to the masses. All may hear, but who will    listen? This lesson occurred during my early 20s and I found    myself having more than a few conversations around beauty and    identity for ethnic minorities and women. Most of those    conversations ended with me trying to patiently explain (though    alternately fuming or saddened on the inside) why some    particular harmful standard, judgement, or idea was not helpful    for humanity  and the crowd on the other end was either    disinterested or silently staring at me with glazed eyes.  <\/p>\n<p>    And then I began to make art.  <\/p>\n<p>    My primary medium is portrait photography, and during my    sessions I draw people out by asking questions about their very    literal story. What is delightful for you in this season? What    is hard? What Ive found happen in these conversations is that    decades of untended pain or suppressed pleasures begin to break    forth, find air, and heal as needed or grow.  <\/p>\n<p>    The resulting photographs were much less Instagram-able but a    lot more beautiful and real.  <\/p>\n<p>    Ive seen this beautiful realness reflected in these initially    nervous portrait sitters, now become ambassadors of    authenticity and courage in their own communities. This has    been true for my 68-year-old shut-in neighbor who never saw her    dark skin or the story that came with it as beautiful but is    now going door to door to other neighbors and caring for them,    asking for their own stories. It has been true for an    anxiety-prone working majority culture mother of three who was    too unsure of what she had to offer her community, but now    proclaims everything matters to the young adults she mentors    into their own safety and peace.  <\/p>\n<p>    And everything does matter. What we look at and how we give    attention to it matters. How we see ourselves matters because    it influences how we see others, and how we see others also    matters.  <\/p>\n<p>    Addressing how we see others is the other prong of how I tell    stories.  <\/p>\n<p>    I am often celebrated for how I photograph people of color. I    am told that there is so much light, so much energy, and rich    insight in how these individuals and communities are portrayed.    That has been intentional.  <\/p>\n<p>    For years I have been working with a group called The Voices    Project, which sponsors a tour to a variety of historically    black colleges and universities in the spring. I photograph    this tour with a specific goal to showcase the life and    humanity that is in black gatherings. By showcasing scores and    scores of little tastes of what it looks like for black people    to eat out in restaurants together, to share a laugh, to be a    little tired after a show, to sit pensively while listening to    a speaker, it allows one who starts out as simply a looker to    one who can suddenly see.  <\/p>\n<p>    This seeing has its effect on people of every side of a    particular perceptual divide. The person who has two black    friends from church gets a little more clarity and kinship in    the way those gatherings remind them of their own families or    the palpable emotions that run through their own friendship    hang outs. The young student follows yet another Facebook page    on leadership development and suddenly is immersed in a story    rich with images that emphatically exclaim yes! and you too!    Its a surreptitious way to subvert a prevailing idea and    introduce an additional but oft ignored other narrative: a    narrative that says that these people also matter.  <\/p>\n<p>    These are the stories that I tell: yes and you too and yes    and they too stories. They are stories that open the heart to    the similarity in the other and stories that open us up to the    yes and amen in ourselves. When these stories are embraced and    emphatically proclaimed one by one, each community  and    eventually, the world  is changed.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Visit link: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/sojo.net\/articles\/faith-action\/art-paying-attention\" title=\"The Art of Paying Attention - Sojourners\">The Art of Paying Attention - Sojourners<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Truth, naked and cold, had been turned away from every door in the village. 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