{"id":183293,"date":"2017-03-17T06:43:56","date_gmt":"2017-03-17T10:43:56","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/chronicle-comparison-theatrical-version-movie-censorship\/"},"modified":"2017-03-17T06:43:56","modified_gmt":"2017-03-17T10:43:56","slug":"chronicle-comparison-theatrical-version-movie-censorship","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/chronicle-comparison-theatrical-version-movie-censorship\/","title":{"rendered":"Chronicle (Comparison: Theatrical Version &#8211; Movie-Censorship"},"content":{"rendered":"<p><p>The Movie  <\/p>\n<p>    Due to the lavish thrill of anticipation of the popular heroes    of the Marvel universe all gathering on the big screen,    the all through regular guys of the Sci-Fi Drama    Chronicle, who just happen to find an extraterrestrial    artifact without any customs and stuff and discover different    abilities afterwards, are probably destined to drown at the box    office. Considering that it's a low-budget movie that had only    cost $12 million, the money made his money at the box office    and s sequel, for which the grand finale of the movie offers    much potential, is already in preparation.  <\/p>\n<p>    In comparison to the genre blockbusters, Chronicle has    its focus on the characters, their character backgrounds and    how they finally manage to handle their abilities - and not the    other way around: in a surprisingly realistic scenario, that    fits to the story, the movie perfectly illustrates that    supernatural powers don't make the people who a that powers a    better person per se and neither does it necessarily lead to a    nemesis on his way to world domination. Much more realistic are    incidents looks fooling around, accidents that were just    supposed to happen under the circumstances or using the    abilities for your own good. Very fatal if an outsider without    a social life would be one the people with abilities.  <\/p>\n<p>    The movie cannot avoid stereotypes and clichs all the time but    the screenplay can come up with good new ideas most of the    times. The characters seem to be real, the handy cam look fits    pretty well, too. Especially the finale is terrific because    cell phone and surveillance cam shots have been added. At a    first glance, the showdown looks kind of over the top but it's    also consistent. Long story short, Chronicle is a pretty    down-to-earth movie that raises questions. And from the    technical POV, it's a good alternative to Marvel, DC, Dark    Horse & Co. that should be at least considered by genre    fans.  <\/p>\n<p>    The Versions  <\/p>\n<p>    There were differences in the Theatrical Version of    Chronicle. In Germany for instance, the uncut Theatrical    Version was rated FSK 12, despite its rather sinister    atmosphere in the final sequence. The people in the UK on the    other hand weren't that lucky. Due to the BBFC 12A    rating, some bloody dental work from the distance and the    most violent shots of the staking scene in the finale have    either been completely removed or shortened. The DVD and BD    releases in the UK are uncut.    Quite interesting is the trailer that contains footage which    didn't make it in the movie. Sure, that's not uncommon. But in    this particular case, the scene in question is a nudity scene    of half-naked Ashley Hinshaw. Could be a case of    pre-censorship to get the PG-13 Rating in the US. Very    soon, the Extended \/ Director's Cut has been announced    for both the US and the UK which seemed to be a confirmation    for that theory. As usual these days, the DC is only available    on Blu-ray.    Comparing the two versions, it turns out that the DC barely    contains content recently removed for censorship reasons.    Instead, a little bit of \"anything\" has been added to the DC: a    few more scenes of the guys checking out or fooling around with    their new abilities, a deeper relationship between Andrew &    Steve and more. Especially Andrew is more present in the DC and    the above-mentioned scene with sexy Ashley Hinshaw is    also in the DC.  <\/p>\n<p>    Technically, the Director's Cut isn't better than the    Theatrical Version. The upcoming relation between Andrew    & Steve makes the incident at the end of the second act    more dramatic and some more laughs or the eye-catching scene    with Ashley Hinshaw don't make the worse of course. But    it's kind of redundant because the DC is neither better nor    worse with the new footage.    Bottom line: the DC is a nice gimmick for Blu-ray consumers but    there's no reason for DVD consumers to hesitate. Not in this    parrticular case. Chronicle is worth it either way.  <\/p>\n<p>    The Director's Cut is 5 Min. 36 Sec. longer than the    Theatrical Version.  <\/p>\n<\/p>\n<p>    11 extended scenes = 5 Min 36 Sec  <\/p>\n<\/p>\n<p>    19:20    Steve tells Andrew (more or less in return for his prior    frankness about his dad) that his parents were having problems    as well. They fight regularly and Steve assumes his mother was    cheating. He asks Andrew to tell no one.    34 Sec<\/p>\n<\/p>\n<p>    24:50    The restaurant scene is destinctly longer: while Matt is making    a spoon fly and stir and the coffee in a mug, he talks about    his original dream of becoming a cop. But now, he just wants to    do good (a law-abiding citizen probably wonders whether or    not that's what a cop regularly does). Andrew maliciously    brings up the question whether Matt was aware that smoking weed    isn't an option for cops. Then he makes a bit fun of his    cousin's \"charitable attitude\". In return, the cousin lets the    spoon drop on Andrew's camera linse on purpose. Steve starts to    home in on him and asks if, somewhere between all his    philosophical gibber-gabber, he had made the effort to even    apply at a college and adds he was just lacking    motivation. Then Matt says \"And you lack of a dick\" to Steve    (too explicit for a PG-13). Then they're making some    mean jokes of the waitress. At first, Andrew makes the image of    Virgin Mary appear in the sirup on his plate and calls for the    waitress. The apparently very religious waitress backs off    after taking a peek at it. Subsequently, Matt moves the serving    cart away from her while she intends to put a couple of plates    on it without looking. Of course, the plates hit the ground and    get smashed into pieces. The waitress reacts kind of disturbed    and the guys are having a blast.    122 Sec<\/p>\n<\/p>\n<p>    39:36    The guys are walking acros a street. It doesn't take long till    Matt leaves because it's his mother's birthday. He's playing it    the easy way by using his abilities: he just flies away. Andrew    & Steve are thinking about what they could do. Andrew    suggests to go into town but Steve explains it was rush hour    now. Andrew replies that was the interesting part and Steve    laughingly agrees.    28 Sec<\/p>\n<\/p>\n<p>    42:17    Steve adds that he admires Andrews \"skill\" to come up with with    all the things they could do with their abilities. Andrew seems    kind of embarrassed.    14 Sec<\/p>\n<\/p>\n<p>    42:38    Steve is a bit down when he tells Andrew that his mom was    barely home and it wouldn't make any sense at to talk to his    dad about it because he was just sitting around all day without    saying anything about it.    15 Sec<\/p>\n<\/p>\n<p>    43:12    While Steve is doing some kung-fu stuff at the edge of the    rooftop, Andrew asks him if he'd ever been at the \"Space    Needle\". Steve says he'd been there once when he was about 5    and adds it was more of a tourist spot. Andrew says he'd been    there as with his dad when he was 7. But in comparison to    Steve, he liked it there. Steve is confused and wants to know    if Andrew can actually remember. Andrew is positive.    30 Sec<\/p>\n<\/p>\n<p>    56:42    Known from the trailer: Matt points the camera a half-naked    Casey who tries to retreat because of that. She throws a    stuffed animal at him.    4 Sec<\/p>\n<\/p>\n<p>    1:00:32    Andrew is at the \"crime scene\" to shoot from different    distances and angles. In the end of the scene, he turns the cam    and shoots himself. He's looking in the camera without any    facial expression.    49 Sec<\/p>\n<\/p>\n<p>    1:04:57    Andrew witnesses (and shoots) his dad getting in the car. Then    the car leaves.    21 Sec<\/p>\n<\/p>\n<p>    1:19:29    Andrew gets up and the cops give him hell. They're shooting as    much bullets as possible in his direction. Thanks to his    abilities, he stops the bullets and the cops finally cease    fire. Another shot from a further distance show the bullets    hitting the ground.    13 Sec<\/p>\n<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Follow this link:<br \/>\n<a target=\"_blank\" href=\"http:\/\/www.movie-censorship.com\/report.php?ID=637736\" title=\"Chronicle (Comparison: Theatrical Version - Movie-Censorship\">Chronicle (Comparison: Theatrical Version - Movie-Censorship<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The Movie Due to the lavish thrill of anticipation of the popular heroes of the Marvel universe all gathering on the big screen, the all through regular guys of the Sci-Fi Drama Chronicle, who just happen to find an extraterrestrial artifact without any customs and stuff and discover different abilities afterwards, are probably destined to drown at the box office. Considering that it's a low-budget movie that had only cost $12 million, the money made his money at the box office and s sequel, for which the grand finale of the movie offers much potential, is already in preparation. In comparison to the genre blockbusters, Chronicle has its focus on the characters, their character backgrounds and how they finally manage to handle their abilities - and not the other way around: in a surprisingly realistic scenario, that fits to the story, the movie perfectly illustrates that supernatural powers don't make the people who a that powers a better person per se and neither does it necessarily lead to a nemesis on his way to world domination <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/censorship\/chronicle-comparison-theatrical-version-movie-censorship\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"class_list":["post-183293","post","type-post","status-publish","format-standard","hentry","category-censorship"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/183293"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=183293"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/183293\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=183293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=183293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=183293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}