British writer of immense learning, Pankaj Mishra has authored a new book, Age of Anger: A History of the Present, that reflects an extraordinary breadth of reading. It opens as a conventional work of intellectual history in this case, the history of modernisation and its travails but soon becomes more of a collage of aperus organised around themes laid out by the path-breaking critic of modernity Jean-Jacques Rousseau, the 1920s Iranian writer Jalal al-Ahmed and the Italian poet-cum-Duce Gabriel DAnnunzio, among many others. <\/p>\n
For instance, Mishra pits Rousseaus finicky quest for authenticity against Voltaires heirs, the mimic men who try to replicate Anglo-French manners and mores. Mishra sees Voltaire as primarily a champion of enlightened despotism, while Rousseau is presented as a clear-eyed critic of liberal rationalism and cosmopolitan pretension. Mishra is sympathetic to al-Ahmeds obsession with the psychic damage or Westoxification imposed on the Islamic world by western colonialism. Hes fascinated by DAnnunzio, who, in the wake of the First World War, choreographed a disastrous fascist future that paved the way for Mussolini. DAnnunzio was the first Italian politician who decked out his supporters in black uniforms and stiff armed salutes. He cheered on the Italian armies as they conquered the Ottoman provinces that came to be called Libya and which, Mishra notes, suffered the worlds first aerial bombing in 1912. Libya became the testing ground for the New Man theorized by Nietzsche and Sorel. <\/p>\n
Mishras loosely connected pearls of insight about belief, mindsets and outlooks are tied together by his anti-anti-Communism, an outlook echoed by todays anti-anti-Islamicism, exemplified in the pages of the British Guardian, which paints the Muslim world as the victim of western liberalism. Mishras disdain for the liberal ideals of progress and reasoned choice, understood as excesses of individualism, will be familiar to readers of Elie Kedourie on nationalism, Jacob Talmon on the creation of secular salvationism, Christopher Lasch and John Gray on the paradoxes of progress and William Pfaff on the pent-up violence of the modern world. But his discussion of the Nazi origins of Hindu nationalism will be eye-opening to many readers. <\/p>\n
Mishras intermittent account of how the writings of Giuseppe Mazzini, the liberal nationalist founder of modern Italy, inspired nationalists in India and China places the problem of modernisation in an illuminating context. On a darker note, Mazzini influenced Georges Sorel, whose anti-liberal paeans to the power of myth excited would-be dictators on both right and left. Sorel saw in the working class the collective incarnation of the Nietzschean superman. Mussolini first read Sorels work on violence when he was a socialist, but he continued to incorporate his ideas as he moved to develop fascism. <\/p>\n
Mishra is right to argue that attempts to modernise traditional cultures involve, as in Italy and Germany, considerable psychic dislocation. It can produce a burning anger fuelled by the emotional displacement of communal cultures fractured by the demands of economic individualism. But Mishra goes off the rails when he tries to assimilate the acquired insanity of Islamic jihad into the pains of modernisation. Modernization as in Iran offered an alternative to the meld of entitlements and resentments borne of Islamic claims to rule over infidels. Islam has always been a political theology of the sword. Muhammad wasnt responding to modernisation when he slaughtered the Jews of Medina. <\/p>\n
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Pankaj Mishra's 'Age Of Anger' Is A Flawed But Fascinating ... - Swarajya<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" British writer of immense learning, Pankaj Mishra has authored a new book, Age of Anger: A History of the Present, that reflects an extraordinary breadth of reading. It opens as a conventional work of intellectual history in this case, the history of modernisation and its travails but soon becomes more of a collage of aperus organised around themes laid out by the path-breaking critic of modernity Jean-Jacques Rousseau, the 1920s Iranian writer Jalal al-Ahmed and the Italian poet-cum-Duce Gabriel DAnnunzio, among many others. For instance, Mishra pits Rousseaus finicky quest for authenticity against Voltaires heirs, the mimic men who try to replicate Anglo-French manners and mores Continue reading