{"id":181255,"date":"2017-03-04T01:19:07","date_gmt":"2017-03-04T06:19:07","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/kong-skull-island-review-only-de-evolution-can-explain-this-zestless-mashup-the-guardian\/"},"modified":"2017-03-04T01:19:07","modified_gmt":"2017-03-04T06:19:07","slug":"kong-skull-island-review-only-de-evolution-can-explain-this-zestless-mashup-the-guardian","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/kong-skull-island-review-only-de-evolution-can-explain-this-zestless-mashup-the-guardian\/","title":{"rendered":"Kong: Skull Island review  only de-evolution can explain this zestless mashup &#8211; The Guardian"},"content":{"rendered":"<p><p>  Off his game ... Tom Hiddleston in Kong: Skull Island.  Photograph: Warner Bros<\/p>\n<p>    Deep in the distant jungle     the undergrowth stirs, the lagoons froth, the branches shake    and a huge monster rears terrifyingly up on its haunches,    blotting out the sun. Run for your lives! Its a 700 ft turkey,    making squawking and gobbling noises and preparing to lay a    gigantic egg.  <\/p>\n<p>    This fantastically muddled and exasperatingly dull quasi-update    of the King Kong story looks like a zestless mashup of Jurassic    Park, Apocalypse Now and a few exotic visual borrowings from    Miss Saigon. It gets nowhere near the elemental power of the    original King Kong or indeed Peter Jacksons game remake; its    something Ed Wood Jr might have made with a trillion dollars to    do what he liked with but minus the fun. The film gives away    the apes physical appearance far too early, thus blowing the    suspense, the narrative focus is all over the place and the    talented Tom    Hiddleston is frankly off his game. Given no support in    terms of script and direction, he looks stiff and unrelaxed and    delivers lines with an edge of panic, like Michael    Caine in The Swarm.  <\/p>\n<p>    This is a Kong deprived of his kingship and his mystery, and    even the title is a jumble, unsure of whether its the ape    thats the star or maybe the island itself, seething with loads    of huge animals, scaring the borrower-sized humans who have    rashly dared enter this domain. It comes to us from director    Jordan Vogt-Roberts  known for his comedy before this  and    screenwriters Dan Gilroy, Max Borenstein, Derek Connolly and    John Gatins. The script here feels like the umpteenth rewrite    with almost all the humour and nuance chucked out to make sure    it plays in non-English-language territories.  <\/p>\n<p>    The time is the early 70s, just after the fall of Saigon,    perhaps the latest plausible period in which technology would    not have instantly alerted humanity to a primate of this size.    Brainy scientists Bill Panda (John Goodman) and Houston Brooks    (Corey Hawkins) get government funding for a top-secret mission    to go to the remote Skull Island somewhere in south east Asia    to investigate the rumoured big creature. They ask for military    help and get it from bored soldier Lt Col Preston Packard    (Samuel L Jackson) and his guys, eager for a redemptive    challenge after the fiasco of Vietnam. This is one war were    not gonna lose! Packard hollers, but hoists the white flag    almost at once in the war against silliness and boredom.  <\/p>\n<p>    On the civilian front, Mason Weaver (Brie Larson) is a tough,    sexy photojournalist (a job that exists in the movies, not so    much in real life) who senses the story of a lifetime, and Bill    has also hired a tracker: former British special forces guy    James Conrad (Hiddleston) whose alpha chops are established at    the very beginning with a perfunctory fight in a bar. He wins.    Kong himself is played in motion capture by that very    interesting British actor Toby Kebbell who also plays Prestons    trusted subordinate Maj Jack Chapman.  <\/p>\n<p>    The ape is repeatedly and anti-climactically revealed. Almost    at once, our attention is pointlessly split into the gung-ho    adventures of the army types (Preston is trying to find his    missing buddy) and James, Mason and their party who have become    separated from the military and discover the islands startling    human secret. They make an upriver journey in an entirely    preposterous boat allegedly made from salvaged parts of a    crashed plane.  <\/p>\n<p>    The dramatic presence of Kong himself is muddled. The film    tries to make him the islands noble-savage deity, the hairy    good guy, as opposed to the huge baddie lizards who are    scuttling around the place but are kept in check by the mighty    Kong. The script makes a half-hearted joke about not knowing    what to call these lizards; I suspect none of the writers could    agree. How did we get from the 1933 King Kong to this? A theory of de-evolution    is needed.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View original post here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.theguardian.com\/film\/2017\/mar\/02\/kong-skull-island-tom-hiddleston-review-only-de-evolution-can-explain-this-zestless-mashup\" title=\"Kong: Skull Island review  only de-evolution can explain this zestless mashup - The Guardian\">Kong: Skull Island review  only de-evolution can explain this zestless mashup - The Guardian<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Off his game ... Tom Hiddleston in Kong: Skull Island <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/kong-skull-island-review-only-de-evolution-can-explain-this-zestless-mashup-the-guardian\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187748],"tags":[],"class_list":["post-181255","post","type-post","status-publish","format-standard","hentry","category-evolution"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/181255"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=181255"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/181255\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=181255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=181255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=181255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}