{"id":180711,"date":"2017-03-01T21:04:44","date_gmt":"2017-03-02T02:04:44","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/chicano-batman-takes-on-the-800-pound-gorilla-with-freedom-is-free-los-angeles-times\/"},"modified":"2017-03-01T21:04:44","modified_gmt":"2017-03-02T02:04:44","slug":"chicano-batman-takes-on-the-800-pound-gorilla-with-freedom-is-free-los-angeles-times","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/freedom\/chicano-batman-takes-on-the-800-pound-gorilla-with-freedom-is-free-los-angeles-times\/","title":{"rendered":"Chicano Batman takes on the 800-pound gorilla with &#8216;Freedom Is Free&#8217; &#8211; Los Angeles Times"},"content":{"rendered":"<p><p>    Chicano Batmans new song, The Taker Story, is surely the    first 2017resistance anthem to be inspired by a    telepathic gorilla.   <\/p>\n<p>    The L.A. bands frontman, Bardo Martinez, recently read and    loved Daniel Quinns 1992 novel, Ishmael, a work of magical    realism from the point of view of a primatewhose captive    life gave him insights into humans self-destructiveness. Its    philosophy that we cant escape natureand humanity    needs new myths about itself to survive hit Martinez    hard amid the fear and anger of the recent election    season.  <\/p>\n<p>    So on Taker Story, a ruminative single inspired by 60s    radicalism and 70s soul, he wrote a new dispatch from the    front lines ofecological collapse and cultural    genocide.Its a centerpiece of the bands third album,    Freedom Is Free.  <\/p>\n<p>    I spent a lot of time writing that song, probably the most of    any song in my life, Martinez said. The Bible is a cry of an    oppressed people describing their slaughter, so future people    dont make the same mistakes. But now were going to build a    pipeline in the Dakotas on the land of a people whove been    trampled on. Its an age-old story.  <\/p>\n<p>    Freedom Is Free refocuses the sound of Chicano Batman, one of    L.A.s singular indie rock acts (the band plays a sold-out show    at the Roxy on Saturday and the Coachella Valley Music and Arts    Festival in April). Its members have always loved heartfelt    oldies and the humid swing of the global south, but Freedom    looks to varied blackmusic traditionsfor healing in    malevolent times. It raises the stakes for a band thathas    toured with Jack Whiteand redefined Latin Americans    influence on todays L.A. rock scene.  <\/p>\n<p>    Ever since its 2010 self-titled debut, Chicano Batman    hasreconfigured vintage styles for young ears. Theres    yearning East L.A. balladry:If youre Mexican American    in L.A., you grew up with oldies, going to swap meets and    listening to Art Laboe, Martinez said. But Chicano Batman was    just as interested in overtones from countercultural Brazil and    Peru.  <\/p>\n<p>    The Tropicalia movement was kids in the hinterlands of Brazil    saying, We dont want to play cheesy music. We love the    Beatles and we love indigenous music, and we can do anything we    want.Its about getting rid of stereotypes. We love    black music and hip-hop and were in an indie rock scene, he    added.  <\/p>\n<p>    Freedom expands thesonic map to emphasizeblack    music from pretty much everywhere Afro-Cuban    rumbas to Fela Kutis hard-swinging resistance jams, Isaac    Hayes virtuoso orchestral arrangements to hip-hops way of    absorbingany culture it touches.  <\/p>\n<p>    Theres a thread in all the music of the Americas, and thats    the Afro diaspora and the way those rhythms have been being    translated over the years, Martinez said. James Brown    influenced music everywhere from Saigon to Rio. Black music is    everywhere and all people can appreciate it.  <\/p>\n<p>    This subtle shift yielded the best and most important work in    the bands career. Angel Child and Jealousy feel like the    grouptried to reverse-engineer hip-hop, taking the core    of a well-constructed soul sample and writing full songs out of    those woozy moments. The title track digs hard into guitarist    Carlos Arvalo's wah-wah pedal for itsfunkiest track yet,    but the stacks of female backing vocals add a dreamy, hopeful    ambience.  <\/p>\n<p>    This was the first time wed ever worked with a producer, and    his aesthetic was right in line with ours, Arvalo    saidof their time with Leon Michels, a    longtimecollaborator for Sharon Jones, Lee Fields and the    Black Keys. He had the equipment used on all those old    records: an all-analog mixing board, 50s amps and a Hammond    organ.  <\/p>\n<p>    Michelssaw some fellow travelers in Chicano Batman, which    also features bassist Eduardo Arenas and drummer Gabriel Villa.    He liked how theyre a band steeped in old sounds,drawing    on its backgroundto reach acrossneighborhoods and    continents.  <\/p>\n<p>    Theyre writing songs that mean something to them. We werent    trying to make a vintage record at all, Michels said. Bands    that have a Latin American spin are usually put in a certain    box. But theyre young and modern, so its going to have that    sensibility. Thats who they are.  <\/p>\n<p>    The bands invigorated sense of purpose comes when    huge,global forces are weighing down. As they sing on    Friendship (Is aSmall Boat in aStorm) The    sun is getting heavy \/The cold is breaking my heart     Better start swimming, brother \/Cause Im running.  <\/p>\n<p>    Even in L.A., a relative bastion of liberalism, debates about    gentrification and displacement have roiled    working-class,creatively vital Latino neighborhoods, the    kinds ofplaces that created a proud but inclusive band    like Chicano Batman.  <\/p>\n<p>    I read about that gallery that closed in Boyle Heights,    Arvalo said of the recently-shuttered PSSST venue, long a    target ofanti-development activists. If you come into a    neighborhood, include their art. But wevegot    tounderstand that we all have the same wants in life.  <\/p>\n<p>    I kind of understand how hipsters feel moving into a    neighborhood, Martinez continued. People moving from the    Midwest who just want a cheap place to live and to get into the    culture thats not your enemy.  <\/p>\n<p>    But at the same time, you know, la raza. Hipsters    have to get their heads out of the clouds and stop being    super-entitled. Just be cool to your neighbors. Theres so many    things to connect on.  <\/p>\n<p>    Martinez isnt naive about musics ability to heal everything.    But like the Ishmaelthat inspired Taker Story, simply    getting this all on record is an act of hope.  <\/p>\n<p>    As people see corporations and the pillars of our society    eroding, this band is promoting its own economy, Martinez    said. Were just playing shows, but were promoting ideas that    go against the status quo.  <\/p>\n<p>    <a href=\"mailto:August.Brown@latimes.com\">August.Brown@latimes.com<\/a>  <\/p>\n<\/p>\n<p>    ALSO:  <\/p>\n<p>    Chicano Batman's score for documentary 'On Two    Fronts' has appeal for two generations  <\/p>\n<p>    Echo Park Rising: separating the amateurs from    the pros during the indie-centric L.A. festival  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read more: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.latimes.com\/entertainment\/music\/la-et-ms-chicano-batman-20170223-story.html\" title=\"Chicano Batman takes on the 800-pound gorilla with 'Freedom Is Free' - Los Angeles Times\">Chicano Batman takes on the 800-pound gorilla with 'Freedom Is Free' - Los Angeles Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Chicano Batmans new song, The Taker Story, is surely the first 2017resistance anthem to be inspired by a telepathic gorilla. The L.A <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/freedom\/chicano-batman-takes-on-the-800-pound-gorilla-with-freedom-is-free-los-angeles-times\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187727],"tags":[],"class_list":["post-180711","post","type-post","status-publish","format-standard","hentry","category-freedom"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/180711"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=180711"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/180711\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=180711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=180711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=180711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}