{"id":180693,"date":"2017-03-01T21:00:31","date_gmt":"2017-03-02T02:00:31","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/architectures-pritzker-prize-lauds-spanish-trio-for-a-strong-sense-of-place-the-globe-and-mail\/"},"modified":"2017-03-01T21:00:31","modified_gmt":"2017-03-02T02:00:31","slug":"architectures-pritzker-prize-lauds-spanish-trio-for-a-strong-sense-of-place-the-globe-and-mail","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/rationalism\/architectures-pritzker-prize-lauds-spanish-trio-for-a-strong-sense-of-place-the-globe-and-mail\/","title":{"rendered":"Architecture&#8217;s Pritzker Prize lauds Spanish trio for &#8216;a strong sense of place&#8217; &#8211; The Globe and Mail"},"content":{"rendered":"<p><p>    Architectures biggest award has gone not to a star, but to a    group of three Spanish designers deeply committed to creating a    sense ofplace.  <\/p>\n<p>    The Hyatt Foundation announced Wednesday that Rafael Aranda,    Carme Pigem and Ramon Vilalta, who lead the Catalan firm RCR    Arquitectes, had won the $100,000 (U.S.) Pritzker Architecture    Prize. Often called architectures Nobel Prize, it has    previously gone to many leading figures in architecture, among    them Frank Gehry, Renzo Piano and     the late ZahaHadid.  <\/p>\n<p>    Rafael Aranda, Carme Pigem and RamonVilalta.  <\/p>\n<p>    Javier LorenzoDomnguez  <\/p>\n<p>    RCR are little-known outside of Spain; much of their work is in    Catalonia, concentrated on their small hometown of Olot, where    they set up shop in 1988. While several recent winners of the    Pritzker have focused on humanitarian issues  designing social    housing or temporary shelters  RCRs win signals a turn back    to interests in craft and, in particular, site and culture. It    is a victory for slowarchitecture.  <\/p>\n<p>    All their works have a strong sense of place and are    powerfully connected to the surrounding landscape, the award    jury said in a statement. This connection comes from    understanding  history, the natural topography, customs and    cultures, among other things  and observing and experiencing    light, shade, colours and theseasons.  <\/p>\n<p>    Bell-Lloc Winery, Palams, Girona,Spain.  <\/p>\n<p>    Hisao Suzuki  <\/p>\n<p>    The Pritzker jury cited specific projects, including outdoor    space at Les Cols Restaurant in Olot and the firms own office    in a former foundry. These projects use the local volcanic    rock; at the restaurant, it is in dialogue with pristine glass    cubes that evoke minimalist sculpture and Japanese modern    architecture, and berms of earth. The space is quite literally    rooted in theground.  <\/p>\n<p>    Similarly, their most recognized work, the Soulages Museum, is    carved into the crest of a hill and forms a sort of sculpture    in dialogue with landscape. The museum, in the southern French    town of Rodez, is devoted to the work of the painter Pierre    Soulages. It is a line of blocks clad in weathering steel, the    material made famous by the artist Richard Serra. Yet it    articulates the local geography, turning a face of glass    towards a park and the historic centre of the town, while    presenting a tougher, impermeable face toward modern    commercialdevelopments.  <\/p>\n<p>    La Lira Theater Public Open Space in Ripoll, Girona,    Spain.(2011)  <\/p>\n<p>    Hisao Suzuki  <\/p>\n<p>    We are used to reading the site as of it had its own    alphabet, Pigem says in    documentary video produced by the Pritzker. And she says    elsewhere, A great motivating force is to be able to discover    the treasure of each place, or where the magicresides.  <\/p>\n<p>    These traditional concerns of architecture were sometimes set    aside by the Modernist movement of the 20th century in its push    for rationalism and efficiency. The past three decades in    architecture have been a dialogue between work that is driven    by more personal agendas  like Frank Gehrys  and work that    draws from its place. The latter tendency is a strength in    Canada, where firms such as Shim-Sutcliffe, Mackay-Lyons    Sweetapple and Patkau Architects have developed strong bodies    of work that are somewhat local in theirapproaches.  <\/p>\n<p>    Sant Antoni-Joan Oliver Library, Senior Citizens Center and    Candida Perez Gardens in Barcelona, Spain.(2007)  <\/p>\n<p>    Eugeni Pons  <\/p>\n<p>    And then, more recently, architecture has taken a turn toward    social concerns. The Pritzker has reflected that, beginning    with the 2014 choice of the architect     Shigeru Ban, whose work has    bridged high design and humanitarian concerns. Last years        award went to the Chilean architect Alejandro Aravena, best    known for social housing that allows residents to contribute    their own labour to the process. In social housing, there is    no time for whats not strictly necessary, he told me. There    is no arbitrariness. Aravenas win seemed to cement a shift in    values for the prize to a type of design that aimed to change    the world. It was an award for a set of values rather than    pureaccomplishment.  <\/p>\n<p>    Aranda, Pigem and Vilalta represent a gesture the other way,    back toward architecture as a medium for subtle and    slowcraft.  <\/p>\n<p>    Row House in Olot, Girona, Spain(2012)  <\/p>\n<p>    Hisao Suzuki  <\/p>\n<p>    Their win also breaks ground in that there are three of them,    and that one is a woman. Since its beginnings in 1979, the    award has almost always gone to an individual, with only two    exceptions, and only two winners have been women, which has    generated contentious debate within a profession where women    are underrepresented in many professional roles. In 1991, the    Pritzker went to Robert Venturi, the American architect and    theorist  but not to Denise Scott Brown, who has been his    lifelong collaborator in the office Venturi Scott Brown    Associates. In 2013, a group of students at Harvard University    organized a petition; they proposed that Venturis Pritzker    should retroactively be shared with Scott Brown. The prizes    organizers shot that ideadown.  <\/p>\n<p>    Yet this years award recognizes the value    ofcollaboration.  <\/p>\n<p>    Ideas arrive from dialogue and collaboration by more than one    person, says Vilalta in another video. Its almost a reaction    against the contemporary world, which has promoted, in an    exaggerated way, the value of theindividual.  <\/p>\n<p>    Indeed architecture is, now more than ever, a collaborative    art. And the Pritzkers newest laureates seem ready to confirm    that in an atomized and globalized age, there is power in    working together, and going slowly, and stayinghome.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>See the rest here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.theglobeandmail.com\/arts\/art-and-architecture\/architectures-pritzker-prize-lauds-spanish-trio-for-a-strong-sense-ofplace\/article34173002\/\" title=\"Architecture's Pritzker Prize lauds Spanish trio for 'a strong sense of place' - The Globe and Mail\">Architecture's Pritzker Prize lauds Spanish trio for 'a strong sense of place' - The Globe and Mail<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Architectures biggest award has gone not to a star, but to a group of three Spanish designers deeply committed to creating a sense ofplace. The Hyatt Foundation announced Wednesday that Rafael Aranda, Carme Pigem and Ramon Vilalta, who lead the Catalan firm RCR Arquitectes, had won the $100,000 (U.S.) Pritzker Architecture Prize. Often called architectures Nobel Prize, it has previously gone to many leading figures in architecture, among them Frank Gehry, Renzo Piano and the late ZahaHadid.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/rationalism\/architectures-pritzker-prize-lauds-spanish-trio-for-a-strong-sense-of-place-the-globe-and-mail\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187714],"tags":[],"class_list":["post-180693","post","type-post","status-publish","format-standard","hentry","category-rationalism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/180693"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=180693"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/180693\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=180693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=180693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=180693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}