{"id":179908,"date":"2017-02-25T15:45:55","date_gmt":"2017-02-25T20:45:55","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbeans-carnivals-tip-their-hats-to-trinidad-myajc-com-myajc\/"},"modified":"2017-02-25T15:45:55","modified_gmt":"2017-02-25T20:45:55","slug":"caribbeans-carnivals-tip-their-hats-to-trinidad-myajc-com-myajc","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbean\/caribbeans-carnivals-tip-their-hats-to-trinidad-myajc-com-myajc\/","title":{"rendered":"Caribbean&#8217;s carnivals tip their hats to Trinidad &#8211; MyAJC.com &#8211; MyAJC"},"content":{"rendered":"<p><p>    We Caribbean carnival devotees, counting down the days until    the regions biggest bacchanal erupts on the streets of Port of    Spain, Trinidad, on Feb. 27 and 28, have a dream. A dream that    one day carnival will grace us with its life-affirming presence    not once a year but once a month. That one day all of humanity    can pause during mundane daily routines and take solace in the    fact that right now, somewhere in the world, life is being    measured out in music and dance and feathers and glitter, not    conference calls and crowded commutes: Somewhere, it is    carnival.  <\/p>\n<p>    That dream may be turning into reality.  <\/p>\n<p>    Throughout 2016, tens of thousands of revelers flocked to over    a dozen destinations to partake in carnival celebrations. From    Jamaica to Los Angeles, London to Bermuda, Cayman to Toronto,    they indulged in costumed parades, extravagant fetes and    frenetic soca concerts, and were living proof that Caribbean    carnival culture is growing globally, thanks, largely, to one    island: Trinidad.  <\/p>\n<p>    Carnival to Trinidadians is like soccer to Brazilians, said    Wayne Henry, a founder of ValeVibe, a 23-year-old Trinidadian    events company. In the past, weve tended to keep our culture    to ourselves, but now Trinis have gained the confidence to    export something we certainly do well: party and have a good    time.  <\/p>\n<p>    This exportation  call it the Trini-fication of carnival  has    become the antidote to what Trinidadians call tabanca:    heart-wrenching post-carnival pain fueled by the knowledge that    the next bacchanal is a whole year away. Now theres a calendar    that starts in Trinidad during the traditional pre-Lent    celebration and concludes in October at Miami Carnival, with    global and regional carnivals scheduled almost monthly in    between. Its a movement documented by booming media entities     like the fastidious TriniJungleJuice.com, a global    carnivalgoers bible  and piloted by young Caribbean    entrepreneurs who take having a good time very, very    seriously.  <\/p>\n<p>    Trinidad-style carnival fetes, after all, are not mere parties    but full-on productions, transforming the days surrounding the    parade into an unofficial competition: Which modish fete will    not only eclipse the more traditional elements of carnival     the parade, the calypso contests, the competition for carnival    king and queen  but also outdo others in terms of venue, food,    DJ lineup and musical guests? Think of a raucous dance party    against a backdrop of flamingos in Miami; amid the roller    coasters of Coney Island in New York; on a boat down the Thames    in London; deep in the sugar cane fields of    Barbados.  <\/p>\n<p>    If I can give a party in a volcano before it erupts, Ill do    it, said Jules Sobion, the chief executive of a Trinidad    events company called Caesars Army. Having attended his    signature event, A.M. Bush, on three islands, I believe him.    Annually thousands of revelers  including, last year, Rihanna,    who partied with Caesars Army on her home island, Barbados     scramble for tickets to line up at 3 a.m., follow music and    drinks trucks through fields, cover themselves in paint and    hose themselves down as the sun comes up. The dancing persists    till noon.  <\/p>\n<p>    We do the unexpected, Sobion explained. What does Caesars    Army do? We export fun.  <\/p>\n<p>    The result is more than fun  its a financial    boon.  <\/p>\n<p>    Carnivalgoers are a niche market thats growing and will    continue to grow, said Roscoe Dames, the chief executive and    managing commissioner of the Bahamas National Festival    Commission. Four years ago his team was given a government    mandate to create a carnival as part of an effort to lure    tourists and stimulate the creative sector. The result, started    in 2015 in Nassau and Grand Bahama Island, was Bahamas Junkanoo    Carnival, which fuses the countrys carnival traditions (known    as Junkanoo) with a contemporary festival. The Bahamas, like    many islands, wanted to maintain its own inimitable flavor    while importingTrini styles.  <\/p>\n<p>    The bedrock of the festival is our local music and culture,    Dames said, but we looked at presenting the full spectrum of    the Caribbean: Cuban bands, reggae, soca, Haitian zouk, as well    as local rake-and-scrape and goombay music. Last year, he    added, it attracted upward of 60,000 participants and    established itself as a major player in the Carnival    market.  <\/p>\n<p>    Other destinations  Jamaica, Grand Cayman, Grenada,    Washington, D.C.  have long staged carnivals outside the    traditional pre-Lent time frame, but are seeing their    festivities flourish as Trinidadian brands move in and bring    avid fans with them. Among the biggest draws to any carnival is    a party presented by Scorch, a Trinidad entertainment company    that includes a media and publishing arm, a local TV show and a    music production house. Its raucous parties  held in places    like London, Toronto, Barbados and, this year, Dubai  are the    ones many desperately try to get into but few can fully    remember the next day (there is no hangover like a Scorch    hangover, many a carnivalgoer has avowed).  <\/p>\n<p>    Scorch is really a regional thing, meant to connect all the    islands cultures, said its chief executive, Kwesi Hopkinson.    So when we arrive at a particular carnival, its an    endorsement, a seal of approval that, Yes, this carnival is    officially happening.'  <\/p>\n<p>    Not all islands are eager for that Trinidadian seal, though.    When Bermuda started a carnival in 2015 on its Bermuda Heroes    Weekend, it barred promoters from other islands.  <\/p>\n<p>    When the Trini promoters come into any jurisdiction, the local    promoters lose out, explained Jason Sukdeo, the president of    BHW Ltd., the carnivals corporate entity on the island. I    want Bermuda carnival to be for Bermuda, to make money for    Bermuda. For us to set up a carnival and watch money go    overseas is not what we want.  <\/p>\n<p>    But Jeremy Nicholls, a Barbadian promoter who runs some of the    most popular events at Barbados Crop Over, that islands    carnival, which is the regions second biggest,    disagreed.  <\/p>\n<p>    Trinidadians coming here bring people with them, he said.    They have a wider reach, and this has a ripple effect; these    visitors will go to the big Bajan parties, too. So at the end    of the day, its about us coming together. His company, Roast,    exports its brand to five other carnivals, he said.  <\/p>\n<p>    For other enterprising Trinidadians, concerns are cultural, not    financial: Will the dissemination of its carnival water down    its profound history in the region, a history that stretches    back to the 18th century, as European colonizers feted Lent    with masked balls and their slaves followed suit, incorporating    West African traditions into the revelry?  <\/p>\n<p>    What I definitely dont want to see, with Trinis carrying our    culture throughout the region, is the homogenization of    carnival, said Anya Ayoung-Chee, a designer who is a onetime    Miss Trinidad and Tobago and the 2011 winner of Bravos    Project Runway. Ayoung-Chees online Canyaval shop sells all    things modish; her company also stages parties and has its own    costume section in the parades of six carnivals.  <\/p>\n<p>    My focus is always, how do we think about it beyond    copy-and-paste, from island to island? she said. How do we    preserve traditions, but also how can we hybridize, recognizing    that carnival culture is always evolving?  <\/p>\n<p>    To that end, the kickoff event she staged at the Afropunk    Festival in Atlanta last October was inspired by JOuvert, the    sunrise carnival ritual populated by folkloric characters such    as stilt walkers and jab-jabs, or devils.  <\/p>\n<p>    I fused JOuvert traditions with New Orleans big bands and    other cultural elements that have been influenced by the    essence of carnival, all coming from the same history: Brazil,    New Orleans, and so on, Ayoung-Chee said. The idea is to    showcase how the history of carnival manifests itself way    outside of the Caribbean context.  <\/p>\n<p>    And thats whats exciting to me about exporting Trinidadian    culture globally, she added. Not just representing the    Caribbean but experimenting with our evolution, with what we    could be on a global stage.  <\/p>\n<p>    ----  <\/p>\n<p>    Baz Dreisinger, a New York City-based professor and journalist,    has been writing about Caribbean culture, music and art for two    decades.<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Originally posted here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.myajc.com\/travel\/caribbean-carnivals-tip-their-hats-trinidad\/aZ8IGnRpNzTPSjyJn0TCrO\/\" title=\"Caribbean's carnivals tip their hats to Trinidad - MyAJC.com - MyAJC\">Caribbean's carnivals tip their hats to Trinidad - MyAJC.com - MyAJC<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> We Caribbean carnival devotees, counting down the days until the regions biggest bacchanal erupts on the streets of Port of Spain, Trinidad, on Feb.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/caribbean\/caribbeans-carnivals-tip-their-hats-to-trinidad-myajc-com-myajc\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187816],"tags":[],"class_list":["post-179908","post","type-post","status-publish","format-standard","hentry","category-caribbean"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/179908"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=179908"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/179908\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=179908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=179908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=179908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}