{"id":179093,"date":"2017-02-22T04:30:29","date_gmt":"2017-02-22T09:30:29","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/cosmic-cinema-spurring-interest-in-real-life-space-travel-miami-student\/"},"modified":"2017-02-22T04:30:29","modified_gmt":"2017-02-22T09:30:29","slug":"cosmic-cinema-spurring-interest-in-real-life-space-travel-miami-student","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/space-travel\/cosmic-cinema-spurring-interest-in-real-life-space-travel-miami-student\/","title":{"rendered":"Cosmic cinema: spurring interest in real-life space travel? &#8211; Miami Student"},"content":{"rendered":"<p><p>    Open on a shot of some sun barely peeking over a planet.    Pan camera to reveal a space station floating nearby. Cue vague    narration.  <\/p>\n<p>    Weve all seen this played out in some form or another in    films, usually followed by a fantastical use of new technology    and heart-pounding space peril. The final frontier has always    been a muse for futuristic storytelling, and much of the same    tropes have popped up time and time again  an expedition to    save the human race, a technological error turned    life-threatening, an unwavering drive to return home.  <\/p>\n<p>    The epic scale of outer space films has always been    popular with audiences, although it has recently re-entered the    cinema with a rush of movies involving space travel. Beginning    around the release of Alfonso Cuarns groundbreaking    Gravity in 2013, visually stunning space films    have become commonplace on the list of highest-grossing movies.    In fact, theyve become award-worthy. Christopher Nolans    Interstellar won the Oscar for Best Visual Effects, and    Ridley Scotts The Martian snagged a Golden Globe for Best    Comedic Motion Picture. Although not set in space, Denis    Villeneuves extraterrestrial Arrival is a contender for Best    Picture at this years Oscars.  <\/p>\n<p>    Recent films taking place in outer space include    Passengers, The Space Between Us and the forthcoming    Life.  <\/p>\n<p>    What makes the concept of space such a contender for a    box office hit? Perhaps it is the idea of the unknown.    Directors can do whatever they want in these films, because    there are no rules for space. Having only traveled as far as    the moon, humans have no idea of what life in space is truly    like, so audiences are willing to accept whatever vision    filmmakers dream up. They dismantle physics, redefine the    concept of time and create impossible technology  and    audiences eat it up.  <\/p>\n<p>    The ticket to success requires a certain balance of    reality, however. Many space films are rooted in fact,    providing just enough familiar content to convince audiences    that the story being told could very well happen in real life.    More often than not, technologies in these movies resembles    existing technology on Earth, providing a link between what the    viewer knows to be true and what they suspend their belief to    accept as true. Its a delicate balance. The director doesnt    want to make a film so saturated with the unknown that it isnt    relatable, but they dont want to make a film thats too    realistic and thus unenjoyable.  <\/p>\n<p>    Theres a certain fascination of the unknown that seems    to flow throughout our culture, especially when regarding outer    space. What lies beyond our solar system? Does life exist    beyond our Earth? Is long distance space travel even a    possibility? Audiences want answers to these questions, and    space films provide the answers.  <\/p>\n<p>    Theres a reason audiences have to turn to movies for an    idea of what space is like. Despite the appeal of space on the    big screen, the percentage of federal funding to NASA        has been slashed to nearly a tenth of    what it was during the space boom of the 1960s. The notion of    space travel has long since become unimportant, but this    reemergence of space in the cinema might, for lack of a better    term, be pointing out the gravity of the situation.  <\/p>\n<p>    With the powerful impact films have in shaping society,    we could potentially see an increase in funding in the future.    In fact, as space films have taken off in recent years, funding    for NASA in 2016 was the highest its been in a decade at $19.3    billion. With important films like this years Oscar-nominated    Hidden Figures entering movie theaters, public opinion of    space programs seems to be shifting to a more enthusiastic    one.  <\/p>\n<p>    Perhaps audiences are beginning to realize that the only    way we could end up growing potatoes on Mars or experiencing    time warps through multidimensional black holes is through    support of long-neglected space programs. In other words, the    unknown will only become real as long as we will it to.  <\/p>\n<p>    As support grows, interest in space will grow, and more    space films will continue to populate the cinema. If audiences    can back multimillion-dollar films that depict fake space    adventures, then surely they can get behind funding to make a    trip to a galaxy far, far away a not-too-distant    reality.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Go here to read the rest:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/miamistudent.net\/cosmic-cinema-spurring-interest-in-real-life-space-travel\/\" title=\"Cosmic cinema: spurring interest in real-life space travel? - Miami Student\">Cosmic cinema: spurring interest in real-life space travel? - Miami Student<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Open on a shot of some sun barely peeking over a planet. Pan camera to reveal a space station floating nearby.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/space-travel\/cosmic-cinema-spurring-interest-in-real-life-space-travel-miami-student\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187809],"tags":[],"class_list":["post-179093","post","type-post","status-publish","format-standard","hentry","category-space-travel"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/179093"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=179093"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/179093\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=179093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=179093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=179093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}