{"id":178541,"date":"2017-02-19T11:12:18","date_gmt":"2017-02-19T16:12:18","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/museo-amparo-e-flux\/"},"modified":"2017-02-19T11:12:18","modified_gmt":"2017-02-19T16:12:18","slug":"museo-amparo-e-flux","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/museo-amparo-e-flux\/","title":{"rendered":"Museo Amparo &#8211; E-Flux"},"content":{"rendered":"<p><p>    Toujours, the Museum as Witness    A selection of works from CAPC Contemporary Art Museum    Bordeaux    February 18May 22, 2017  <\/p>\n<p>    Museo Amparo    2 Sur 708    Centro Histrico    72000 Puebla, Pue.    Mxico    Hours: WednesdayMonday 10am6pm,    Saturday 10am9pm  <\/p>\n<p>    T +52 222 229 3850    <a href=\"mailto:difusion@museoamparo.com\">difusion@museoamparo.com<\/a>  <\/p>\n<p>    <a href=\"http:\/\/www.museoamparo.com\" rel=\"nofollow\">http:\/\/www.museoamparo.com<\/a>    Facebook \/ Twitter \/ Instagram \/ YouTube  <\/p>\n<p>    Museo Amparo presents a selection of some of    the most important works from the Collection of the CAPC    Contemporary Art Museum Bordeaux, representative of different    moments in its history. The show includes pieces from the early    years after the Museums foundation as well as from the 1980s,    when it became more established; it also highlights its role in    presenting new generations of artists and curators that    represent the zeitgeist of different    periods.Toujoursreveals a collection in    constant movement, aware of cultural constructs and the spirit    and ideas of its time.  <\/p>\n<p>    The exhibition titleToujours always in    Frenchis taken from the sculpture by Jack Pierson that    welcomes the visitors to the show. This word evokes the idea of    the continuity of an institution, of a collection and of the    works created by the artists that have shaped the history of    the CAPC. With its different definitions, the idea of    continuity also refers to the time that has passed since the    Museums foundation, its activities, the consistency of its    programs and the commitment of the teams that have worked    there.  <\/p>\n<p>    How does a piece of art transcend? The    wordtoujoursalso alludes to the museums role as    witness to history and to its main mission: acquiring,    conserving, studying, and exhibiting its collection. This is    why the show focuses on a selection of pieces that establish a    dialogue between them. Conceptual pieces by artists such as    Daniel Buren and Sol LeWitt, closely related to the Museums    first program of exhibitions or presented in later shows    organized by Harald Szeeman and Marie-Laure Bernadac, coexist    with emblematic interventions by artists such as Annette    Messager and pieces by more recent creators such as Leonor    Antunes, Wolfgang Tillmans and Lili Reynaud-Dewar.  <\/p>\n<p>    This selection of works seeks to underline the museums role    and its historic responsibility in the construction of a    collection. Each piece is a witness, an idea, an opinion and it    forms part of the history of the period in which it was made.    It can thus be said that the pieces acquire a new meaning,    because a collection reflects the different ways in which    artists are witnesses as well as active participants of their    time.  <\/p>\n<p>    Toujoursproposes an interpretation related to    the current socio-political context and the continuity of    certain historical phenomena. It also analyzes possible    relationships between language, movement, and space. Each piece    has its own cultural reference and when juxtaposed with others    in a new context, a dialogue is established in which a new    analysis can ariseanother point of view about the history of a    place (which could be the museum) or about our common history.  <\/p>\n<p>    Among the works included in the exhibition areWall    Drawing no. 2, 196890 by Sol LeWitt that establishes a    link between Minimalism and Conceptual    Art.Encadrant-Encadr, 3 rythmes pour 4 murs,    1991, created specifically by Daniel Buren for his solo show at    CAPC muse that year, occupies an important place in the CAPC    collection.Inventaire photographique des objets ayant    appartenu au jeune home dOxford, 1973, by Christian    Boltanski, a representative piece of his ongoing research on    memory, and the most recent acquisition, Somnium,    2011, by Rosa Barba, a film inspired on the novel of astronomer    Johannes Kepler, considered the first science fiction novel.    The images present an uncertain landscape, inhabited    between fiction and reality.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Excerpt from:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/www.e-flux.com\/announcements\/98477\/toujours-the-museum-as-witness\/\" title=\"Museo Amparo - E-Flux\">Museo Amparo - E-Flux<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Toujours, the Museum as Witness A selection of works from CAPC Contemporary Art Museum Bordeaux February 18May 22, 2017 Museo Amparo 2 Sur 708 Centro Histrico 72000 Puebla, Pue.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/museo-amparo-e-flux\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187735],"tags":[],"class_list":["post-178541","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/178541"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=178541"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/178541\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=178541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=178541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=178541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}