{"id":176887,"date":"2017-02-12T07:04:01","date_gmt":"2017-02-12T12:04:01","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/feminism-ambition-hedonism-drama-explores-lives-of-universitys-privileged-the-guardian\/"},"modified":"2017-02-12T07:04:01","modified_gmt":"2017-02-12T12:04:01","slug":"feminism-ambition-hedonism-drama-explores-lives-of-universitys-privileged-the-guardian","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hedonism\/feminism-ambition-hedonism-drama-explores-lives-of-universitys-privileged-the-guardian\/","title":{"rendered":"Feminism, ambition, hedonism: drama explores lives of university&#8217;s privileged &#8211; The Guardian"},"content":{"rendered":"<p><p>  Aisling Franciosi and Synnove Karlsen star as Georgia and Holly  in the new BBC3 drama<\/p>\n<p>  . Photograph: Mark Mainz\/BBC\/Balloon\/Mark Mainz<\/p>\n<p>    It is well-known as the setting for gritty tales of drug    addiction and deals gone wrong. But now a new drama will move    away from the Edinburgh presented to cinemagoers in Trainspotting to explore the dark    side of university life in Scotlands capital city.  <\/p>\n<p>    Clique, a twisty tale of friendship, feminism,    ambition and death, which arrives online on BBC3 details what    happens when Scottish first-year students and best friends    Holly and Georgia fall in with a group of wealthy and    hedonistic older students and their outspoken mentor, a    lecturer at the university. It paints a picture of the city as    a party town for privileged southern students in which dark    secrets lurk beneath the clinking champagne glasses and    lighthearted chat.  <\/p>\n<p>    The shows creator, 28-year-old Jess Brittain, admits she drew    on her own experiences at college when writing the series. It    did come out of having a slightly weird and not particularly    satisfying university experience, she says. There have been    some great university comedies, such as Fresh Meat, but its rare    that you have something that looks at what a dramatic and    torrid time this can be. Yet its amazing how many people when    you ask them didnt actually have the best time at university.    I wanted to write something that reflected that.  <\/p>\n<p>    The result has been hailed as the new Skins, although    Brittain, who cut her teeth on the cult teen show  her brother    Jamie Brittain and father Bryan Elsley were co-creators  says    that she sees it as a cross between Gossip Girl,    The Secret History and The Prime of Miss Jean    Brodie.  <\/p>\n<p>    I went to Leeds rather than Edinburgh but, like my lead characters, I    found myself embroiled with a very confident and self-assured    group of girls from the south-east, and it was very    discombobulating, she says.  <\/p>\n<p>    A lot of the time that I was there Id feel as though I was in    a music video or a Vice magazine article and it was    terrifying. There was this sense of a high-gloss, unobtainable    life and I wanted to capture that. Edinburgh seemed like the    perfect setting because it also has a high proportion of    wealthy and confident students from London and the south-east    mixing with people from less privileged or more ordinary    backgrounds, and as a city it just lends itself to that weird,    otherworld thing.  <\/p>\n<p>    The centre of Clique is the relationship between old    friends Holly and Georgia and fellow first-year, Elizabeth, who    find themselves drawn to charismatic economics lecturer Jude    McDermid (Sherlock star Louise Brealey) and her    tight-knit gang of high-achieving star students.  <\/p>\n<p>    I wanted to capture the terrifying pressures that students are    under now, that incredibly pressurised, ambitious and driven    feeling that you have to have your shit together at all    possible times, says Brittain.  <\/p>\n<p>    Its come up five or six notches since I was there and I    thought God, I had a shit time at uni not because I was under    ridiculous amounts of pressure but because I failed socially.    Now if youre one of those people like me who fails socially,    theres also an additional pressure of well, youd better have    decided what youre going to do once you leave, and didnt you    do three internships in the summer before you came? And that    also all feeds into the social pressure on women to look and be    perfect. It seemed as though that would be interesting    territory to explore.  <\/p>\n<p>    The scenes that are most likely to cause controversy involve    the ferocious Jude, a woman who dismisses modern feminism as so    much clicktivism, and witheringly tells a student who suggests    that women still suffer from sexism that they are the problem,    thanks to all that moaning on Tumblr and making yourselves the    victims. Her scenes are certain to provoke intense debate.    Absolutely, admits Brittain. Its a tricky subject writing    with any sort of feminist content at the moment. Obviously I am    a feminist and thats something Im preoccupied by and    interested in but I dont see Jude as a villain. She stands for    a sort of response to the whole kind of unease and shame and    frustration about not being able to express anything in the    public sphere any more without it becoming incredibly heated. I    really wanted to look at the thin line between feeling    frustrated with how youre supposed to think and then being    offered an alternative which can look very alluring but is not    all that it seems.  <\/p>\n<p>    She admits that she is braced for some backlash. I started    writing Clique during a relatively quiet time, and    then Trump happened and changed everything because a lot of    women feel like they are at crisis point, she says. And that    has made me slightly nervous that here I am suggesting some    slightly controversial things or putting things out to have    them discussed and what was a light conversation topic is now a    danger point.  <\/p>\n<p>    She is also keen to stress that Clique tells a very    specific tale. Its a thriller, but its also about female    friendship and of course if you write something about female    friendship then it can rub people up the wrong way because they    say, well, thats not my experience, she says. Im not saying    this is everyones experience at university, but what I would    hope is that it represents a type of insecurity about who you    are and how you become an adult. That perpetual state of    fuck, were adults, what do we do now? and the knowledge that    you have to grow up and sort out who you are and try and go and    get a job. I hope Clique captures how that feels.  <\/p>\n<p>    Even if it does provoke a backlash, Brittain says shes ready    for it. Writing for young people, you will never make anything    they categorically all love, and thats a good thing because    young people have incredibly high standards. Clique    will be hated by a lot of people but also hopefully loved by a    lot, and Id rather that than people went, hmm, I suppose its    OK.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continue reading here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.theguardian.com\/tv-and-radio\/2017\/feb\/12\/bbc-clique-drama-edinburgh-university\" title=\"Feminism, ambition, hedonism: drama explores lives of university's privileged - The Guardian\">Feminism, ambition, hedonism: drama explores lives of university's privileged - The Guardian<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Aisling Franciosi and Synnove Karlsen star as Georgia and Holly in the new BBC3 drama . Photograph: Mark Mainz\/BBC\/Balloon\/Mark Mainz It is well-known as the setting for gritty tales of drug addiction and deals gone wrong <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/hedonism\/feminism-ambition-hedonism-drama-explores-lives-of-universitys-privileged-the-guardian\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187715],"tags":[],"class_list":["post-176887","post","type-post","status-publish","format-standard","hentry","category-hedonism"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/176887"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=176887"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/176887\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=176887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=176887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=176887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}