{"id":175530,"date":"2017-02-06T15:33:52","date_gmt":"2017-02-06T20:33:52","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/what-we-like-tech-trance-edm-identity-blog\/"},"modified":"2017-02-06T15:33:52","modified_gmt":"2017-02-06T20:33:52","slug":"what-we-like-tech-trance-edm-identity-blog","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/what-we-like-tech-trance-edm-identity-blog\/","title":{"rendered":"What We Like || Tech Trance &#8211; EDM Identity (blog)"},"content":{"rendered":"<p><p>What We Like is a new series that features genres we    like in the electronic music scene.      <\/p>\n<p>    TheWhat We Likeseries focuses on a    sole genre that a contributor to the team is passionate about.    Each month, that contributor will dive deep into the genre they    care most about to bring you some history, information, and of    course some music too. Our intention is to not just to provide    some music for you to listen to, but to guide you on your    journey in discovering new music or help you develop a deeper    connection to genres you already love.This    monthsedition of What We Like is focused on Tech    Trance!  <\/p>\n<p>    Tech Trance is best described as a sub-genre    of electronic dance music that marries elements from both    techno and trance production. In essence, it is the edgiest of    all the trance sub-genres and one thathas garnered quite    the massive following in the trance community since its    emergence back in the mid-1990s. Now, although its relevancy    sits high among those with close ties to the trance genre, tech    trance actuallyfocuses more on the techno elements,    incorporating traditional elements of techno, with its    repetitive nature and strong 4\/4 beat, while deriving its    melodic elements from Trance.  <\/p>\n<p>    Tech Trance productions tend to have a tempo of around 135-150    beats per minute and the synths on a tech trance pieceare    often short, more repetitive, and contain fewernote    changes than traditional trance, often having the same note    played in a unique or alternative sequence. In addition, tech    trance tends to gravitate its focus on adriving sound    while often using distortion as an effect on the melodies. But    what aboutbreakdowns and builds? While these may be    indispensable elements of many of the most popular genres and    sub-genres of electronic dance musicthey are much less    prevalent in tech trance. As a result, more abrupt stops and    starts are used to increase the effect of sudden changes within    the music. In other words, themelody will suddenly stop,    leaving the drums and a completely different synth to begin,    whereas trance songs would generally continue with the same    melody (ManyAlex Di Stefano productions are a brilliant    example of this type of breakdown).  <\/p>\n<p>    Although it saw its beginnings back in the mid-1990s, tech    trance really didnt begin to evolve until the early 2000s.    With a slew of producers like Keith Edwards,    Skyscraper, Owen Vallis and DJ Amberon    the job, tech trance began to find its way. It wasnt until    2006 and after when artists likeDave    Schiemann,Simon    Patterson,     Bryan Kearney, Will    Atkinson,Matt Bowdidge, Sean Tyas, Alex    Di Stefano,Jordan    Suckley,     John Askew, Marco V,     Indecent Noise, Tempo    Giusto, and     Mark Sherry, just to name a    few,would stretch their tech trance legs    seeing that thegenre would begin to explode. Today tech    trance is on the rise and has fast become one of the most    celebrated and sought after sub-genres in the trance community,    breathing new life into the true trance underground.  <\/p>\n<p>    One of the best ways to discover new music, artists and    labels isby listening to radio shows that thrive on    sharing whats out there.Check out these six shows and    their curators below!  <\/p>\n<\/p>\n<p>    Simon Pattersons Open Up brand has truly    become the bench markfor high quality underground trance,    tech and psy. His weekly radio show aired every Thursday at    10:00 GMT onwww.di.fm\/trance(Digitally Imported    Radio) deserves some serious accolades as it is the hottest    showcase of music from the tech and psy scene as well as it is    the first place to hear the fresh new sounds emerging from    Simons studio. In addition, Simon has recently been named as    one of the VII elite, a new record label and brand pushing the    boundaries of cutting edge tech and psy. Among the ranks with    Simon arepsy and tech masters Astrix, John Askew,    Freedom Fighters, Sean Tyas, Will Atkinson and Blazer.    On a personal note, one of my favorite Simon Patterson tech    trance productions to date would have to be Thump. This    trackdishes out tech trance perfection in every way and    even has room for a melodic breakdown in the middle of the    piece revealing to all who listen that Simon Patterson truly is    nothing short of a multidimensional genius!  <\/p>\n<p>    Check out our featured interview with Simon Patterson    righthere!  <\/p>\n<p>    Website|Facebook|Twitter|SoundCloud  <\/p>\n<\/p>\n<p>    Aleksander Stawierej, aka Indecent    Noise is no stranger to the techier and darker    side of trance and if you have ever had the chance to check out    his extraordinary radio show called Mental Asylum Radio, airing    every Thursday at 9 pm GMT \/ 10 pm CET on afterhours.fmthen you know    exactly what this trance master is capable of. Recently    celebrating its 100th episode and celebrated as the most    appropriatehome for the mentally insane, Mental Asylum    Radio features the sounds of the electrified, twisted, and more    up tempo side of trance. In addition, Indecent Noise holds    nothing back when it comes to his live sets and original    tracks. Oozing with speed, power, insatiable techno kicks and    crunchy beats blended with that sweet trance euphoria, Indecent    Noise always comes with the fire.  <\/p>\n<p>    Check out our very special interview called MyStro    Presents Storylines With Indecent Noise by    clickinghere!  <\/p>\n<p>    Facebook|Twitter|SoundCloud  <\/p>\n<\/p>\n<p>    Is he techno? Is he trance? One listen to Alex Di    Stefanos Podcast that he has dubbed     FireCast Radio, airing every 1st of the month, and it    becomes unbelievable clear that this is an artist who has    forged his own unique path, crafting a style of tech trance all    his own. Alex Di Stefanobrings a breath of fresh air to    the electronic dance music scene with his out of the box    styleand his    implementation of only the grimiest of the underground sounds.    If we rewind time and take a look at his artistic growth,    history would show us thatAlexs desire to try new sounds    and musical flavors would ultimately lead him to Rimini where    he would hone his craft, unveiling a brilliant talent that    highlightscombining techno and trance styles made evident    in his 1998Hesperia EP with Blue Waves, Mizar EP with    Volcano, and Mizar EP II. As the years progressed, Alex    would begin torelease tracks in more minimalist style    which would evolve itself to what we call his tech-trance style    of today, avoiding all the mainstream evolutions that seem to    be flooding our current scene.  <\/p>\n<p>    Facebook|Twitter|SoundCloud  <\/p>\n<\/p>\n<p>    Now, we cant talk tech trance without giving a shout out to    the tech trance king himself, Tempo Giusto!    Debuting in 2008 with the single Agent Orange Tempo    Giusto has since hit the big time with six top ten hits on    Beatport. Tempo Giusto has redefined the art of driving trance    and both 2015 and 2016 will forever be known as the years that    Tempo Giusto reigned supreme. He was namedFinlands best    selling trance artist in 2015 and #29 globally with    hitsingles including trance hits Benzin (#4 on    Beatport), Blacksmith (#4 on Beatport), Majestic (#8 on    Beatport) and TechCorp (#9 on Beatport). Described as a true    magician and the king of triplets by some critics and    artists, Tempo Giusto is without a doubt an innovator of his    genre and one of the future driving forces in the club music    scene.If you want to hear the latest and greatest of all    that is tech trance, fans have to look no further than Tempo    Giustos wildly infectious podcast calledGlobal    Sound Drift.  <\/p>\n<p>    Facebook|Twitter|SoundCloud  <\/p>\n<\/p>\n<p>    Hitting the airwaves every third Tuesday from 9:00 pm to 10:00    pm GMT on Digitally Imported    Radio, Damaged takes you deep into the twisted realm of    tech trance with Jordan Suckley leading the    way. What you will find as you listen is that Damaged Radio    hostsa slew of maestrosboth new and fresh to the    scene as well as well established artists boasting the very    best in tech trance genre-defining sounds. When it comes to    Jordan Suckley, track selections with a lot of edge are his go    to choices, alwaystakinghis listeners on the ride    of their lives. HIs unmatched drive to take his passion for    both the techno and trance genres is clearly translated through    all that he does whether it be in hislive shows, original    productions, or radio show. With a flair for the acid sound    mixed with deep bass, melodic breakdowns, and a whole lot of    tech driven kicks, Jordan Suckley has this genre on lock. And    if we are going to be honest, the tech trance genre would not    be complete without this talented young artist firmly planted    in the drivers seat.  <\/p>\n<p>    Check out our interview with Jordan Suckley     HERE!  <\/p>\n<p>    Facebook|Twitter|SoundCloud  <\/p>\n<\/p>\n<p>    As is made evident by Mark Sherrys brilliant Outburst Radio    show track selections, this is a man with true diversity and    experience. While not always locking himself down to one    specific sub genre Mark Sherry has built an empire surrounding    himself with everything that oozes trance! MarksOutburst Radio    Show, airing every Wednesday at 12 pm on the DJ Mixes    Channel on Digitally Imported Radio has amasseda huge    global fan base but continues to stay true to its trance and    tech-trance beginnings. This weekly 2 hour show and iTunes    podcast has boasted huge guest DJ mixes from some of the    scenes biggest names such as Ferry Corsten, Gareth    Emery, Judge Jules, Fergie, Arty, Lange, Rank 1, Andy Moor,    Michael Woods, Sean Tyas & Orjan Nilsen just to    name a few. Clearly this is a man with a broad    repertoirebut at the end of the day, it is in tech trance    that Mark Sherry finds his sweet spot. To get a true feel of    who he is as a tech trance artist check out his set from Circus    Hell in Montreal Canada and be prepared to be blown away with    some of the darkest tech trance beats this man could offer up!  <\/p>\n<p>    Check out our Mark Sherry live at Circus Hell event    review righthere!  <\/p>\n<p>    Website|Facebook|Twitter|SoundCloud  <\/p>\n<\/p>\n<p>    Bryan Kearney is probably one of the most diversitile artists    on this list and his attention and passion for the tech trance    genre certainly deserves some major praise. While you never    know what Bryan may be in the mood to deliver, his knowledge    and expertise of everything trance has seen him dive into the    world of tech trance through his insanely popular podcast    appropriately titled     Kearnage. His genius tech trance expressions are also very    much presentwithin his original productions, 2 perfect    examples being Ridiculous and     El Gatounder his tech alias Karney. Bryan Kearney    has mastered literally every trance art form and when it comes    to his tech trance expertise, he is at the top of his class.    The set that I have chosen to highlight below is the perfect    example of his diversity but his true tech trance soul shines    brightly in the latter half of the set. Now, this may be a    contraversial choice for an article focusing solely on tech    trance but in my opinion, everything this man touches turns to    gold and with tech trance high on his list of mastered musical    art forms, I certainly had to give him a nod.  <\/p>\n<p>    Website|Facebook|Twitter|SoundCloud  <\/p>\n<p>          Maria first fell in love with electronic music in the          early 2000's when she heard a little tune called          \"Satisfaction\" by Benny Benassi. Since then she has dived          head first into the scene and become passionate about the          trance, techno, and tech house genre's. Festival's like          EDC, Dreamstate, and TomorrowWorld hold the key to her          soul and dance music will always and forever be a major          part of her life.        <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Go here to see the original:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"http:\/\/edmidentity.com\/2017\/02\/05\/what-we-like-tech-trance\/\" title=\"What We Like || Tech Trance - EDM Identity (blog)\">What We Like || Tech Trance - EDM Identity (blog)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> What We Like is a new series that features genres we like in the electronic music scene.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/what-we-like-tech-trance-edm-identity-blog\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187758],"tags":[],"class_list":["post-175530","post","type-post","status-publish","format-standard","hentry","category-trance"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/175530"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=175530"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/175530\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=175530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=175530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=175530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}