{"id":175201,"date":"2017-02-06T14:40:42","date_gmt":"2017-02-06T19:40:42","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/the-futurist-robert-downey-jr-album-wikipedia\/"},"modified":"2017-02-06T14:40:42","modified_gmt":"2017-02-06T19:40:42","slug":"the-futurist-robert-downey-jr-album-wikipedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurist\/the-futurist-robert-downey-jr-album-wikipedia\/","title":{"rendered":"The Futurist (Robert Downey Jr. album) &#8211; Wikipedia"},"content":{"rendered":"<p><p>    The Futurist is the debut studio album by American actor Robert    Downey Jr., produced by Jonathan Elias and Mark Hudson, and released on    November 23, 2004 through Sony Classical. The    album debuted at number 121 on the Billboard    200 chart, selling 16,000 copies in its first week.[1][2]  <\/p>\n<p>    The album received mixed reviews, but Downey stated in 2006    that he probably will not do another album, as he felt that the    energy he put into doing the album was not compensated. He    explained that he did not want to spend whatever time he had at    home in the studio, but rather with his family. \"Broken\" plays    during the end credits to Downey's 2005 film Kiss    Kiss Bang Bang.  <\/p>\n<p>    The Futurist consists of eight pop ballads written by    Downey, as well as two cover songs: \"Smile\", a Charlie    Chaplin composition; and \"Your Move\", the first half of the    song \"I've Seen All Good People\" by    Yes.[3] The song \"Hannah\" is an allusion    to Downey's 2000 film Wonder Boys.[4]  <\/p>\n<p>    The album was produced by Jonathan Elias and Mark Hudson, with Downey playing    on the piano on some of the tracks.  <\/p>\n<p>    AllMusic's Matt    Collar rated the album 3.5\/5, and called Downey's lyrics    \"obtuse\". However, he praised his interpretations of other    musicians' work, such as \"Your Move\" by Yes and Charlie    Chaplin's \"Smile\", and called the album \"unpredictably moving    as the best of Downey's film work.\"[5]  <\/p>\n<p>    Elysa Gardner of USA Today wrote that the vibe on Downey's    album \"can seem pretentious or simply dull after a while, but    there is a moody musicality to tracks such as 'Man Like Me' and    'Details'.\"[6]  <\/p>\n<p>    Credits adapted from AllMusic.[7]  <\/p>\n<p>    In the 2016 Marvel Studios film, Captain America: Civil    War, Clint Barton mockingly refers to    Tony Stark (played by Downey) as \"The    Futurist\".  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continue reading here:<br \/>\n<a target=\"_blank\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Futurist_(Robert_Downey_Jr._album)\" title=\"The Futurist (Robert Downey Jr. album) - Wikipedia\">The Futurist (Robert Downey Jr. album) - Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The Futurist is the debut studio album by American actor Robert Downey Jr., produced by Jonathan Elias and Mark Hudson, and released on November 23, 2004 through Sony Classical. The album debuted at number 121 on the Billboard 200 chart, selling 16,000 copies in its first week.[1][2] The album received mixed reviews, but Downey stated in 2006 that he probably will not do another album, as he felt that the energy he put into doing the album was not compensated. He explained that he did not want to spend whatever time he had at home in the studio, but rather with his family <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/transhuman-news-blog\/futurist\/the-futurist-robert-downey-jr-album-wikipedia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-175201","post","type-post","status-publish","format-standard","hentry","category-futurist"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/175201"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=175201"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/175201\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=175201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=175201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=175201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}