{"id":174397,"date":"2016-11-21T11:15:03","date_gmt":"2016-11-21T16:15:03","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/atlas-shrugged-part-i-wikipedia\/"},"modified":"2016-11-21T11:15:03","modified_gmt":"2016-11-21T16:15:03","slug":"atlas-shrugged-part-i-wikipedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/atlas-shrugged\/atlas-shrugged-part-i-wikipedia\/","title":{"rendered":"Atlas Shrugged: Part I &#8211; Wikipedia"},"content":{"rendered":"<p><p>    Atlas Shrugged: Part I is a 2011 American    political science fiction drama film directed    by Paul    Johansson. An adaptation of part of Ayn Rand's controversial    1957 novel of the same name, the film is the first in    a trilogy encompassing the    entire book. After various treatments and proposals floundered    for nearly 40 years,[4] investor    John    Aglialoro initiated production in June 2010. The film was    directed by Paul Johansson and stars Taylor    Schilling as Dagny Taggart and    Grant    Bowler as Hank Rearden.  <\/p>\n<p>    The film begins the story of Atlas Shrugged, set in a    dystopian United States where John Galt leads innovators, from industrialists    to artists, in a capital strike, \"stopping the motor of the    world\" to reassert the importance of the free use of one's mind    and of laissez-faire capitalism.[5]  <\/p>\n<p>    A sequel film, Atlas Shrugged: Part II    was released on October 12, 2012. The third part in the series,    Atlas Shrugged Part III: Who    Is John Galt? was released on September 12,    2014.[6]  <\/p>\n<p>    It is 2016 and the United States is in a sustained economic    depression. Industrial disasters, resource shortages, and    gasoline at $37\/gallon have made railroads the primary mode of    transportation, but even they are in disrepair. After a major    accident on the Rio Norte line of the Taggart Transcontinental    railroad, CEO James Taggart shirks    responsibility. His sister Dagny Taggart,    Vice-President in Charge of Operation, defies him by replacing    the aging track with new rails made of Rearden Metal, which is    claimed to be lighter yet stronger than steel. Dagny meets with    its inventor, Hank Rearden, and they negotiate a    deal they both admit serves their respective self-interests.  <\/p>\n<p>    Politician Wesley Mouchnominally Rearden's    lobbyist in Washington, D.C.is part of a crowd    that views heads of industry as persons who must be broken or    tamed. James Taggart uses political influence to ensure that    Taggart Transcontinental is designated the exclusive railroad    for the state of Colorado. Dagny is confronted by Ellis Wyatt, a Colorado oil man angry to be    forced to do business with Taggart Transcontinental. Dagny    promises him that he will get the service he needs. Dagny    encounters former lover Francisco    d'Anconia, who presents a faade of a playboy grown bored with the pursuit    of money. He reveals that a series of copper mines he built are    worthless, costing his investors (including the Taggart    railroad) millions.  <\/p>\n<p>    Rearden lives in a magnificent home with a wife and a brother    who are happy to live off his effort, though they overtly    disrespect it. Rearden's anniversary gift to his wife Lillian    is a bracelet made from the first batch of Rearden Metal, but    she considers it a garish symbol of Hank's egotism. At a dinner    party, Dagny dares Lillian to exchange it for Dagny's diamond    necklace, which she does.  <\/p>\n<p>    As Dagny and Rearden rebuild the Rio Norte line, talented    people quit their jobs and refuse all inducements to stay.    Meanwhile, Dr. Robert Stadler of the State Science Institute    puts out a report implying that Rearden Metal is dangerous.    Taggart Transcontinental stock plummets because of its use of    Rearden Metal, and Dagny leaves Taggart Transcontinental    temporarily and forms her own company to finish the Rio Norte    line. She renames it the John Galt Line, in defiance of the    phrase \"Who is John Galt?\"which has come to stand for any    question to which it is pointless to seek an answer.  <\/p>\n<p>    A new law forces Rearden to sell most of his businesses, but he    retains Rearden Steel for the sake of his metal and to finish    the John Galt Line. Despite strong government and union    opposition to Rearden Metal, Dagny and Rearden complete the    line ahead of schedule and successfully test it on a    record-setting run to Wyatt's oil fields in Colorado. At the    home of Wyatt, now a close friend, Dagny and Rearden celebrate    the success of the line. As Dagny and Rearden continue their    celebration into the night by fulfilling their growing sexual    attraction, the shadowy figure responsible for the    disappearances of prominent people visits Wyatt with an offer    for a better society based on personal achievement.  <\/p>\n<p>    The next morning, Dagny and Rearden begin investigating an    abandoned prototype of an advanced motor that could    revolutionize the world. They realize the genius of the motor's    creator and try to track him down. Dagny finds Dr. Hugh Akston,    working as a cook at a diner, but he is not willing to reveal the identity    of the inventor; Akston knows whom Dagny is seeking and says    she will never find him, though he may find her.  <\/p>\n<p>    Another new law limits rail freight and levies a special tax on    Colorado. It is the final straw for Ellis Wyatt. When Dagny    hears that Wyatt's oil fields are on fire, she rushes to his    home but finds a handwritten sign that reads, \"I am leaving it    as I found it. Take over. It's yours.\"  <\/p>\n<p>    Wyatt declares in an answering machine message that he is    \"on strike\".  <\/p>\n<p>    In 1972, Albert S. Ruddy approached Rand to    produce a cinematic adaptation of Atlas Shrugged. Rand    agreed that Ruddy could focus on the love story. \"That's all it    ever was,\" Rand said.[9][10][11] Rand insisted    on having final script approval, which Ruddy refused to give    her, thus preventing a deal. In 1978, Henry and Michael Jaffe    negotiated a deal for an eight-hour Atlas Shrugged    television miniseries on NBC. Jaffe hired screenwriter Stirling Silliphant to adapt the    novel and he obtained approval from Rand on the final script.    However, in 1979, with Fred Silverman's rise as president of NBC,    the project was scrapped.[12]  <\/p>\n<p>    Rand, a former Hollywood screenwriter herself, began writing    her own screenplay, but died in 1982 with only one third of it    finished. She left her estate, including the film rights to    Atlas Shrugged, to her student Leonard    Peikoff, who sold an option to Michael Jaffe    and Ed Snider.    Peikoff would not approve the script they wrote and the deal    fell through. In 1992, investor John Aglialoro bought an option    to produce the film, paying Peikoff over $1 million for full    creative control.[12]  <\/p>\n<p>    In 1999, under John Aglialoro's sponsorship, Albert Ruddy    negotiated a deal with Turner Network Television for a    four-hour miniseries, but the project was killed after the    AOL Time Warner merger. After the TNT    deal fell through, Howard and Karen Baldwin,    while running Phillip Anschutz's    Crusader    Entertainment, obtained the rights. The Baldwins left    Crusader, taking the rights to Atlas Shrugged with them,    and formed Baldwin Entertainment Group in 2004. Michael    Burns of Lions Gate    Entertainment approached the Baldwins to fund and    distribute Atlas Shrugged.[12]    A two-part draft screenplay written by James V.    Hart[13]    was re-written into a 127page screenplay by Randall    Wallace, with Vadim Perelman expected to direct.[14] Potential cast members    for this production had included Angelina Jolie,[15]Charlize Theron,[16]Julia    Roberts,[16]    and Anne    Hathaway.[16]    Between 2009 and 2010, however, these deals came apart,    including studio backing from Lions Gate, and therefore none of    the stars mentioned above appear in the final film. Also,    Wallace did not do the screenplay, and Perelman did not    direct.[1][17] Aglialoro    says producers have spent \"something in the $20 million range\"    on the project over the last 18 years.[2]  <\/p>\n<p>    In May 2010, Brian Patrick O'Toole and Aglialoro    wrote a screenplay, intent on filming in June 2010. While    initial rumors claimed that the films would have a \"timeless\"    settingthe producers say Rand envisioned the story as    occurring \"the day after tomorrow\"[18]the released film is    set in late 2016. The writers were mindful of the desire of    some fans for fidelity to the novel,[18] but gave some    characters, such as Eddie Willers, short    shrift and omitted others, such as the composer Richard Halley.    The film is styled as a mystery, with black-and-white freeze    frames as each innovator goes \"missing\". However, Galt    appears and speaks in the film, solving the mystery more    clearly than in the first third of the novel.  <\/p>\n<p>    Though director Johansson had been reported as playing the    pivotal role of John Galt, he made it clear in an interview    that with regard to who is John Galt in the film, the    answer was, \"Not me.\"[7] He    explained that his portrayal of the character would be limited    to the first film as a silhouetted figure wearing a trenchcoat and fedora,[8]    suggesting that another actor will be cast as Galt for the    subsequent parts of the trilogy.  <\/p>\n<p>    Though Stephen Polk was initially set to    direct,[19] he was replaced by Paul    Johansson nine days before filming was scheduled to begin.    With the 18-year-long option to the films rights set to expire    on June 15, 2010, producers Harmon Kaslow and Aglialoro began    principal photography on June 13, 2010, thus allowing Aglialoro    to retain the motion picture rights. Shooting took five weeks,    and he says that the total production cost of the movie came in    on a budget around US$10 million,[20] though Box    Office Mojo lists the production cost as $20 million.[3]  <\/p>\n<p>    Elia Cmiral composed the score for the    film.[21] Peter Debruge wrote in Variety    that \"More ambitious sound design and score, rather than the    low-key filler from composer Elia Cmiral and music supervisor    Steve Weisberg, might have significantly boosted the pic's    limited scale.\"[22]  <\/p>\n<p>          In a lot of ways, this project reflects the ethos of the          Tea Party. You had both Republicans and          Democrats who felt          rejected by the establishment, and the same process is          going to happen with Atlas Shrugged: We're going          to build a constituency of people who believe in limited          government and individual liberty.        <\/p>\n<p>    The film had a very low marketing budget and was not marketed    in conventional methods.[24]    Prior to the film's release on the politically symbolic date of    Tax Day, the    project was promoted throughout the Tea Party    movement and affiliated organizations such as FreedomWorks.[23] The National    Journal reported that FreedomWorks, the Tea    Party-allied group headed by former House Majority Leader Dick Armey,    (R-Texas), had been trying to get the movie opened in more    theaters.[23]    FreedomWorks also helped unveil the Atlas Shrugged movie    trailer at the February 2011 Conservative    Political Action Conference.[23] Additionally, it was    reported that Tea Party groups across the country were plugging    the movie trailer on their websites and Facebook pages.[23] Release of the movie    was also covered and promoted by Fox News TV personalities John Stossel and    Sean    Hannity.[25][26]  <\/p>\n<p>    The U.S. release of Atlas Shrugged: Part I opened on 300    screens on April 15, 2011, and made US$1,676,917 in its opening    weekend, finishing in 14th place overall.[27]    Producers announced expansion to 423 theaters several days    after release and promised 1,000 theaters by the end of    April,[28] but the release peaked at 465    screens. Ticket sales dropped off significantly in its second    week of release, despite the addition of 165 screens; after six    weeks, the film was showing on only 32 screens and total ticket    sales had not crossed the $5 million mark, recouping less than    a quarter of the production budget.[29]  <\/p>\n<p>    Atlas Shrugged: Part I was released on DVD and Blu-ray Disc on November 8, 2011 by 20th Century    Fox Home Entertainment.[30] More than    100,000 DVD inserts were recalled within days due to the    jacket's philosophically incorrect description of \"Ayn Rand's    timeless novel of courage and self-sacrifice\".[31] As of April, 2013, 247,044 DVDs    had been sold, grossing $3,433,445.[32]  <\/p>\n<p>    The film received overwhelmingly negative reviews. Rotten    Tomatoes gives the film a score of 11% based on 47 reviews,    with an average score of 3.6 out of 10. The    site's consensus was: \"Passionate ideologues may find it    compelling, but most filmgoers will find this low-budget    adaptation of the Ayn Rand bestseller decidedly    lacking.\"[33]Metacritic gives the film a \"generally    unfavorable\" rating of 28%, as determined by averaging 19    professional reviews.[34] Some    commentators noted differences in film critics' reactions from    audience members' reactions; from the latter group, the film    received high scores even before the film was released.[35][36][37]  <\/p>\n<p>          Let's say you know the novel, you agree with Ayn Rand,          you're an objectivist or a libertarian, and you've been          waiting eagerly for this movie. Man, are you going to get          a letdown. It's not enough that a movie agree with you,          in however an incoherent and murky fashion. It would help          if it were like, you know, entertaining?        <\/p>\n<p>    Roger Ebert    of the Chicago Sun-Times gave the film    only one star, calling it \"the most anticlimactic non-event    since Geraldo Rivera broke    into Al Capone's vault.\"[1]    Columnist Cathy    Young of The Boston Globe gave the film a    negative review.[38]Chicago    Tribune published a predominantly negative review,    arguing that the film lacks Rand's philosophical theme, while    at the same time saying \"the actors, none of them big names,    are well-suited to the roles. The story has drive, color and    mystery. It looks good on the screen.\"[39] In the    New York    Post, Kyle Smith gave the film a mostly negative    review, grading it at 2.5\/4 stars, criticizing its \"stilted    dialogue and stern, unironic hectoring\" and calling it \"stiff    in the joints\", but also adding that it \"nevertheless contains    a fire and a fury that makes it more compelling than the    average mass-produced studio item.\"[40]  <\/p>\n<p>    Reviews in the conservative press were more mixed. American    economist Mark Skousen praised the film, writing in    Human    Events, \"The script is true to the philosophy of Ayn    Rand's novel.\"[41]The    Weekly Standard senior editor Fred Barnes noted that the film    \"gets Rand's point across forcefully without too much    pounding\", that it is \"fast-paced\" when compared with the    original novel's 1200-page length, and that it is \"at least as    relevant today as it was when the novel was published in    1957.\"[42]Jack Hunter, contributing editor    to The American Conservative,    wrote, \"If you ask the average film critic about the new movie    adaptation of Ayn Rand's Atlas Shrugged they will tell    you it is a horrible movie. If you ask the average conservative    or libertarian they will tell you it is a great movie.    Objectively, it is a mediocre movie at best. Subjectively, it    is one of the best mediocre movies you'll ever see.\"[43] In the National    Post, Peter Foster credited the movie for the daunting    job of fidelity to the novel, wryly suggested a plot rewrite    along the lines of comparable current events, and concluded,    \"if it sinks without trace, its backers should at least be    proud that they lost their own money.\"[44]  <\/p>\n<p>    The poor critical reception of Atlas Shrugged: Part I    initially made Aglialoro reconsider his plans for the rest of    the trilogy.[45] In    an interview with The Hollywood Reporter,    he said he was continuing with plans to produce Part II    and Part III for release on April 15 in 2012 and 2013,    respectively.[46] In a later interview with    The Boston Globe, Aglialoro was    ambivalent: \"I learned something long ago playing poker. If you    think you're beat[en], don't go all in. If Part 1 makes    [enough of] a return to support Part 2, I'll do it.    Other than that, I'll throw the hand in.\"[47]  <\/p>\n<p>    In July 2011, Aglialoro planned to start production of    Atlas Shrugged: Part II in    September, with its release timed to coincide with the 2012 U.S.    elections.[48] In October 2011, producer Harmon    Kaslow stated that he hoped filming for Part II would    begin in early 2012, \"with hopes of previewing it around the    time of the nominating conventions\". Kaslow anticipated that    the film, which would encompass the second third of Atlas    Shrugged, would \"probably be 30 to 40 minutes longer than    the first movie.\" Kaslow also stated his intent that Part    II would have a bigger production budget, as well as a    larger advertising budget.[49]  <\/p>\n<p>    On February 2, 2012, Kaslow and Aglialoro, the producers of    Atlas Shrugged: Part II, announced a start date for    principal photography in April 2012 with a release date of    October 12, 2012.[50] Joining the    production team was Duncan Scott, who, in 1986, was responsible    for creating a new, re-edited version with English subtitles of    the 1942 Italian film adaptation of We the    Living. The first film's entire cast was replaced for    the sequel.  <\/p>\n<p>    The sequel film, Atlas Shrugged: Part    II, was released on October 12, 2012.[51] Critics gave the film a 5%    rating on Rotten Tomatoes based on 22    reviews.[52]    One reviewer gave the film a \"D\" rating,[53] while another    reviewer gave the film a \"1\" rating (of 4).[54] In naming    Part II to its list of 2012's worst films, The A.V.    Club said \"The irony of Part II's mere existence is rich enough: The free    market is a religion for Rand acolytes, and it emphatically    rejected Part I.\"[55]  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View original post here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/en.wikipedia.org\/wiki\/Atlas_Shrugged_(film)\" title=\"Atlas Shrugged: Part I - Wikipedia\">Atlas Shrugged: Part I - Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Atlas Shrugged: Part I is a 2011 American political science fiction drama film directed by Paul Johansson. An adaptation of part of Ayn Rand's controversial 1957 novel of the same name, the film is the first in a trilogy encompassing the entire book <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/atlas-shrugged\/atlas-shrugged-part-i-wikipedia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187827],"tags":[],"class_list":["post-174397","post","type-post","status-publish","format-standard","hentry","category-atlas-shrugged"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/174397"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=174397"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/174397\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=174397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=174397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=174397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}