{"id":174193,"date":"2016-10-31T02:52:33","date_gmt":"2016-10-31T06:52:33","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance-music-wikipedia\/"},"modified":"2016-10-31T02:52:33","modified_gmt":"2016-10-31T06:52:33","slug":"trance-music-wikipedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/trance-music-wikipedia\/","title":{"rendered":"Trance music &#8211; Wikipedia"},"content":{"rendered":"<p><p>      Trance is a genre of electronic dance music that      developed during the 1990s in Germany. It is characterized by a tempo lying      between 125 and 150 beats per minute      (BPM),[5]      repeating melodic phrases,[5] and a musical form      that distinctly builds tension and elements throughout a      track often culminating in 1 to 2 \"peaks\" or \"drops.\"[5] Although trance is      a genre of its own, it liberally incorporates influences from      other musical styles such as techno,[3]house,[1]pop,[3]chill-out,[3]classical      music,[3][4]tech house,      ambient, and film      music.[4]    <\/p>\n<p>      A trance refers to      a state of hypnotism and heightened consciousness. This is      portrayed in trance music by the mixing of layers with      distinctly foreshadowed build-up and release. A      characteristic of virtually all trance music is a mid-song      climax followed by a soft breakdown disposing of beats and      percussion entirely,[3][5] and leaving the      melody and\/or atmospherics to stand alone for an extended      period before gradually building up again. As a result,      trance tracks are often lengthy to allow for this progression      and have sufficiently sparse opening and closing sections to      facilitate mixing by DJs.    <\/p>\n<p>      Trance can be purely instrumental, although vocals are also a      common feature. Typically they are performed by mezzo-soprano      to soprano female soloists, often without verse\/chorus      structure. Structured vocal form in trance music forms the      basis of the vocal trance subgenre, which has been      described as \"grand, soaring, and operatic\" and \"ethereal      female leads floating amongst the synths\".[8][9]    <\/p>\n<p>      The trance name may refer to an induced emotional feeling,      high, euphoria, chills, or uplifting      rush that listeners claim to experience, or it may      indicate an actual trance-like state the earliest forms of      this music attempted to emulate in the 1990s before the      genre's focus changed.[5]    <\/p>\n<p>      Some trace Trance's antecedents back to Klaus      Schulze, a German experimental electronic music artist      who concentrated in mixing minimalist      music repetitive rhythms and arpeggiated sounds      (specifically his 1988 album \"En=Trance\".[citation      needed] In truth it was really Sven Vth, his      labels and others in the same group that saw the initial      releases of trance[citation      needed] Another possible antecedent is      Yuzo      Koshiro and Motohiro Kawashima's electronic      soundtracks for the Streets of Rage series of      video games      from 1991 to 1994, and the Wangan Midnight Maximum Tune      series.[10][11][12][13] It was promoted by the      well-known UK club-night megatripolis (London, Heaven, Thursdays)      whose scene catapulted it to international      fame.    <\/p>\n<p>      Examples of early Trance releases include but are not limited      to German duo Jam & Spoon's 1992 12\" Single remix      of the 1990 song The Age Of Love.,[1] German duo      Dance 2      Trance's 1990 track \"We Came in Peace\".[5]    <\/p>\n<p>      One writer[who?]      traces the roots of trance to Paul van Dyk's 1993 remix of      Humate's \"Love Stimulation\".[1] However, van      Dyk's trance origins can be traced further back to his work      with Visions Of Shiva, which were his first ever tracks to be      released.[original      research?] In subsequent years, one      genre, vocal trance, arose as the combination of progressive      elements and pop music,[3] and the      development of another subgenre, epic trance, had some of its      origins in classical music.,[3] with film music      also being influential.[4]    <\/p>\n<p>      Trance was arguably at its commercial peak in the second part      of 1990s and early 2000s.[14][15]    <\/p>\n<p>      Classic trance employs a 4\/4 time signature,[5] a tempo of 125 to      150 BPM,[5] and 32 beat      phrases and is somewhat faster than      house      music.[16] A kick drum is usually      placed on every downbeat and a regular open hi-hat is often placed on the      upbeat or every 1\/8th division of the      bar.[5]      Extra percussive elements are usually added, and major      transitions, builds or climaxes are often foreshadowed by      lengthy \"snare rolls\"a quick succession of snare drum hits      that build in velocity, frequency, and volume towards the end      of a measure or phrase.[5]    <\/p>\n<p>      Rapid arpeggios      and minor keys are common features of Trance, the      latter being almost universal. Trance tracks often use one      central \"hook\", or melody, which runs through      almost the entire song, repeating at intervals anywhere      between 2 beats and 32 bars, in addition to harmonies and      motifs in different timbres from the central melody.[5] Instruments are      added or removed every 4, 8, 16, or 32 bars.[5]    <\/p>\n<p>      In the section before the breakdown, the lead motif is often      introduced in a sliced up and simplified form,[5] to give the      audience a \"taste\" of what they will hear after the      breakdown.[5]      Then later, the final climax is usually \"a culmination of the      first part of the track mixed with the main melodic      reprise\".[5]    <\/p>\n<p>      As is the case with many dance music tracks, trance tracks      are usually built with sparser intros (\"mix-ins\") and outros      (\"mix-outs\") in order to enable DJs to blend them together      immediately.[3][5] As trance is more      melodic and harmonic than other electronic dance      music,[citation      needed] the construction of trance      tracks in the proper way is particularly important in order      to avoid dissonant (or \"key clashing,\" i.e., out of tune with      one another) mixes.[citation      needed]    <\/p>\n<p>      More recent forms of trance music incorporate other styles      and elements of electronic music such as electro and      progressive house into its      production. It emphasizes harsher basslines and drum beats      which decrease the importance of offbeats and focus primarily      on a four on the floor stylistic      house drum pattern. The bpm of more recent styles tends to be      on par with house music at 120 - 135 beats per minute.      However, unlike house music, recent forms of trance stay true      to their melodic breakdowns and longer transitions.[17]    <\/p>\n<p>      Trance music is broken into a large number of      subgenres.[citation      needed] Chronologically, the major      subgenres are classic trance, acid trance, progressive trance,[3]uplifting      trance,[3] and hard      trance.[citation      needed]Uplifting trance is also known      as \"anthem trance\", \"epic trance\",[3] \"commercial      trance\", \"stadium trance\", or \"euphoric trance\",[5] and has been      strongly influenced by classical music in the 1990s[3] and 2000s by      leading artists such as Ferry Corsten, Armin Van Buuren, Tiesto,      Push,      Rank 1 and at      present with the development of the subgenre \"orchestral      uplifting trance\" or \"uplifting trance with symphonic      orchestra\" by such artists as Andy Blueman, Ciro Visone,      Soundlift, Arctic Moon, Sergey Nevone&Simon O'Shine etc.      Closely related to Uplifting Trance is Euro-trance, which      has become a general term for a wide variety of highly      commercialized European dance music. Several subgenres are      crossovers with other major genres of electronic music. For      instance, Tech trance is a mixture of trance and      techno, and Vocal trance \"combines [trance's]      progressive elements with pop music\".[3]Balearic      beat, which is associated with the laid back vacation      lifestyle of Ibiza, Spain, is often called      \"Balearic trance\", as espoused by      Roger      Shah.[citation      needed] The dream trance genre originated in the      mid-1990s, with its popularity then led by Robert Miles.      There is also a slower bpm trance music, this styles are      often called \"psybient\" (synonyms are \"psychill\", \"ambient      trance\").[citation      needed]    <\/p>\n<p>      AllMusic states      on progressive trance: \"the progressive wing of the trance      crowd led directly to a more commercial, chart-oriented      sound, since trance had never enjoyed much chart action in      the first place. Emphasizing the smoother sound of Eurodance or house      (and occasionally more reminiscent of Jean-Michel Jarre than Basement      Jaxx), Progressive Trance became the sound of the world's      dance floors by the end of the millennium. Critics ridiculed      its focus on predictable breakdowns and relative lack of      skill to beat-mix, but progressive trance was caned by the      hottest DJ.\"[18]    <\/p>\n<p>      The following is an incomplete list of dance music festivals      that showcase trance music.    <\/p>\n<p>      Notes:' Sunburn was not the first festival\/event to      specialize in India in trance music much earlier pioneers of      Goa parties[19] held events as early as the      late 80's and through all of the 1990s[20]    <\/p>\n<p>      Electronic Dance Music festivals in the Netherlands are      mainly organized by four companies ALDA Events,      ID&T, UDC and      Q-dance:    <\/p>\n<p>      Electronic music festivals in the US feature various Electronic Dance Music genres      such as trance, House, Techno, Electro, Dubstep, and Drum & Bass:    <\/p>\n<p>      The trance scene in South America is constantly growing. The      most important trance festival in South America is called      Universo Parallelo.    <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Continued here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/en.m.wikipedia.org\/wiki\/Trance_music\" title=\"Trance music - Wikipedia\">Trance music - Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Trance is a genre of electronic dance music that developed during the 1990s in Germany. It is characterized by a tempo lying between 125 and 150 beats per minute (BPM),[5] repeating melodic phrases,[5] and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 \"peaks\" or \"drops.\"[5] Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno,[3]house,[1]pop,[3]chill-out,[3]classical music,[3][4]tech house, ambient, and film music.[4] A trance refers to a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/trance\/trance-music-wikipedia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187758],"tags":[],"class_list":["post-174193","post","type-post","status-publish","format-standard","hentry","category-trance"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/174193"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=174193"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/174193\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=174193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=174193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=174193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}