{"id":174090,"date":"2016-10-20T23:37:33","date_gmt":"2016-10-21T03:37:33","guid":{"rendered":"http:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/ascension-miniseries-wikipedia\/"},"modified":"2016-10-20T23:37:33","modified_gmt":"2016-10-21T03:37:33","slug":"ascension-miniseries-wikipedia","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/ascension\/ascension-miniseries-wikipedia\/","title":{"rendered":"Ascension (miniseries) &#8211; Wikipedia"},"content":{"rendered":"<p><p>    Ascension is a 2014 Canadian\/US-American science    fiction mystery drama television miniseries which aired on CBC in Canada    and Syfy in USA. It    consists of six 43 minute episodes. The show was created by    Philip Levens and Adrian A. Cruz. The pilot was written and    executive produced by Philip Levens, who served as the showrunner.  <\/p>\n<p>    On July 9, 2014, CBC added Ascension to its fall    programming roster. It was originally scheduled to premiere in    November 2014.[1] In October 2014, CBC announced    that the premiere date had been moved to January 2015.[2] It started airing on CBC on Monday    nights starting February 9, 2015.[3] Syfy had    originally announced plans to debut the show on November 24,    2014, airing one episode per week for six weeks.[4] Instead the series    premiered on December 15, 2014, and aired two episodes each    night for three consecutive nights.[5]  <\/p>\n<p>    The story takes place aboard a generation ship originally launched    in the 1960s and now half-way into its 100-year journey to    Proxima Centauri. A murder onboard    sparks off a series of events that lead the crew to begin    second-guessing their real mission.  <\/p>\n<p>    Ascension is inspired by the real-life Project Orion that    existed under the administration of President John F.    Kennedy.[6] The show sets up an alternate    version of reality beginning in 1963, in which Kennedy and the    U.S. government, fearing the Cold War will escalate and lead to the    destruction of Earth, launch a spaceship to colonize a planet    orbiting Proxima Centauri, assuring the survival    of the human race.  <\/p>\n<p>    The USS Ascension is a massive, self-sustaining generation    ship. The journey will take 100 years, so only the children    and grandchildren of the original crew of 600 volunteers will    be alive when they arrive.[7] The story    begins 51 years into their journey (i.e. in the present), as they approach    the point of no return. The action begins    with the mysterious murder of a young woman  the first    homicide since the Ascension was launched.[8] The investigation causes the    ship's crew to question the true nature of their    mission.[9]  <\/p>\n<p>    It is revealed that the Ascension is in fact not a    spaceship and never left Earth; it is actually a psychological    experiment being carried out in a mock spaceship inside a    secret underground facility. The current director of the    project, Dr. Harris Enzmann, is attempting to use the    experiment to evolve a superhuman. This appears to be    successful in the form of Christa, a young girl born onboard    who displays a number of telekinetic powers. Enzmann's mission    is opposed by others in the organization, and the murder sparks    off a series of events that lead to Enzmann's position being    put in jeopardy.[10]  <\/p>\n<p>    To add to his troubles, an onboard accident results in one of    the ship's workers, the prime murder suspect, being ejected    from the \"ship\". He escapes confinement and meets a local    reporter who is investigating the organization, along with the    help of an investigator hired by the organization to solve the    murder.[10]  <\/p>\n<p>    On March 13, 2014, came the official announcement that Syfy had    ordered Ascension as a 6-part miniseries.[25] Syfy billed    Ascension as a \"6-hour event series\".[11]  <\/p>\n<p>    Ascension is an original sci-fi mystery drama created    and written by Philip Levens who serves as executive producer    and showrunner.[26] The    series is produced in Montreal, Quebec, Canada, by Canada-based    Sea to Sky Studios in association    with U.S.-based Blumhouse Productions. It is    co-financed and distributed by U.S.-based Universal Cable Productions    and Canada-based Lionsgate Television.[27]  <\/p>\n<p>    Jason Blum    and Mark Stern are executive producers on the project along    with Ivan    Fecan, Tim Gamble, and Brett Burlock.  <\/p>\n<p>    On April 30, 2014, Syfy announced that Tricia Helfer would star    as Viondra Denninger.[28] On June 3,    2014, Brian Van Holt was announced to star as Captain William    Denninger.[29]  <\/p>\n<p>    On June 24, 2014, Brandon P. Bell, Tiffany Lonsdale, and    Jacqueline Byers were announced to co-star alongside Helfer and    Van Holt, as First Officer Oren Gault, Chief Astronomer Emily    Vanderhaus, and Nora Bryce respectively,[30] and    two days later, Andrea Roth and P.J. Boudousque joined the main    cast as Dr. Juliet Bryce and James Toback respectively.[31]  <\/p>\n<p>    On July 7, 2014, Ryan Robbins joined the main cast[26] as Safety Officer Duke    Vanderhaus,[32] and    two days later, Gil Bellows joined the main cast[26] as Harris Enzmann.[33] Later the same day, Wendy    Crewson was announced to guest star in an as yet unspecified    role (which was ultimately that of Director Katherine    Warren).[32]  <\/p>\n<p>    The series began shooting on July 7, 2014, in Montreal.[18] Canadian director    Stephen Williams directed the    first two episodes.[34]  <\/p>\n<p>    The first promotional teaser-trailer was released on May 15, 2014,    at the 2014 NBCUniversal Cable    Upfront Presentation.[35] The trailer    is available for viewing on the official page of    Ascension on Syfy's website.[11]  <\/p>\n<p>    On July 14, 2014, executive producer and showrunner Phil Levens    and executive producer Jason Blum appeared at the Television Critics    Association (TCA) summer press tour to talk about the new    series bringing along the principal stars of the show, Brian    Van Holt and Tricia Helfer, to field questions from the    ballroom of critics.[36] (see    below: Comments by the    cast and crew)  <\/p>\n<p>    On October 13, 2014, the network announced that instead of    airing as a weekly series for six weeks, Ascension would    air as a three-night \"event\" starting on December 15, 2014,    with two of the six episodes airing each of three consecutive    nights.[5]  <\/p>\n<p>    Although the show was ordered as a miniseries, it could have    potentially run for multiple seasons,[37]    similar to the network's popular series Battlestar    Galactica.  <\/p>\n<p>    On March 10, 2015, Syfy announced that they would not be    producing any further episodes or seasons of the show,    explaining, \"We were very happy with Ascension as an event    series, but with so much high profile development in the works,    we have decided not to pursue a full series.\"[38]  <\/p>\n<p>          Tricia Helfer (top) and Brian Van Holt at NBCUniversal's          2014 Summer TCA Tour on July 14, 2014        <\/p>\n<p>    Upon the official announcement, on March 13, 2014, that Syfy    had picked up the miniseries, Bill McGoldrick, Executive Vice    President of Original Content for Syfy stated: \"Phil Levens has    crafted a bold and surprising spin on the space opera. We are    equally excited to embark on this journey with our partners at    UCP, Sea to Sky, Lionsgate, Jason Blum and his Blumhouse    Productions and also with Mark Stern who shepherded this    project while at Syfy\".[25]  <\/p>\n<p>    On July 14, 2014, at the Television Critics Association summer    press tour, Jason Blum, Tricia Helfer, Philip Levens, and Brian    Van Holt commented on the upcoming show.[36]  <\/p>\n<p>    Executive producer Jason Blum said that:  <\/p>\n<p>      What piqued [his] interest was the originality of EP Philip      Levens' story idea, which was inspired by the Orion military      project under JFK. Levens pointed out that Kennedy squashed      the development of Orion soon after Bay      of Pigs as the military began equipping the spaceship      with weapons. He was terrified that they were turning it into      a Death      Star.[4]    <\/p>\n<p>    About the starship he said that \"it feels like a cruise ship.    Essentially the ship is like a time capsule, another    civilization that continued for 50 years parallel to our    civilization.\"[39] Blum    added that:  <\/p>\n<p>      The people on the ship, only some of their children, but most      of their grandchildren, are the only people who are going to      arrive at this new world. A lot of the people who started on      this ship have died. It's their children, their children's      children, who are going to get to where they're going. And      there are a lot of conflicts going on. Should they turn      around and go back to Earth, which they've lost touch with?      So they have no idea of what Earth even looks like now.      Should they continue? Also there's been a murder on the ship,      which never happened before. So that's kind of what starts      it.[36]    <\/p>\n<p>    Tricia Helfer said about Viondra that her \"manipulative\"    character considers herself the \"mother of the people on the    ship, the mother of humanity in one way if Earth did blow    itself up\".[36]    \"Brian [Van Holt] and I play a married couple and as the wife,    I'm definitely the woman behind the man more than we would see    in our society here on Earth today\", Helfer added.[39] She explained about the    ship's crew that:  <\/p>\n<p>      Their morals and the values that they're dealing with are      still from the '60s. The society on the ship is very      hierarchical and uses genetic linking-arranged marriages,      basically to sustain human life (three generations will be      born during the trip to Proxima). [My] character Viondra      started out on the lower decks but rose through the ranks, as      did her husband. They're a power couple. Viondra will do      anything to stay in power.[8]    <\/p>\n<p>    Creator Philip Levens said that:  <\/p>\n<p>      Ascension will explore how technology has evolved on      the ship and the way morality is still rooted in an early      '60s, pre-Civil Rights Act view [of] humanity. Issues of      class the ship is divided into decks, with people in      positions of power living on the upper ones will also      come into play. There's much more of a sense of obeying your      parents because, you know, for the ship to really work,      everybody has to cooperate. The murder is kind of the      starting of the unravelling, so to speak. And kids start to      question choices made by their grandparents. There's a thing      on board the ship called \"the crisis\". It's this existential      dilemma that everyone has to go through when they realize      that, you know, their life has been circumscribed for them.      You know, everybody they ever know or ever will know is      already around them. So there's lots of issues like that kind      of play [as] a coming of age thing with the kids and their      parents.[36]    <\/p>\n<p>    \"Because the series is set on a ship that is self-contained and    self-sustained, the people have evolved and developed    differently than they would have if they'd remained on Earth.    Not only is the technology different, but they think    differently, too\".[8]  <\/p>\n<p>    Brian Van Holt described his character as \"a man caught in the    middle, aware that his legacy as the ship's 'middle route'    captain won't probably go down in the record books. The one who    launches the ship and the one who lands it will be remembered.    No one in the now will be remembered. So he struggles with    that\".[40] He concluded by saying that    \"he's a very ambitious character who sought out a leadership    role, which was presented to him after an act of heroism on the    ship\".[8]  <\/p>\n<p>    Ascension has been met with mixed reviews from critics.    Rotten    Tomatoes gives the show a rating of 65%, based on 20    reviews, with an average rating of 5.8\/10. The site's critical    consensus states, \"The characters in Ascension lack the    depth that is necessary for its dramatic elements, but its    premise may be smart enough to hold the interest of sci-fi    fans.\"[41] On Metacritic, the show has a score of 56    out of 100, based on reviews from 14 critics, indicating \"mixed    or average reviews\".[42]  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Originally posted here:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/en.wikipedia.org\/wiki\/Ascension_(miniseries)\" title=\"Ascension (miniseries) - Wikipedia\">Ascension (miniseries) - Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Ascension is a 2014 Canadian\/US-American science fiction mystery drama television miniseries which aired on CBC in Canada and Syfy in USA. It consists of six 43 minute episodes. The show was created by Philip Levens and Adrian A.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/ascension\/ascension-miniseries-wikipedia\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187766],"tags":[],"class_list":["post-174090","post","type-post","status-publish","format-standard","hentry","category-ascension"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/174090"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=174090"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/174090\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=174090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=174090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=174090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}