{"id":1126023,"date":"2024-06-13T16:37:43","date_gmt":"2024-06-13T20:37:43","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/meet-kyogu-lee-president-of-supertone-the-voice-cloning-ai-company-acquired-by-hybe-for-32m-music-business-worldwide\/"},"modified":"2024-06-13T16:37:43","modified_gmt":"2024-06-13T20:37:43","slug":"meet-kyogu-lee-president-of-supertone-the-voice-cloning-ai-company-acquired-by-hybe-for-32m-music-business-worldwide","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/cloning\/meet-kyogu-lee-president-of-supertone-the-voice-cloning-ai-company-acquired-by-hybe-for-32m-music-business-worldwide\/","title":{"rendered":"Meet Kyogu Lee, President of Supertone &#8211; the voice cloning AI company acquired by HYBE for $32m &#8211; Music Business Worldwide"},"content":{"rendered":"<p><p>    MBWs World Leaders is a regular series in which we turn the    spotlight toward some of the most influential industry figures    overseeing key international markets. In this feature, we speak    to Kyogu Lee, President of HYBE-owned voice AI company    Supertone. World Leaders is supported    byPPL.  <\/p>\n<p>    AI technology is a big priority for HYBE, the South Korean    entertainment giant behind K-pop superstars BTS.  <\/p>\n<p>    Evidence of that arrived in March when HYBEs CEO Jiwon    Park consented to have his own voice cloned    to demonstrate the capabilities of the companys proprietary AI    on its Q1 investor call.  <\/p>\n<p>    HYBEs so-called voice synthesis technology was developed by    Supertone, the AI voice replication software startup in which    HYBE acquired a majority stake in a    $32 million deal in 2023.  <\/p>\n<p>    Founded in Seoul in 2020, Supertone claims to be able to create    a hyper-realistic and expressive voice that [is not]    distinguishable from real humans.  <\/p>\n<p>    Supertones purported ability to do just that makes the    apparent strategy behind HYBEs multi-million dollar investment    in the technology a lot clearer, when viewed through the lens    of comments shared by HYBE Chairman Bang Si-Hyuk in an    interview with Billboardlast    year.  <\/p>\n<p>    I have long doubted that the entities that create and produce    music will remain human, saidBang Si-Hyuk.  <\/p>\n<p>    I dont know how long human artists can be the only ones to    satisfy human needs and human tastes. And thats becoming a key    factor for my operation and a strategy for HYBE.  <\/p>\n<p>    By acquiring Supertone, HYBE has also brought into the fold the    startups co-founder and President Kyogu Lee,    a widely respected AI expert with a PhD in Computer-Based Music    Theory and Acoustics from Stanford University.  <\/p>\n<p>    In addition to heading up Supertone at HYBE, he leads applied    research at the Artificial Intelligence Institute at Seoul    National University (AIIS) and is also in charge of the Music    and Audio Research Group (MARG) atSNU.  <\/p>\n<p>    Lee claims in our exclusive and in-depth interview below that    Supertone stands out in the AI audio landscape today because it    is theoretically capable of creating an infinite number of new    and original voices, as well as recreating existing voices.  <\/p>\n<p>    This is made possible by Supertones foundation model called    NANSY  which stands for Neural Analysis &    Synthesis  and which Lee explains serves as the backbone of    Supertones speech synthesis technologies. You can read the    research paper for NANSY, here.  <\/p>\n<p>    NANSY has the special ability to divide and re-assemble voice    components  timbre, linguistics, pitch, and loudness     individually and independently, generating natural-sounding    voices with unparalleled realism, he adds,    (bolding MBWs).  <\/p>\n<p>    Supertones AI vocal cloning tech first generated global media    attention in January 2021 when it resurrected the voice of    South Korean folk superstar Kim Kwang-seok to    be played on Korean television show Competition of the    Century: AI vs Human.  <\/p>\n<p>    More recently, Supertone made headlines globally after    recreating the voice of Kim Hyuk Gun, the vocalist of the    popular Korean band The Cross, who was paralyzed in an    accident. We collected 20 years of his voice data since debut    and used it to train an AI voice in his unique vocal style,    explains Lee.  <\/p>\n<p>    HYBE also showcased the possibilities of what it can do with    Supertones technology when it     released a new    singlecalledMasquerade from HYBE    artist MIDNATT (aka Lee Hyun)last year. It was claimed    byHYBE at the time to be the first-ever    multilingual track produced in Korean, English, Japanese,    Chinese, Spanish and Vietnamese.  <\/p>\n<p>    In an increasingly global (yet localized) world, and amid    the worldwide explosion of genres from K-Pop and J-Pop to    Afrobeats and Spanish-language music, the opportunities    presented by this use case of Supertones tech alone will    likely have piqued the interest of music industry leaders    worldwide.  <\/p>\n<p>    Using this tech, a superstar artist  think Taylor Swift,    Billie Eilish or The Weeknd  could release a new single in    multiple languages in their actual voice on the same day.  <\/p>\n<p>    According to Lee: Supertones multilingual pronunciation    correction technology unlocks new avenues for artists to    communicate with local fans in their native language, reaching    out to the global market.  <\/p>\n<p>    He adds: We hope this collaboration will establish a    constructive precedent for AI technology supporting artists in    overcoming language barriers to connect with global fans and    broaden their musical spectrum.  <\/p>\n<p>    MBW has previously asked if    the companys newly acquired AI technology could ever be used    to recreate the voices of superstar HYBE artists like BTS for    projects that dont require the groups in-person    participation, for example, while theyre serving in the    military.  <\/p>\n<p>    MBW readers who have been following our coverage of HYBEs    financial performance over the years will recall that its    Artist Indirect-Involvement business line    revenue-generating projects that use an artists    brand\/likeness, without the actual artist needing to be    involved  became the companys primary revenue driver in    2020 in the absence of live shows during the    pandemic.  <\/p>\n<p>    In FY 2021, a year in which HYBE revenues surpassed $1    billion in revenues for the first time, the companys    biggest organic revenue driver was, once gain, its Artist    Indirect business, accounting for more than    60% of the companys revenues.  <\/p>\n<p>    This Artist Indirect-Involvement business was only overtaken    by the companys ArtistDirect Involvement    business line in Q1 2022.  <\/p>\n<p>    We asked Supertones President the same question: Will its tech    ever be used to recreate the voices of superstars like BTS?  <\/p>\n<p>      While Supertone is theoretically capable of creating      an infinite number of new and original voices, as well as      recreating existing voices, we are devoted to prioritizing      the rights of all artists and creators, including those under      HYBE.    <\/p>\n<p>      Kyogu Lee    <\/p>\n<p>    He tells us that, while Supertone is theoretically capable of    creating an infinite number of new and original voices, as well    as recreating existing voices, we are devoted to prioritizing    the rights of all artists and creators, including those under    HYBE.  <\/p>\n<p>    He adds: Our focus with HYBE artists lies in facilitating    seamless communication and interaction with global audiences,    transcending all barriers, including language and geography.  <\/p>\n<p>    Lee notes that HYBE is currently working on AI-dubbing some of    its artists voices into foreign languages for parts of their    video content, for example TOMORROW X TOGETHERs ACT: SWEET    MIRAGE concert video, where the members comments were    dubbed into Spanish using Supertones technology.  <\/p>\n<p>    One of Supertones latest advancements is a real-time vocal    changer called Supertone Shift that lets    users switch between voices from a library of ten predefined    voices. Users can then customize their chosen voice by    adjusting the pitch, reverb and other effects.  <\/p>\n<p>    Apart from the obvious production-related uses for this tool,    the real-time capabilities could make it equally useful in a    live setting. Just picture it: An artist could sing live on    stage, and via multiple different AI-assisted voices, all    switched in real-time.  <\/p>\n<p>    Lee tells us that Supertone Shift has already hit 70,000    downloads and 30,000 monthly active users in just over two    months since its beta launch.  <\/p>\n<p>    The demand for expressing alter-egos has surged, adds Lee.  <\/p>\n<p>    Beyond music, Lee says that he envisions Supertone Shift as    the ultimate creative tool for a diverse range of content    creators, including VTubers, livestreamers, podcasters, and    gamers, enhancing the versatility and quality of their    outputs.  <\/p>\n<p>    HYBEs investment in Supertone arrived ahead of the current    explosion of AI tech in the music industry and the wave of    challenges it has brought with it. There are concerns about the    source and legality of the training data used by many of the    prominent AI music generators on the market today.  <\/p>\n<p>    Music industry leaders have also raised the alarm about music    streaming services and social media platforms being flooded    with AI-generated songs. Some songwriters and artists,    meanwhile, are worried about the threat of AI tools to their    livelihoods.  <\/p>\n<p>    According to Lee, AIs future contribution to the music    industry will lie in expanding the creativity and imagination    of creators and artists rather than replacing creators and    creativity altogether.  <\/p>\n<p>    Music, devoid of a storyteller  the artist  lacks the    essential connection between storyteller (artist), story    (music), and listener (fan), which leads me to believe that    AI-generated music created without artist input may not    endure, he says.  <\/p>\n<p>    Meanwhile, for Supertone, Lee says that the HYBE subsidiary is    focusing on evolving into a consumer-facing company this year,    by offering what he calls artistic intelligence with    its suite of AI tools for creators.  <\/p>\n<p>    By providing convenient services that are universally    accessible and applicable across diverse content fields, we aim    to reduce creative barriers for professionals and individuals    alike, says Lee.  <\/p>\n<p>    Here, Supertones President and HYBEs resident AI expert,    Kyogu Lee, tells us more about his companys tech, and his    predictions for AI in the music business  <\/p>\n<p>    Voices created through Supertones technology can be used in    various areas, including acting and singing due to its rich    expressions, which has reached new heights through our recent    technological advancement to generate them in real-time.    Moreover, fully equipped with our R&D lab, Content Business    Development department, and in-house studio, Supertone    transcends the scopes of a technology provider; it serves as a    gateway to elevated content, offering new possibilities for    content partners spanning music, broadcasting, movies, games,    and beyond. We strive to add value to the content industry by    amplifying creators artistic expression to produce more    engaging content, and by introducing innovative voices to    create new forms of content.  <\/p>\n<p>      As we continue to collaborate with the creative industry,      Supertones value is being appreciated across a wide range of      content domains.    <\/p>\n<p>    Notable achievements include our contribution to the Netflix    series MASK GIRL released in August, 2023, where    Supertones multi-speaker voice morphing technology brought to    life the main character Kim Mo-mis alternative persona as an    online streamer by producing a unique third voice from fusing    voice tones of two actresses who played the character.  <\/p>\n<p>    Additionally, in the Disney+ 2022 hit series Big Bet,    Supertone utilized its voice De-aging technology, the    industrys first attempt, to rejuvenate veteran actor Choi    Min-siks voice for his character who was in his 30s. As we    continue to collaborate with the creative industry, Supertones    value is being appreciated across a wide range of content    domains.  <\/p>\n<p>    Kim Kwang-seok is a legendary singer cherished by Korean people    with deep connections and affection, so we approached the    project with utmost respect.  <\/p>\n<p>    Although we were cautious given the unfamiliarity of voices    created with SVS technology at that time, we had confidence in    our ability to authentically resurrect his voice, leveraging    Supertones forte in creating expressive voices that could    deliver emotions and meanings through singing or speech.  <\/p>\n<p>    Thankfully, the music industry and fans embraced the result    with delight and gratitude. For the public, it provided a    chance to observe new possibilities in the content realm, as AI    reignited their nostalgia. Hearing Kims recreated voice, Kim    Sang-wook, a prominent Korean scientist, responded, I hope    this serves as an opportunity to explore AI and contemplate its    coexistence with humanity. Im grateful it succeeded in its    goal of evoking memories and ultimately resonating with fans as    intended.  <\/p>\n<p>    Supertone initially engaged with HYBE [formerly Big Hit    Entertainment] in the first half of 2020. During this period,    Supertones singing synthesis technology was gaining attention,    and the late Kim Kwang-seoks project sparked interest from the    entertainment industry, including HYBE, marking the beginning    of our interaction.  <\/p>\n<p>      HYBE had long been at the forefront of pioneering and      advancing technological innovation in the entertainment      sector.    <\/p>\n<p>    HYBE had long been at the forefront of pioneering and advancing    technological innovation in the entertainment sector. They    recognized the promising trajectory of Supertones technology,    including the innovative singing synthesis technology, which we    both trusted would be suitable for the music industry.    Concurrently, Supertone was firmly convinced of boundless    possibilities and synergies that would arise from combining our    technology with HYBEs global intellectual property (IP) and    established production capabilities, which resulted in this    partnership.  <\/p>\n<p>    Acquired by HYBE in January 2023, Supertone contributes to    HYBEs commitment to providing new avenues for content and fan    experiences through solution businesses that leverage artists    intellectual property (IP). Were currently in the process of    running pilot projects across HYBEs various business areas,    networks, and partnerships to advance Supertones technology    and explore applications that can support and assist artists.    Our technology can be utilized as a useful creative tool for    some artists like MIDNATT who seek to experience new musical    endeavors beyond technological limitations.  <\/p>\n<p>      Supertone contributes to HYBEs commitment to providing new      avenues for content and fan experiences through solution      businesses that leverage artists intellectual property.    <\/p>\n<p>    Additionally, it can enhance content immersion by integrating    natural and expressive voice synthesis technology, as    exemplified by Weverse Magazines Read-Aloud feature.  <\/p>\n<p>    Were continuously discussing various business opportunities    internally to innovate the possibilities of content creation.  <\/p>\n<p>    MIDNATT project marks the first occasion where Supertone    collaborated with an already existing artist to deliver more    immersive and accessible music to fans worldwide. Following the    release of his track Masquerade, we monitored a    significant amount of positive responses from fans in various    languages.  <\/p>\n<p>    Some expressed how hearing their beloved artists in their    native tongue and instantly comprehending the lyrics moved them    like never before.  <\/p>\n<p>    It was immensely gratifying and rewarding that they understood    the intention and sincerity behind [the project].  <\/p>\n<p>    Supertones extensive research into real-time AI voice    conversion traces back to 2021, triggered by a conversation    with an artist I met through a TV show. Despite being a beloved    artist for a long time, he expressed regret over his voices    inherent limitations in manifesting a wider range of    expressions.  <\/p>\n<p>    This made me realize that not only ordinary individuals like us    but also those who captivate the public with beautiful voices    desired to exert new vocal expressions.  <\/p>\n<p>    Focusing on achieving real-time conversion of    conversation-level voices, we showcased our initial project,    then called NUVO, at the 2022 CES, where it won the Innovation    Award. Later, we further refined the technology to a level    suitable for live stages. This was demonstrated in 2023 when    MIDNATT seamlessly transitioned between his vocal and a female    vocal during a live performance. Achieving imperceptible    latency prompted us to recognize the needs of real-time content    creators, leading to the development of Supertone Shift.  <\/p>\n<p>    We are fully aware of the controversy associated with AI    technologies. Above all, whats crucial is to ensure that an    artists creative intentions are conveyed, and that AI    technologies are used as a catalyst for human creativity. It is    our firm belief that we can only change perceptions by    showcasing exemplary cases of how technology can assist artists    and creators by collaborating closely with them. Creating    meaningful content based on technology cannot happevn without    inspiration and ideas that originate from creators.  <\/p>\n<p>      We are fully aware of the controversy associated with AI      technologies.    <\/p>\n<p>    Recently, Supertone recreated the voice of Kim Hyuk Gun, the    vocalist of the Korean band The Cross. After performing The    Crosss music on a live stage together with the AI voice, Kim    expressed his appreciation, saying, Thanks to the assistance    of AI, he was able to successfully deliver a live performance    despite his challenging conditions.  <\/p>\n<p>    As showcased in this example, Supertone is constantly searching    for ways to assist artists in overcoming creative barriers    caused by physical or technological limitations.  <\/p>\n<p>    However, we are often amazed by the innovative ideas and    unexpected applications proposed by the artists and creators we    collaborate with. Ultimately, I believe technology evolves in a    mutually beneficial manner through ongoing interaction and    engagement with artists and creators.  <\/p>\n<p>    AI is being utilized throughout the entire process of creating,    producing, distributing, and consuming music. Perhaps the most    affected aspect of this is the creative process. However, I am    personally skeptical if we can call this music produced solely    from AI the evolution of music.  <\/p>\n<p>      I am personally skeptical if we can call this music produced      solely from AI the evolution of music.    <\/p>\n<p>    To explain the reason behind this, we need to talk about the    essence of music, which I believe is storytelling  the    fundamental purpose of all creative works and content.  <\/p>\n<p>    Artists aspire to convey their intended story through the    creative process, and various formats and genres of content    have developed to maximize the effectiveness of their    storytelling.  <\/p>\n<p>    First and foremost, I believe establishing social consensus    should be prioritized, one which will provide guidelines for    identifying and addressing potential risks and issues caused by    synthesized voices created without consent. This will mandate    the AI industry to equip itself with the capability and    readiness to respond to these issues.  <\/p>\n<p>      We do not monetize on a voice without the permission of its      rightful owner, under any circumstances.    <\/p>\n<p>    Since its establishment, Supertone has adhered to the    philosophy of developing products and conducting business in a    manner that respects the intentions of creators. We also    continue to enhance ethical guidelines and technological    safeguards to prevent the abuse and misuse of AI technology.    Supertone possesses watermark technology capable of detecting    voices created by Supertone, and we have additionally initiated    advanced research and development in this technology since    April. In addition, we are actively cooperating to establish    legal and institutional frameworks through continuous    communication and interaction with relevant industries and    policymakers. Throughout our endeavors, we will always    prioritize the needs of creators and fans, striving to develop    and apply relatable and coexistent technologies.  <\/p>\n<p>    Supertone upholds the following three principles for    responsible and ethical use of AI:  <\/p>\n<p>    Supertone aspires to be the foremost choice by creators    worldwide who seek solutions and services to produce voice    content effectively and efficiently. We aim to imprint the    equation #1 Voice AI Tech Provider = Supertone in the minds    of all creators and potential customers globally.  <\/p>\n<p>    As technology advances to facilitate music production and    distribution, overproduction and oversaturation emerge as    significant challenges.  <\/p>\n<p>    The democratization of music production, fueled by advancements    in creation and production technologies, has empowered numerous    non-professionals to create music effortlessly.  <\/p>\n<p>      As technology advances to facilitate music production and      distribution, overproduction and oversaturation emerge as      significant challenges.    <\/p>\n<p>    Moreover, the widespread accessibility of the internet and    various platforms has enabled global distribution of music.  <\/p>\n<p>    This inundates listeners with an overwhelming amount of music    on an increasingly larger scale, making it difficult for them    to discover and explore music that aligns with their    preferences. Addressing this challenge will require the    development of systems or methodologies capable of identifying    and delivering hidden, high-quality music to listeners.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View post: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.musicbusinessworldwide.com\/meet-kyogu-lee-president-of-supertone-the-voice-cloning-ai-company-acquired-by-hybe-for-32m\/\" title=\"Meet Kyogu Lee, President of Supertone - the voice cloning AI company acquired by HYBE for $32m - Music Business Worldwide\">Meet Kyogu Lee, President of Supertone - the voice cloning AI company acquired by HYBE for $32m - Music Business Worldwide<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> MBWs World Leaders is a regular series in which we turn the spotlight toward some of the most influential industry figures overseeing key international markets. In this feature, we speak to Kyogu Lee, President of HYBE-owned voice AI company Supertone.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/cloning\/meet-kyogu-lee-president-of-supertone-the-voice-cloning-ai-company-acquired-by-hybe-for-32m-music-business-worldwide\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187749],"tags":[],"class_list":["post-1126023","post","type-post","status-publish","format-standard","hentry","category-cloning"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1126023"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1126023"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1126023\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1126023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1126023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1126023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}