{"id":1122955,"date":"2024-03-12T01:58:31","date_gmt":"2024-03-12T05:58:31","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/have-the-liberal-arts-gone-conservative-the-new-yorker\/"},"modified":"2024-03-12T01:58:31","modified_gmt":"2024-03-12T05:58:31","slug":"have-the-liberal-arts-gone-conservative-the-new-yorker","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/liberal\/have-the-liberal-arts-gone-conservative-the-new-yorker\/","title":{"rendered":"Have the Liberal Arts Gone Conservative? &#8211; The New Yorker"},"content":{"rendered":"<p><p>    The first thing you notice when walking into the middle-school    classrooms at Brilla, a charter-school network in the South    Bronx, is the sense of calm. No phones are out. The students    are quietnot in the beaten-down way of those under    authoritarian rule but in the way of those who seem genuinely    interested in their work. Sixth graders participate in a    multiday art project after studying great painters such as    Matisse. Seventh graders prepare to debate whether parents    should be punished for the crimes of their minor children.    Another group of sixth graders, each holding a violin or a    cello, read out notes from sheet music. A teacher cues them to    play the lines pizzicato, and they pluck their strings in    unison.  <\/p>\n<p>    Brilla is part of the classical-education movement, a    fast-growing effort to fundamentally reorient schooling in    America. Classical schools offer a traditional liberal-arts    education, often focussing on the Western canon and the study    of citizenship. The classical approach, which prioritizes some    ways of teaching that have been around for more than two    thousand years, is radically different from that of public    schools, where what kids learnand how they learn itvaries    wildly by district, school, and even classroom.  <\/p>\n<p>    In many public schools, kids learn to read by guessing words    using context clues, rather than by decoding the sounds of    letters. In most classical schools, phonics reign, and students    learn grammar by diagramming sentences. Some public schools    have moved away from techniques like memorization, which    education scholars knock as rote learning or drill and    killthe thing thats killed being a childs desire to learn.    In contrast, classical schools prize memory work, asking    students to internalize math formulas and recite poems. And    then theres literature: one New York City public-high-school    reading list includes graphic novels, Michelle Obamas memoir,    and a coming-of-age book about identity featuring characters    named Aristotle and Dante. In classical schools, high-school    students read Aristotle and Dante.  <\/p>\n<p>    Classical education has historically been promoted by religious    institutions and expensive prep schools. (Many classical    schools have adopted the Harkness method, pioneered by Phillips    Exeter Academy, in which students and teachers collectively    work through material via open discussion.) More recently,    powerful investors have seen its potential for cultivating    academic excellence in underserved populations: the Charter    School Growth Fund, a nonprofit whose investors include the    Bill & Melinda Gates Foundation and Bloomberg Philanthropies,    has put millions of dollars into classical schools and    networks.  <\/p>\n<p>    Republican politicians have also smelled opportunity in the    movement, billing its traditionalism as an antidote to    public-school wokeism. Ron DeSantis, the governor of Florida,    has railed against a concerted effort to inject this gender    ideology into public-school classrooms, and has celebrated the    influx of classical schools in his state. Tennessees governor,    Bill Lee, proposed launching up to a hundred classical charter    schools statewide, touting their mission to preserve American    liberty. As more conservatives have flocked to classical    education, progressive academics have issued warnings about the    movement, characterizing it as a fundamentally Christian    project that doesnt include or reflect the many kids in    America who arent white, or who have roots outside this    country. The education scholar and activist Diane Ravitch    recently wrote that classical charters have become weapons of    the Right as they seek to destroy democratically governed    public schools while turning back the clock of education and    social progress by a century.  <\/p>\n<p>    Stephanie Saroki de Garcia, who co-founded Brilla, acknowledged    that classical education is often seen as a white childs    education. This is partly because of the curriculum: Youre    talking about teaching the canon and mainly white, male    authors, she said. Its also because these schools have been    embraced by white Republicans who have the resources to keep    their children out of the local school system. And yet Brilla    is not rich, or white, or discernibly right-wing. Many students    are English-language learners and immigrants, from Central    America and West Africa. According to Brillas leaders, nearly    ninety per cent of their students meet the federal requirements    for free or reduced-price lunches. Saroki de Garcia    purposefully opened the first Brilla school in the poorest    neighborhood of the Bronx, which has a large population of    Latino Catholics. (Brilla is secular, but it offers a free    Catholic after-school program.) The students I met were nerdy    and earnest, and far from young reactionaries. Angelina and    Fatumata, two eighth graders, told me that they started a book    club to read about racism in America; one recent pick was    Passing, the 1929 novel by Nella Larsen, set in the Harlem    Renaissance. Brillas leaders intentionally take a wide view of    the canon, and of which texts are valuable to study. We try to    make that connection for our students, who are mostly Black and    Hispanic, with faces they can see themselves in, Will Scott,    the principal of one of Brillas middle schools, said.  <\/p>\n<p>    Brillas administrators were careful to note that the network    isnt classical but, rather, classically inspired. This    distinction is partly practical. Although teachers invoke Latin    root words when theyre teaching kids English, for example,    students dont take Latin as a subject. But it also seemed like    the schools leaders wanted to put some distance between    themselves and the broader classical-education movement. If we    say classical school, that has a connotation, Scott said.    Still, its telling that the schools have found traction by    marketing themselves as classically inspired in the South    Bronx, where voters overwhelmingly prefer Democrats and the    college-graduation rate is among the lowest in New York City.    During the lead-up to Brillas launch, in 2013, volunteers    posted up outside a local McDonalds to pitch families on    enrolling. We billed it as, This is what the lite get,    Saroki de Garcia told me.  <\/p>\n<p>    Everyone I met at Brilla seemed aware that their school is an    implicit rejection of traditional public schools, but not in    the way one might expect. Although Americas public-school wars    are often depicted as fights over race and gender ideology,    there are also a lot of parents who think their local schools    just arent very good. Brillas two middle schools are in New    York Citys School District 7, where, last year, less than a    third of sixth graders were proficient in math or in reading    and writing. Angelina, a recent immigrant from St. Croix, said    that most of her friends go to a public school, and they talk    really poorly about their school. Fatumata added that they    dont have what we have, such as Algebra I classes for middle    schoolers. The schools around us are, frankly, failing,    Scott, the principal, told me.  <\/p>\n<p>    There are many charter schools that aim to address the problem    of low achievement, often through an obsessive focus on test    scores and discipline. Brilla cares about both of these things,    but what sets it apart is its mission. Classical education is    premised on the idea that there is objective truth, and that    the purpose of school is to set kids on a path toward    understanding it. This principle is often framed in    philosophical shorthandclassical educators love talking about    truth, beauty, and goodness, which can sound like a woo-woo    catchphrase to the uninitiatedand its paired with an emphasis    on morality and ethics. Brilla students attend a    character-education class every morning, where they talk about    how to live out the different virtues reflected in the texts    they read. As Alexandra Apfel, an assistant superintendent for    Brillas middle schools, said, Were building students that    are not just going to be academic robots but moms and dads    someday.  <\/p>\n<p>    In 1947, Dorothy Sayers, a motorcycle-riding Anglican crime    writer, delivered a paper at Oxford titled The Lost Tools of    Learning, in which she bemoaned the state of education. Do    you ever find that young people, when they have left school,    not only forget most of what they have learnt (that is only to    be expected) but forget also, or betray that they have never    really known, how to tackle a new subject for themselves?    Young people do not know how to think, she argued, because    theyve never been taught. They may have been introduced to    subjects, but not to what it means to learn.  <\/p>\n<p>    In the face of this contemporary problem, Sayers proposed an    ancient solution: the revival of a medieval teaching format    called the trivium, which divided learning into three    stagesgrammar, dialectic, and rhetoric. The first stage is    about mastering basic skills and facts; the second teaches    students to argue and to think critically about those facts. By    the third stage, theyre ready to express themselves in essays    and oration. This model of education, cultivated by Renaissance    thinkers and the Catholic Church alike, was common among    European lites for centuries.  <\/p>\n<p>                              Cartoon by Roz Chast        <\/p>\n<p>    Sayerss essay built on a long-standing debate about whether    this kind of education made sense in a rapidly changing,    industrialized world. Classical-education advocates often point    to John Dewey, the early-twentieth-century progressive    reformer, as the bte noire who marginalized their preferred    form of schooling: There was a war going on between the    progressive and the classical educators, and the progressives    won in a rout, Andrew Kern, the founder of the Center for    Independent Research on Classical Education, told me. Although    this story is perhaps overly simplistic, Johann Neem, a    historian at Western Washington University, said, its true    that Dewey and other progressives thought that the old ways of    education were inadequate for modern students. These    progressive reformers planted the seeds of two trends. The    first was shifting the focus of school toward appealing to the    interests of the child, rather than transmitting ancient    knowledge and wisdom, which these reformers considered litist.    (Academic and scholastic, instead of being titles of honor,    are becoming terms of reproach, Dewey wrote.) The second was a    utilitarian impulsesome scholars thought that the purpose of    education was to train workers. They did not believe that every    student needed to read Plato.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Follow this link: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.newyorker.com\/magazine\/2024\/03\/18\/have-the-liberal-arts-gone-conservative\" title=\"Have the Liberal Arts Gone Conservative? - The New Yorker\">Have the Liberal Arts Gone Conservative? - The New Yorker<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The first thing you notice when walking into the middle-school classrooms at Brilla, a charter-school network in the South Bronx, is the sense of calm. No phones are out.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/liberal\/have-the-liberal-arts-gone-conservative-the-new-yorker\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187824],"tags":[],"class_list":["post-1122955","post","type-post","status-publish","format-standard","hentry","category-liberal"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1122955"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1122955"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1122955\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1122955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1122955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1122955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}