It took eight years for Guadeloupean native Malaury Eloi Paisley to complete her first feature, LHomme Vertige: Tales of a City, which premieres in Berlins Forum. In this debut documentary about her home city Point--Pitre, Paisley depicts the unvarnished and often harsh realities of isolated living in the French Carribean island. <\/p>\n
In LHomme Vertige, Paisley follows the life of lonely and largely impoverished individuals who wander the city, interrogating them on their views on life, human connection and the island, with the backdrop of the concrete and contaminated landscape of the inner city. For Paisley, all the people in the film represent a shared unspoken human experience. No one is a stranger, we all embody a similar history. More importantly, I wanted to show that these people are not just victims of a system but have insight into the reality of society and what it means to be free. Its a simulation between the characters and the city. Throughout the documentary, Paisley also focuses on the barren and demolished infrastructure on the island, no beach in sight till the end, to demonstrate the isolation and confinement I felt growing up here. <\/p>\n
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Paisley, who never thought of becoming a filmaker, originally trained in fine arts at Paris Sorbonne University. So making LHomme Vertige came as a form of salvation when she returned to Guadeloupe after three years of travel. As an artist, I felt I will never be able to make it on my own on the island, there was no art center, no conservatory, the idea of going back felt kind of melancholic, she says. <\/p>\n
It was never in her plans to return to the island. However, when Paisley found that the French filmmaking workshop Ateliers Varan was being conducted in Guadeloupe in 2016, she decied to go back. It was at this workshop, with encouragemnt from directing mentors Alice Diop (Saint Omer) and Sylvaine Dampierre (Paroles de ngres), that she began experimenting with ideas of Guadeloupes complex colonial present, loneliness and how humans, the built environment and nature interact in the visual form. <\/p>\n
After my travels to New Zealand, New Caledonia and South Asia, I became even more pessimissitic about the impacts of colonialism that I had seen growing up and realized I couldnt see the world from a lens where I didnt see that sense of domination, especially in Guadeloupe, where the French control is very strong, says Paisley. I wanted to explore the confinement this history created as well as reconcile the different versions of loneliness in the city, which I do in this film. <\/p>\n
The short Paisley produced at Atelier Varan, Chanzy Blues, led to one of the jurors ultimately helping her produce it into a full-length feature that became LHomme Vertige. <\/p>\n
With the films selection at Berlin, Paisley says, its such a great honor to be able to show this piece of my island in the Caribbean, to filmmakers I admire but also expose it to some people that I feel dont even know that we are out of here. I hope they see the universal essence in the characters. <\/p>\n
For her next project, Paisley hopes to continue exploring solitude in Guadeloupe, but in relation to local island artists. She also hopes to pursue a film on her paternal Indian heritage and the colonial story of Indian arrival in the island. <\/p>\n
Paisley looks forward to her coming ventures. Now that I have a taste of filmmaking, I have more ideas for cinema with a poetic vision, she says. <\/p>\n
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Director Malaury Eloi-Paisley on Her Debut Documentary 'L'Homme Vertige,' and the Unvarnished Reality of ... - Yahoo Entertainment<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" It took eight years for Guadeloupean native Malaury Eloi Paisley to complete her first feature, LHomme Vertige: Tales of a City, which premieres in Berlins Forum. In this debut documentary about her home city Point--Pitre, Paisley depicts the unvarnished and often harsh realities of isolated living in the French Carribean island. In LHomme Vertige, Paisley follows the life of lonely and largely impoverished individuals who wander the city, interrogating them on their views on life, human connection and the island, with the backdrop of the concrete and contaminated landscape of the inner city. Continue reading