{"id":1121702,"date":"2024-02-01T22:31:24","date_gmt":"2024-02-02T03:31:24","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/the-art-of-seeingstates-of-astronomy-announcements-e-flux\/"},"modified":"2024-02-01T22:31:24","modified_gmt":"2024-02-02T03:31:24","slug":"the-art-of-seeingstates-of-astronomy-announcements-e-flux","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/astronomy\/the-art-of-seeingstates-of-astronomy-announcements-e-flux\/","title":{"rendered":"The Art of SeeingStates of Astronomy &#8211; Announcements &#8211; E-Flux"},"content":{"rendered":"<p><p>    The Georgian Pavilion at the 60th Venice Biennaleis happy    to present Art of SeeingStates of Astronomy, a    collaborative project presented by a team of Georgian and    French curators and artists.  <\/p>\n<p>    The Art of SeeingStates of Astronomyshowcases    65 Maximiliana or the Illegal Practice of Astronomy, a    1964 work by Georgian artist, poet and editor Ilia    Zdanevich (18941975) and Max Ernst    (18911976), along with its related archives. The art book is    dedicated to Wilhelm Ernst Tempel (18211889),    a German astronomer and lithographer, known for his    unconventional, sensual approach to astronomy, who was    overlooked by contemporaries due to his lack of academic    training.  <\/p>\n<p>    Zdanevich traced his own history back to    Tbilisi, where his publishing house, named 41 degrees after    the latitude Tbilisi shares with Rome, Madrid, New York and    other cities, promoted a futurist poetic language known as    ZAUM. He adopted the name Iliazd soon after emigrating to    Paris in 1921 and brought out several major books, including    Maximiliana, a landmark project that spans four    countries and three languages, merging poetry and astronomy to    highlight the experience of exiles in both physical and    metaphysical senses.  <\/p>\n<p>    In this context, the exhibition held at Palazzo Palumbo    Fossati aligns with the theme of the current Venice    Biennale, Foreigners Everywhere. It spins around    Maximiliana, along with materials from    Iliazds archive, that document Iliazds    journey to Venice and Marseille and his persistent efforts to    recover Wilhelm Ernst Tempels biography.  <\/p>\n<p>    In response to the Venice Biennales programme Global    Modernisms, curator Julia Marchand (France)    and research curator Davit Koroshinadze    (Georgia) have crafted an original concept for a living    archive, initiating the audience to Iliazds experiments, who    brought his ideas from the Global South and transformed it into    a cosmopolitan discourse. Maximiliana remains a    perfect example of how, through typography and painting, the    language of the cosmos was brought to life. French artists    Rodrigue De Ferluc and Juliette    George have created unique furniture inspired by    Iliazds typography in Maximiliana to    establish a visual and spatial identity for the exhibition.    Georgian artist Nika Koplatadze reinterprets    Maximiliana through a contemporary art lens in a    series of artistic books informed by his readings of star maps    and other cosmic matters. In addition, Grigol    Nodias video art, titled Lonely    Planet,turns the theme of migration into a broader,    cosmic exile in search of the other and eros.  <\/p>\n<p>    Wilhelm Ernst Tempels lithographs from the    Arcetri Observatory Archives, included in the exhibition,    provide a unique context for understanding the history behind    Maximiliana and Iliazds journey.  <\/p>\n<p>    Artists: Nikoloz Koplatadze, Grigol Nodia,    Juliette George, Rodrigue De Ferluc, Iliazd, Max Ernst, Wilhelm    Ernst Tempel    Curator: Julia Marchand    Research curator: Davit Koroshinadze    Commissioner: Magda Guruli    Institution: Art-Villa Garikula    Project Manager: Ana Jorjiashvili    Furniture Production: Collaboration with    Interior Designer Nestan De Limur    Graphic Designer: Fabien Chaminade    Set Designer: Levan Mekhuzla    Composer: Ben Wheeler    Film Producer & Production Designer: Lasha    Zambakhidze  <\/p>\n<p>    With the support of The Ministry of Culture and Sport    of Georgia.  <\/p>\n<p>        Press contacts    International press enquiries: Nadia Fatnassi,nadia    [at] closeencounters.fr,T +33 652 086 908    Italian press enquiries: Virginia Cucchi,virginiacucchi.com    [at] gmail.com, T +39 333 4360901  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>The rest is here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.e-flux.com\/announcements\/586766\/the-art-of-seeing-states-of-astronomy\" title=\"The Art of SeeingStates of Astronomy - Announcements - E-Flux\">The Art of SeeingStates of Astronomy - Announcements - E-Flux<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> The Georgian Pavilion at the 60th Venice Biennaleis happy to present Art of SeeingStates of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists. The Art of SeeingStates of Astronomyshowcases 65 Maximiliana or the Illegal Practice of Astronomy, a 1964 work by Georgian artist, poet and editor Ilia Zdanevich (18941975) and Max Ernst (18911976), along with its related archives <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/astronomy\/the-art-of-seeingstates-of-astronomy-announcements-e-flux\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[257798],"tags":[],"class_list":["post-1121702","post","type-post","status-publish","format-standard","hentry","category-astronomy"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1121702"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1121702"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1121702\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1121702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1121702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1121702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}