{"id":1119736,"date":"2023-11-30T20:35:46","date_gmt":"2023-12-01T01:35:46","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/the-25-best-new-movies-streaming-in-november-2023-thewrap\/"},"modified":"2023-11-30T20:35:46","modified_gmt":"2023-12-01T01:35:46","slug":"the-25-best-new-movies-streaming-in-november-2023-thewrap","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/the-25-best-new-movies-streaming-in-november-2023-thewrap\/","title":{"rendered":"The 25 Best New Movies Streaming in November 2023 &#8211; TheWrap"},"content":{"rendered":"<p><p>    November has arrived, and with it a bevy of exciting, engaging    and fresh new movies to stream on your friendly neighborhood    streaming service. As fall is in full swing, the tone and tenor    of new movies is starting to shift in a more dramatic direction    while studios begin to trot out their awards contenders. A few    of those arrive this month, including true stories Nyad and Rustin, but its not all serious    business  the Awkwafina\/Sandra Oh comedy Quiz Lady and David    Finchers take on a B-movie The Killer both arrive this month    as well.  <\/p>\n<p>    And thats not to mention the cornucopia of library titles that    are newly streaming this month, including a host of Christmas    classics. Whether its Netflix, Prime Video, Max, Hulu, Peacock,    Paramount+ or Disney+, weve got you covered with our curated    selection of the best new movies streaming in November 2023    below.  <\/p>\n<p>    Netflix  Nov. 1  <\/p>\n<p>    One of the definitive films of the 21st century, David    Finchers The Social Network feels more relevant each and    every day. The film chronicles the origins of Facebook through    the eyes of Mark Zuckerberg (Jesse Eisenberg) and his college    friend Eduardo Saverin (Andrew Garfield), covering the ups and    downs of those early years and the Machiavellian maneuvering    that saw Eduardo shoved out of the company he helped create. A    perfect marriage of writer and director, Aaron Sorkins    Oscar-winning screenplay is full of wit and vigor while Fincher    brings a meticulous touch with a wry undercurrent of cynicism    that would ultimately prove more tame than people knew. And did    we mention the Oscar-winning score by Trent Reznor and Atticus    Ross?  Adam Chitwood  <\/p>\n<p>    Netflix  Nov. 1  <\/p>\n<p>    Filmmaker Robert Rodriguez became a household name with his    second feature, 1995s Desperado. A continuation\/remake of    his first film, El Mariachi, which was famously made for a    little over $7,000 after Rodriguez volunteered for a medical    experiment. (He was fine!) Impressed by the success of El    Mariachi, originally intended for the direct-to-video market    but given a theatrical release by Columbia, the studio signed    Rodriguez for a really-for-real movie. And what a movie it is!    Antonio Banderas stars as the titular desperado, a mythical    mariachi with a guitar case full of weapons, who is seeking    revenge against the dastardly villain who wronged him (the    great Joaquim de Almeida, who took over after Ral Juli    tragically passed away). An absurd amount of fun, the film is    dotted with appearances from folks like Steve Buscemi, Quentin    Tarantino, Cheech Marin and Danny Trejo, and served as the    breakthrough role for Selma Hayek, as the woman who falls in    love with the mariachi. If youve never seen it, the movie is    an absolute blast. Rodriguez followed it up with a third film    in the loose trilogy, Once Upon a Time in Mexico, which is    fun but doesnt reach the heights of Desperado.  Drew    Taylor  <\/p>\n<p>    Paramount+  Nov. 1  <\/p>\n<p>    Director Brian De Palma and screenwriter David Koepp followed    up their blockbuster Mission: Impossible with a bonkers    thriller starring Nicolas Cage and set inside a seedy Atlantic    City casino. It was plagued with production problems, including    a rotating docket of stars that dropped in and out of    production (including Will Smith) and a visual-effects-laden    climax that was completely scrapped (you can see part of it in    the great documentary De Palma), and yet still manages to be    something of a low key De Palma classic. Cage plays a    loudmouth, morally compromised cop who is drawn into a    dangerous web after the Defense Secretary is murdered at the    casinos boxing match. The conspiracy itself is both needlessly    complicated and relatively straightforward, not that any of    that matters considering how much fun De Palma is having, from    the unbroken opening shot (which brings to mind the filmmakers    own The Bonfire of the Vanities) to a moment where a camera    scans over several hotel rooms as we look down,    voyeuristically, at what is going on inside of them. And yeah,    the whole thing doesnt quite gel because that spectacular    finale was abandoned without cause, but everything up until    that point, including great supporting performances from Gary    Sinese, John Heard and Carla Gugino, and a beautifully operatic    score by Ryuichi Sakamoto, make it very much worth watching.    Its an underrated, grime-covered gem in De Palmas sparkling    oeuvre.  Drew Taylor  <\/p>\n<p>    Paramount+  Nov. 1  <\/p>\n<p>    With Napoleon just around the corner, why not celebrate    Ridley Scotts extensive filmography with a very different    movie? The only original screenplay famed novelist Cormac    McCarthy ever wrote, The Counselor stars Michael Fassbender    as the titular lawyer, a spineless creep who gets himself    involved with (among others) the Mexican cartel as he is trying    to marry his beautiful girlfriend (Penelope Cruz). As you can    imagine, nothing goes to plan. Full of colorful characters    (played by Cameron Diaz, Javier Bardem and Brad Pitt among    others), endless philosophizing and bursts of shocking value,    it is unlike anything Ridley has ever done. It barely    registered upon release, eking out a profit but angering    audiences (it earned a scathing D+ CinemaScore), but in the    years since its release has been reappraised as something of a    cult classic, with high profile defenders like Guillermo del    Toro. It speaks to Scotts versatility and imagination and    deserves to be mentioned alongside some of his very best, more    widely embraced movies.  Drew Taylor  <\/p>\n<p>    Prime Video  Nov. 1  <\/p>\n<p>    While Singin in the Rain rightly gets the bulk of the    attention, another Gene Kelly musical that will surely lift    your spirits is An American in Paris. Released in 1951, the    film  directed by the great Vincente Minnelli  follows a    World War II veteran living in Paris trying to make a living as    an artist. Romance and comedy ensue, all set to the music of    George Gershwin. This ones a feast for the eyes and the ears.     Adam Chitwood  <\/p>\n<p>    Prime Video  Nov. 1  <\/p>\n<p>    Program yourself a mini-Batman marathon on Prime Video with    four older films in the franchise. Tim Burton breathed live    into the franchise and the comic book movie genre as a whole    with his 1989 adaptation, which introduced Michael Keaton as    the Caped Crusader and featured Jack Nicholson as The Joker    (and a soundtrack by Prince). But its his grisly, playful and    wilder sequel Batman Returns that stands the tallest in this    quartet. Michelle Pfeiffer is phenomenal as Catwoman, Danny    DeVito is a devilishly good Penguin and Christopher Walken fits    right into Burtons Gothic aesthetic. Your mileage may vary on    the Val Kilmer-led Batman Forever and George Clooney-fronted    Batman & Robin which skewed much younger in audience, but    taken as a whole these films offer a fascinating look at the    evolution of Batman on the big screen.  Adam Chitwood  <\/p>\n<p>    Prime Video  Nov. 1  <\/p>\n<p>    Christmas with the Kranks will never be mistaken for a    holiday classic. But it still deserves an annual re-watch. Its    the story of a married couple (Christmas king Tim Allen and    Jamie Lee Curtis), who decide to skip a big family Christmas    with their family (their grown daughter isnt coming home) and    instead book a tropical cruise. Their attitude angers their    neighbors and friends, who feel like the Kranks are turning    their back on the yuletide spirit. Of course, when their    daughter decides to come home (with her new fianc), the entire    community has to band together to put on a Christmas that    nobody will ever forget. Written by Chris Columbus and based on    a novel by, of all people, John Grisham, with direction from    studio exec Joe Roth that can charitably be described as    workmanlike, theres still a lot to giggle at in Christmas    with the Kranks  Dan Aykroyd as the militant pro-Christmas    neighbor; a sequence where Tim Allen gets Botox and cant    properly chew hospital cafeteria fruit; and lovely supporting    performances by Cheech Marin and M. Emmet Walsh. Yes, it kind    of sucks. And yes, we love it all the same. Itd take a real    Grinch to fully hate this one.  Drew Taylor  <\/p>\n<p>    Prime Video  Nov. 1  <\/p>\n<p>    Maybe youve seen the memes, but in truth Peter Weirs sea-set    2003 film Master and Commander: The Far Side of the World is    a towering achievement, and once you watch it youll be angry    they didnt make four more of these. Set during the Napoleonic    Wars, Russell Crowe stars as Captain Jack Aubrey who is tasked    with intercepting a French privateer. Sea battles and a sojourn    to the Galapagos Islands ensue, with Paul Bettany playing a    Charles Darwin-esque surgeon aboard Crowes ship.  Adam    Chitwood  <\/p>\n<p>    Prime Video  Nov. 1  <\/p>\n<p>    Superman director Richard Donner and Bill Murray crafted one    of the more inventive takes on A Christmas Carol with 1988s    Scrooged, which reimagines Ebenezer Scrooge as a heartless TV    executive whos visited by three ghosts on the eve of the    premiere of his own raunchy twist on the Charles Dickens    classic thats due to air live across the nation. Come for the    media satire, stay for Carol Kane as the Ghost of Christmas    Present.  Adam Chitwood  <\/p>\n<p>    Max  Nov. 1  <\/p>\n<p>    This 2006 bestseller adaptation has become a comfort food    favorite for many. The Devil Wears Prada stars Anne Hathaway    as a college graduate who lands a job at a lauded fashion    magazine run by its feared leader, played by Meryl Streep.    Emily Blunt co-stars as Hathaways co-worker in her breakout    role, and Streep picked up an Oscar nomination for her chilly    turn as the Anna Wintour-inspired boss. Extremely outdated    soundtrack aside, this ones a wish-fulfillment delight.     Adam Chitwood  <\/p>\n<p>    Max  Nov. 1  <\/p>\n<p>    Kick the holiday season off in style with one of the purely    funniest Christmas movies ever made: Elf. Will Ferrell stars    as Buddy, a human raised by elves who travels to New York City    in search of his biological father, played by James Caan. Its    a fish-out-of-water story, heartwarming holiday film and SNL    sketch all in one, complete with Zooey Deschanel as a charming    department store worker. Ferrells performance is lightning in    a bottle  often imitated, never replicated.  Adam    Chitwood  <\/p>\n<p>    Max  Nov. 1  <\/p>\n<p>    Another holiday classic (Max has a lot of these this month,    take note). The 1989 film is the third in the Vacation    franchise but captures something that few holiday films dare to    touch: the stress of spending Christmas with your entire    family. Its a very specific yet harsh truth, and Chevy Chase    and Beverly DAngelo milk it for all its worth as the    Griswolds are beset by visitors far and wide. Highly relatable.     Adam Chitwood  <\/p>\n<p>    Hulu  Nov. 1  <\/p>\n<p>    Nancy Meyers + Christmas = one of the most rewatchable movies    ever made. The Holiday premise is kind of genius: Kate    Winslet and Cameron Diaz play two strangers unlucky in love who    decide to swap houses for the holidays, with Winslets    character relocating to a Los Angeles mansion and Diazs    character posting up in an English cottage. The vibes are off    the charts in this film and Jude Law and Jack Black make for    incredibly charming leading men, while a subplot involving old    Hollywood and Eli Wallach is an extra treat for movie nerds.     Adam Chitwood  <\/p>\n<p>    Peacock  Nov. 1  <\/p>\n<p>    Before Gina Carano rose to fame in The Mandalorian and burned    it all down thanks to her odious right-wing politics, Steven    Soderbergh hired her after seeing her compete in mixed martial    arts one night on late night cable. And you know what? As a    non-actor shes surprisingly terrific in Haywire, which mixes    Soderberghs love of James Bond movies and Blaxploitation.    Carano plays a spy who is double-crossed by pretty much    everybody she works with, leading her to strike out on revenge.    Soderbergh massaged her performance, digitally pitching her    voice down (and having some of it overdubbed by Laura San    Giacomo) and emphasizing her physicality. And he surrounds her    with heavy-hitters like Ewan McGregor, Michael Douglas, Michael    Fassbender, Bill Paxton, Channing Tatum, Antonio Banderas and    Mathieu Kassovitz. Its so much fun, with a rollicking score by    David Holmes and some truly outstanding set pieces (including a    Fassbender\/Carano showdown as good as anything in The    Killer). Its a shame that Soderbergh didnt make five more    movies with Carano (and that she veered into the far-right).    The world could have used more Haywire.  Drew    Taylor  <\/p>\n<p>    Peacock  Nov. 1  <\/p>\n<p>    Talk about ahead of its time. Mystery Men lampooned    superheroes (and superhero movies) way back in 1999, before Sam    Raimis first Spider-Man movie and almost a decade before the    MCU. You could see why it was something of a disappointment at    the time. The movie is based on some independent comics    characters and pitched as a movie by Mike Richardson, the head    of Dark Horse Comics, who at the time had a development deal    with Universal. An all-star cast was assembled, led by Ben    Stiller and including William H. Macy, Hank Azaria, Greg    Kinnear, Janeane Garofalo and the late, great Paul Reubens.    Its an odd mash-up of comedic sensibilities but ultimately    works, thanks to a nimble script by Neil Cuthbert and stylish    direction by Kinka Usher, a commercials whiz who had such a    terrible time making Mystery Men he went back to commercials    and never directed another movie again. Truly, our loss,    because the film is hilarious and visually stunning. Also    Michael Bay makes a cameo as a villainous frat boy whose only    line is Can we bring the brewskis? Chances are you probably    have never seen Mystery Men; it has zero cultural footprint    and opened the same weekend as The Sixth Sense. But it really    is ripe for rediscovery. Check it out. And absolutely bring the    brewskis.  Drew Taylor  <\/p>\n<p>    Peacock  Nov. 1  <\/p>\n<p>    Peacock is your destination to prepare for the new Hunger    Games movie. The first four films in the series tell the story    of Katniss Everdeen (Jennifer Lawrence), a reluctant rebel in a    dystopian society. Gary Ross directed the adaptation of the    first book in Suzanne Collins series with a surprising    groundedness, while Francis Lawrence took over as director for    the following three films that upped the visual ante as the    tone got darker and stakes grew higher. Catching Fire is    still the high point, but this series is worth a revisit.     Adam Chitwood  <\/p>\n<p>    Netflix  Nov. 3  <\/p>\n<p>    Get ready for your new favorite inspirational    based-on-a-true-story sports drama. In Nyad Annette Bening    plays Diana Nyad, who, three decades after giving up    professional swimming, decides to do the impossible  swim from    Cuba to Florida, a 110-mile journey that will test her    mentally, physically and spiritually. And at the age of 60,    without a shark cage, might be impossible. Jodie Foster also    stars as Bonnie Stoll, Nyads former lover, lifelong BFF and    current coach. Directed by Elizabeth Chai Vasarhelyi and Jimmy    Chin, the Oscar-winning filmmakers behind Free Solo, and    photographed by Claudio Miranda (Top Gun: Maverick), Nyad    is a rousing story of perseverance and tenacity and a testament    to the unflagging power of the human spirit and the fact that    if you put your mind to it, you can accomplish anything. Its    full of rousing performances and action sequences that will    have you holding your breath. It might be good practice for a    career in swimming, actually. Just watch out for the box    jellyfish.  Drew Taylor  <\/p>\n<p>    Hulu  Nov. 3  <\/p>\n<p>    Sandra Oh and Awkwafina star in Quiz Lady, a new road trip    comedy that sees the actresses playing sisters who are looking    to retrieve their mother and pay off their mothers bookie. And    the best way to do that, of course, is to compete on a    televised game show (hosted by Will Ferrell in full Alex Trebek    mode). Yes, this does sound like the Grab That Dough episode    of The Golden Girls. No, that doesnt make us any less    excited. Jason Schwartzman, Holland Taylor, Tony Hale and the    late, great Paul Reubens co-star. This looks like a hoot.     Drew Taylor  <\/p>\n<p>    Netflix  Nov. 3  <\/p>\n<p>    Sylvester Stallone comes into the spotlight thanks to his own    documentary feature. Sly was directed by Thom Zimny, who has    also made films on such American icons as Bruce Springsteen,    Elvis Presley and Willie Nelson, and who treats his latest    subject with the same kind of reverence. Theres an elemental    power to the story of Sylvester Stallone, as a hardscrabble    childhood became fodder for a truly zeitgeist-capturing smash    in Rocky. (While a lot of time is spent on the making and    release of the first film, the doc admirably goes into how    autobiographical the entire franchise is, from the characters    brushes with fame to the complicated relationship with his    son.) Considering Stallone produced the movie, there is a level    of superficiality (allegations of steroid abuse and details of    earlier romances are untouched), but its also probably deeper    than you were probably expecting, with an elder Stallone    looking back on his life and the heartache he endured,    including his troubled relationship with his father. Its    pretty miraculous what hes accomplished. And this documentary    will make you even more appreciative of his life and career.    Even if it doesnt mention Rhinestone or Planet Hollywood.     Drew Taylor  <\/p>\n<p>    Disney+  Nov. 3  <\/p>\n<p>    The middle part of the Tom Holland-led Spider-Man trilogy might    be the best. It follows Peter Parker (Holland) and his buddies    as they embark on a summer trip to Europe, where they encounter    Mysterio (Jake Gyllenhaal), a character seemingly from another    dimension, and are escorted by Nick Fury (Samuel L. Jackson).    This is the funniest, most light on its feet entry in the saga;    its not bogged down by excessive mythology and, since it is    set right after the events of Avengers: Endgame, has some    nice emotional weight with Peter struggling with the death of    his mentor, Tony Stark (Robert Downey, Jr.) Its also the most    assuredly directed entry in the franchise, with Jon Watts    unafraid to mix in elements of teenage sex comedy (particularly    during the bus tour section) and gentle psychedelia.    Spider-Man: Far From Home seems even more charming given how    overblown and unnecessarily complicated the MCU has become.     Drew Taylor  <\/p>\n<p>    Netflix  Nov. 4  <\/p>\n<p>    Ready to keep feeling Insidious? Because the series, which    began with James Wans creepy original film back in 2011, is    moving forward. Insidious: The Red Door is the first entry in    the franchise since 2015s Insidious: Chapter 3 to feature    Patrick Wilson, Ty Simpkins and Rose Byrne. This time around    the familys young son (Simpkins) is headed to college and    starting to get drawn back into the ghoulish netherworld of The    Further, with his father (Wilson), going through a divorce and    also getting pulled back in. There are some good jump scares    and Wilsons direction is solid. If youre a fan of the    franchise, then this one is for you.  Drew Taylor  <\/p>\n<p>    Hulu  Nov. 7  <\/p>\n<p>    Edge of Tomorrow is one of the best movies Tom Cruise has    ever made, and thats saying something. The film takes place in    a near future in which aliens have invaded Earth and humans are    in an all-out assault on the deadly species. Cruise plays a    public affairs officer who is forced to fight in a major    invasion of France after he pisses off the wrong person, but    when he gets killed almost immediately by an alien during the    military push, he wakes up to relive the previous morning all    over again. Stuck in a time loop, he works to figure out why he    keeps reliving the same day over again and connects with    someone else  a famous soldier played by Emily Blunt  who    intimately understands his predicament.  Adam    Chitwood  <\/p>\n<p>    Netflix  Nov. 10  <\/p>\n<p>    David Fincher returns. The filmmaker behind such darkly hued    modern classics as Zodiac, Gone Girl and Seven is back    with The Killer, based on a French comic book series of the    same name by Alexis Matz Nolent and Luc Jacamon. Michael    Fassbender plays the title role, an anonymous assassin who,    after a hit goes wrong, seeks revenge. Its perhaps Finchers    most straightforward and deceptively simple movie yet, but    theres plenty underneath the surface, from Finchers willing    deconstruction of the cool guy hit man trope (dating back at    least to 1967s classic Le Samoura) to his barbed commentary    on the gig economy and the brutality of freelancing. In the    title role, Fassbender exhibits machinelike precision, which is    perfect for an exquisitely crafted movie like this, allowing    the supporting performances (from Charles Parnell, Arliss    Howard and Tilda Swinton) to fill in the necessary color.    Fincher and his team of regular collaborators, including    cinematographer Erik Messerschmidt, editor Kirk Baxter and    composers Trent Reznor and Atticus Ross, all put in exemplary    work. Watch this one as soon as it beams onto Netflix. Its a    movie that everybody will be talking about.  Drew    Taylor  <\/p>\n<p>    Max  Nov. 11  <\/p>\n<p>    Albert Brooks is the subject of a feature-length documentary.    Its about damn time. Brooks, of course, is the Academy    Award-nominated comedian and filmmaker behind modern classics    like Lost in America and Defending Your Life, who also    happens to be the actor who has turned in memorable work in    movies like Taxi Driver, Out of Sight, Drive and, of    course, Finding Nemo. This new film was directed by Rob    Reiner and features archival materials mixed with new    interviews with Sharon Stone, Larry David, James L Brooks,    Conan OBrien, Sarah Silverman and Jonah Hill. What more do you    want?  Drew Taylor  <\/p>\n<p>    Netflix  Nov. 17  <\/p>\n<p>    Bayard Rustin was a civil rights leader and one of the key    architects of the March on Washington. And yet his role in the    movement has been marginalized, perhaps because he was openly    gay, maybe because at the time there were members of the    movement uncomfortable with his outspokenness. But his story is    about to be told, with Colman Domingo starring in the title    role. His Rustin is prickly, for sure, but someone with a true    mind for both the emotionality and the practicality of what he    and the rest of the movement were trying to get done. (He had a    somewhat difficult relationship with Martin Luther King Jr.,    played here by Aml Ameen.) Its a rousing, true-life story,    brought to life with wit and sophistication by director George    C. Wolfe and screenwriters Julian Breece and Dustin Lance    Black. And if that wasnt enough, do consider the all-star    supporting cast that includes Chris Rock, CCH Pounder, Jeffrey    Wright, Audra McDonald, Bill Irwin and DaVine Joy Randolph.    Theres a reason Domingo is already amassing Oscar buzz. Hes    that good.  Drew Taylor  <\/p>\n<p>    Nov. 21  Netflix  <\/p>\n<p>    Leo (voiced by Adam Sandler) is a grade-school iguana who,    after 74 years inside a terrarium, longs for life outside of    the classroom. But after he starts getting taken home by the    kids and helping them with some of their problems, he soon    learns that maybe his place is among the children. Leo was    co-written and produced by Sandler, with his longtime    collaborator Robert Smigel co-writing the script and directing    with David Wachtenheim and Robert Marianetti. (Together they    had all worked on Hotel Transylvania 2.) Handsomely produced    and surprisingly moving, Leo is something of a surprise, a    movie whose sweetness sneaks up with you and one where    emotionally rich storytelling exists next to bonkers flourishes    and laugh-out-loud jokes. Its an intoxicating confection.    Leo is one of the very best animated movies of the year. Get    ready to fall in love with a weird old lizard.  Drew    Taylor  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Read the original here: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.thewrap.com\/best-new-streaming-movies-november-2023\" title=\"The 25 Best New Movies Streaming in November 2023 - TheWrap\">The 25 Best New Movies Streaming in November 2023 - TheWrap<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> November has arrived, and with it a bevy of exciting, engaging and fresh new movies to stream on your friendly neighborhood streaming service.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/the-25-best-new-movies-streaming-in-november-2023-thewrap\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187735],"tags":[],"class_list":["post-1119736","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1119736"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1119736"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1119736\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1119736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1119736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1119736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}