{"id":1118280,"date":"2023-10-03T20:03:46","date_gmt":"2023-10-04T00:03:46","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/imani-winds-inspires-with-recital-celebrating-composers-of-color-at-earrelevant\/"},"modified":"2023-10-03T20:03:46","modified_gmt":"2023-10-04T00:03:46","slug":"imani-winds-inspires-with-recital-celebrating-composers-of-color-at-earrelevant","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/imani-winds-inspires-with-recital-celebrating-composers-of-color-at-earrelevant\/","title":{"rendered":"Imani Winds inspires with recital celebrating composers of color at &#8230; &#8211; EarRelevant"},"content":{"rendered":"<p><p>      CONCERT REVIEW:    <\/p>\n<p>        Imani Winds        September 29, 2023        Bailey Performance Center, Kennesaw State University        Kennesaw, GA  USA        Macl and Brown II: A Celebration of Composers of        Color        Brandon Patrick George, flute; Toyin Spellman-Diaz, oboe;        Mark Dover, clarinet; Kevin Newton, horn; Monica Ellis,        bassoon.        Damian GETER: I Said What I        Said        Carlos SIMON: Giants        Paquito DRIVERA\/trans. Valerie Coleman:        Kites        Wayne SHORTER: Terra Incognita        Andy AKIHO: BeLoud, BeLoved,        BeLonging        Billy TAYLOR\/arr. Mark Dover: I Wish I Knew How        It Would Feel to Be Free      <\/p>\n<p>    Mark Gresham | 03 OCT 2023  <\/p>\n<p>    Kennesaw State Universitys Bailey    Performance Center hosted a recital by the eminent wind quintet    Imani Winds last Friday evening, featuring    their ethnically diverse touring program of music for woodwind    quintet, Black and Brown II: A Celebration of Composers of    Color, all commissioned by or written for the group.  <\/p>\n<p>    Celebrating over a quarter-century of music making, Imani Winds    has been at the forefront of transforming and advancing the    wind quintet repertoire with their unwavering dedication to    broadening the genres musical canon through commissioning new    works by emerging composers, drawing inspiration from    historical contexts and the contemporary zeitgeist.  <\/p>\n<p>    Friday evenings concert opened with Damian Geters I Said    What I Said (2022), a work of frenzied, jazz-propelled    rhythms inspired by a phrase coined by TV personality NeNe    Leakes, who became the breakout star on Bravos reality    television series The Real Housewives of Atlanta.  <\/p>\n<p>    Next on the program came the musical biopic Giants    (2023) by DC-born and Atlanta-raised composer Carlos Simon, who    drew inspiration from five influential Black Americans who have    significantly impacted his identity as a composer: Bessie    Smith, Maya Angelou, Ronald E. McNair, Cornel West, and Herbie    Hancock. Each movement within the composition strived to    encapsulate their respective work and personalities through    music, paying homage to them.  <\/p>\n<p>    The original version of Kites (2005), by    Cuban-American alto saxophonist, clarinetist, and composer    Paquito DRivera, was written for a septet of flute, oboe,    clarinet, bass clarinet, horn, bassoon, and piano. Imani Winds    premiered and recorded it with DRivera as clarinetist and    pianist Alex Brown. But in this concert, the group closed the    programs first half with a transcription for wind quintet only    by American composer and flutist Valerie    Coleman, who founded Imani Winds in 1997.  <\/p>\n<p>    Legendary jazz saxophonist and composer Wayne Shorter, who    passed away in March of this year, crafted his debut chamber    composition, Terra Incognita (2006), for the Imani    Winds with the same audaciousness and eloquence that    characterized his improvisational prowess. The 15-minute piece    is suitably episodic: motifs ebb, flow, and reappear in    innovative variations, blending playfulness and melancholy,    edginess and lyricism, and a fusion of earthiness and urban    sophistication that often coexist.  <\/p>\n<p>    For his BeLoud, BeLoved, BeLonging, composer Andy    Akiho drew inspiration from the resonant sounds of protesting    immigrant detainees in 2019 at the Metropolitan Detention    Center in Brooklyn, New York, and born from the idea of uniting    detainees and facility staff through the positive shared    experience of music. The piece is an emotionally fueled tribute    to the protesters that sheds some light on the shared humanity    of everyone involved, detained or detainer. Akiho workshopped    the piece with a group of incarcerated young men at Rikers    Island. Imani Winds, who commissioned it, premiered BeLoud,    BeLoved, BeLonging at Merkin Hall, Kaufman Music Center in    New York City on October 26, 2022.  <\/p>\n<p>    The group closed their program with the 1960s Billy Taylor    song, I Wish I Knew How It Would Feel To Be Free, in an    inventive, wide-ranging arrangement by Imanis clarinetist,    Mark Dover.  <\/p>\n<p>    Imani Winds gave the enthusiastic, appreciative audience an    engaging and insightful performance of these six works.   <\/p>\n<p>      About the author:    <\/p>\n<\/p>\n<p><!-- Auto Generated --><\/p>\n<p>Excerpt from: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/www.earrelevant.net\/2023\/10\/imani-winds-inspires-with-recital-celebrating-composers-of-color-at-ksus-bailey-performance-center\" title=\"Imani Winds inspires with recital celebrating composers of color at ... - EarRelevant\">Imani Winds inspires with recital celebrating composers of color at ... - EarRelevant<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> CONCERT REVIEW: Imani Winds September 29, 2023 Bailey Performance Center, Kennesaw State University Kennesaw, GA USA Macl and Brown II: A Celebration of Composers of Color Brandon Patrick George, flute; Toyin Spellman-Diaz, oboe; Mark Dover, clarinet; Kevin Newton, horn; Monica Ellis, bassoon. Damian GETER: I Said What I Said Carlos SIMON: Giants Paquito DRIVERA\/trans.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/zeitgeist-movement\/imani-winds-inspires-with-recital-celebrating-composers-of-color-at-earrelevant\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187735],"tags":[],"class_list":["post-1118280","post","type-post","status-publish","format-standard","hentry","category-zeitgeist-movement"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1118280"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1118280"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1118280\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1118280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1118280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1118280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}