{"id":1117889,"date":"2023-09-19T00:25:57","date_gmt":"2023-09-19T04:25:57","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/the-evolution-of-tyler-childers-the-bitter-southerner-the-bitter-southerner\/"},"modified":"2023-09-19T00:25:57","modified_gmt":"2023-09-19T04:25:57","slug":"the-evolution-of-tyler-childers-the-bitter-southerner-the-bitter-southerner","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/the-evolution-of-tyler-childers-the-bitter-southerner-the-bitter-southerner\/","title":{"rendered":"The Evolution of Tyler Childers  THE BITTER SOUTHERNER &#8211; The Bitter Southerner"},"content":{"rendered":"<p><p>    Even when in Nashville for business, Childers sometimes looks    like he is ready to go walk the land at his farm. Work boots,    Wrangler jeans, and a feed store cap. Some country stars pay    stylists lots of money to dress them similarly, but they cant    quite pull off the look; they dont know how to move    realistically in clothes made for climbing hills and slipping    between strands of barbed wire. But Childers has been doing    such all of his life. One morning when we go to a coffee shop    in Nashville for breakfast, he is wearing a sharply cut linen    jacket, a crisp button-down, chinos, and a pair of brown    leather Sabahs. Somehow he pulls off wearing these Turkish    espadrilles, too, mostly because he seems comfortable in his    own skin. There is no pretense about Childers. He is not easily    defined.  <\/p>\n<p>    Nor is the sound of his new album, Rustin in the    Rain, which was released September 8. The title track of    the seven-song record includes barn-burners that allow    Childers incredibly tight band, The Food Stamps, plenty of    room to show off their talents, as well as precise ballads that    let Childers use his full vocal range, including on the lead    single, In Your Love. After a euphonious piano intro, the    song opens with Childers at the top of his vocal game, singing    about a cosmic love before the song continues with a ghostly    synthesizer effect. By the time he sings Honey, I will stand    my ground, the listener is hooked on this extraordinary ballad    that is bound to become a wedding staple.  <\/p>\n<p>    I first heard the song on a long drive with Childers as we    ambled over the glowing green Kentucky hills on an afternoon in    early spring. We had been friends for a couple years but mutual    admirers of each others work before that. He read my first    novel, Clays Quilt, when he was in high school and    has said it helped him better appreciate his heritage; hed    later write an introduction for a reissue of the book. I have    loved his music since the very beginning of his career. His    wife, singer-songwriter Senora May, was one of my students at    Berea College and used to bring me CDs shed burn of him    picking and singing at home.  <\/p>\n<p>    To me, In Your Love announced a fuller, richer sound. I knew    right away the song would take his career in a whole new    direction, but I was stunned when he asked me if Id be    interested in writing a treatment for the video. Childers had    only three suggestions: that Casey Campbell, an actor and    musician who has appeared in all of his videos, show up in some    way; that there be a scene that includes a mule; and, best of    all, that it would be a gay love story. Childers has always    been as close as brothers with a cousin who is gay, and he told    me that he wanted his cousin to be able to see himself in a    country music video.  <\/p>\n<p>    I collaborated with my husband, Jason Kyle Howard, on the story    of two coal miners who not only fall in love but also leave the    toxic masculinity and industrial confines of the mines to live    out an agrarian existence where they can control their own    lives. I also wrote the treatment and served as the creative    director on the shoot, orchestrated by director Bryan Schlam    and starring Colton Haynes and James Scully, two gay actors who    brought tremendous chemistry to the roles.  <\/p>\n<p>    The video struck a nerve, racking up more than 1 million views    in the first day. (As of this writing, it has more than 7.8    million global views.) The song has amassed 30 million combined    streams across all platforms globally andbecame the    highest-charting single of Childers career.  <\/p>\n<p>    Childers knew he was making a statement, but most importantly,    he wanted to make a piece of art.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>More: <\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/bittersoutherner.com\/feature\/2023\/the-evolution-of-tyler-childers-by-silas-house\" title=\"The Evolution of Tyler Childers  THE BITTER SOUTHERNER - The Bitter Southerner\">The Evolution of Tyler Childers  THE BITTER SOUTHERNER - The Bitter Southerner<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> Even when in Nashville for business, Childers sometimes looks like he is ready to go walk the land at his farm. Work boots, Wrangler jeans, and a feed store cap. Some country stars pay stylists lots of money to dress them similarly, but they cant quite pull off the look; they dont know how to move realistically in clothes made for climbing hills and slipping between strands of barbed wire.  <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/evolution\/the-evolution-of-tyler-childers-the-bitter-southerner-the-bitter-southerner\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187748],"tags":[],"class_list":["post-1117889","post","type-post","status-publish","format-standard","hentry","category-evolution"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1117889"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1117889"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1117889\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1117889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1117889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1117889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}