44 North, 70 West becomes the center of the documentary community for the next few days. Ben Fowlie, executive and creative director, Points North Institute. <\/p>\n
In case youre not up on your longitude and latitude, that makes Maines Midcoast towns of Camden and Rockland the most important locations in the movie world this week. The annual return of the Camden International Film Festival, taking place Thursday through Sunday, has always been a major stop on the nonfiction film festival circuit. But now, as Fowlie makes the airtight case, in its 19th season, its ready to take on the world. Or at least bring the entire movie world here to Maine. <\/p>\n
Our festival reputation has grown, Fowlie said. Industry people are calling us a key stop on the fall festival tour, and were using that as leverage to place a spotlight on the incredible talent throughout the nonfiction filmmaking community, outside the United States and in. At the same time, we want to ensure that filmmakers and audiences have a place to ask, What is nonfiction film, and where is it going? <\/p>\n
Camden International Film Festival is truly one of a kind when it comes to celebrating the limitless possibilities of a genre too often thought of as simple documentation. Said Fowlie, We at Points North are focused on advancing the artistry of nonfiction film. Pointing to one of CIFFs two opening-night films, director Martn Benchimols Argentinian film, El Castillo, Fowlie extols the way the documentary melds form and content into a whole new cinematic shape. <\/p>\n
Its about a woman whod been the housekeeper for a wealthy family who inherits their mansion in Argentina, with the stipulation that she can never part with it. And how, as the giant house deteriorates, it becomes like an anchor. But its really about the beautiful relationship between a mother and daughter, and about how Argentinas history and modernization exist side by side. Youll go see it and scratch your head, thinking how much of this really happened and didnt. But that will be secondary to how much you love these women and how you cant believe you got to spend 80 minutes with them. Its gorgeously shot and truly cinema at its best. <\/p>\n
Camden International Film Festival is like that. Audiences walk into one of the festivals three exceptional venues (the Camden Opera House, the Strand Theatre, and Points Norths pop-up waterfront theater, Journeys End) and come out seeing the world and the art of documentary in a completely different way. Excited to share this years impressive and dizzyingly eclectic slate of nearly 70 features and shorts with CIFFs always receptive crowds, Fowlie promises, Fundamentally, we present documentaries. But were always trying to be one step ahead in order to bring audiences and the industry along. In presenting this work, we want to engage, but its also about moving the thought process forward and broadening the understanding of the form together. <\/p>\n
Looking over CIFFs ever-impressive 2023 lineup is all about getting pulled into one singularly fascinating world after another. Madeleine Gavins Beyond Utopia, another opening-night feature, follows the harrowing journey of one extended family who makes the perilous decision to escape from infamously authoritarian North Korea, a more straightforward nonfiction tale that Fowlie promises is as gripping and moving as any fictional Hollywood thriller. The winner of Sundance Film Festivals Audience Award, the film will be marking only its third U.S. screening at CIFF, with Fowlie noting that, among the festivals many visiting filmmakers and subjects this year, the post-show guests here will make for a once-in-a-lifetime audience experience. Not to give anything away, but this will be one of the most emotional experiences people will ever have had at the cinema. <\/p>\n
As always, I set Fowlie the task of plucking out a few personal favorites from CIFFs carefully curated roster of films. Its a tough job, especially since, as Fowlie explained, The number and quality of submissions just gets larger and better every year. It really makes our job harder. Still, Fowlie is game, first pointing to the sure crowd-pleaser In Restless Dreams: The Music of Paul Simon, from Oscar-winning filmmaker Alex Gibney. At a mighty three-and-a-half hours, the film chronicles the now 81-year-old music legends life and career as he works to complete his latest studio album, Seven Psalms. Said Fowlie of this U.S premiere, Its just super-special, and were thrilled that our audiences will be some of the first in the country to see it. <\/p>\n
Delving deeper into the stylistic adventurousness CIFF seeks to foster is Vlad Petries Between Revolutions, a cross-cultural conversation between two women who may, or may not, have ever existed. Said Fowlie, Its really about the power of the archive. Two fictional characters, one in Tehran and one in Bucharest, both in periods of national turmoil, begin a letter-writing relationship. The filmmaker is scripting a narrative from archives that exist in a certain place and time. What emerges is a poetic desire for hope, fear and joy while being in the midst of a struggle, and this is just one film this year that shows how archives can become time capsules for forgotten, erased, or stolen histories. <\/p>\n
Iconic nonfiction filmmaker Errol Morris new film, The Pigeon Tunnel, sees the director matching wits with legendary spy novelist (and former spy) John le Carr. As Fowlie notes, Its Errol at his finest. At times, you dont know who is interviewing who, what is real and what is not. Its just a beautiful dance between these two deeply intellectually curious people. <\/p>\n
The ongoing war in Ukraine perhaps inevitably forms a running theme in this years festival, with Karim Amers Defiant and Vitaly Manskiys Eastern Front (both in U.S. premieres) providing two very different but equally intense depictions of a country under siege. Defiant is about the politics behind building support for Ukraines fight against the Russian invasion and Russias disinformation campaign. Eastern Front is on the ground and in the trenches, jumping between the helmet cam of co-director Yevhen Titarenko, a civilian volunteer medic and long, beautiful shots of the volunteers and their families swimming, eating and talking about what they imagine for Ukraine after the war. <\/p>\n
And these are just a taste of what promises to be another stunner of a Camden International Film Festival. (Ill throw in a plug for Mainer Ian Cheneys ruminative and delightfully eccentric The Arc of Oblivion, which I wrote about in July.) As Fowlie puts it of Points Norths ongoing mission (which has seen the organization hand out over $400,000 in funding to filmmakers this year alone), We give unrestricted grants to filmmakers at various stages in their careers so they can continue to take those creative risks that are a priority of ours going forward. And now weve got over 50 filmmakers coming to Maine for the biggest documentary gathering in the United States this year. Having so much talent concentrated in a small community like ours that just doesnt happen anywhere else. <\/p>\n
The Camden International Film Festival takes place from Thursday to Sunday. In addition, the online virtual CIFF will be available from Sept. 18-25, if youre not up for a lovely trip up the coast to see some amazing movies, for some reason. For tickets, directions and information on this years stellar crop of nonfiction films, check out pointsnorthinstitute.org\/ciff. <\/p>\n
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