{"id":1117716,"date":"2023-09-09T21:12:20","date_gmt":"2023-09-10T01:12:20","guid":{"rendered":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/uncategorized\/the-15-best-transformers-ripoffs-movieweb\/"},"modified":"2023-09-09T21:12:20","modified_gmt":"2023-09-10T01:12:20","slug":"the-15-best-transformers-ripoffs-movieweb","status":"publish","type":"post","link":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/terraforming-mars\/the-15-best-transformers-ripoffs-movieweb\/","title":{"rendered":"The 15 Best Transformers Ripoffs &#8211; MovieWeb"},"content":{"rendered":"<p><p>    In 1984, Hasbro partnered with Takara Tomy and Marvel Comics to    repurpose two existing toylines into a pop culture juggernaut.    Micro Change and Diaclone, the two toys in question, featured    robots that could become everyday items, weapons, and vehicles,    and they acted as a launching point for Hasbro's newest    venture. Marvel writer Bob Budiansky and editor-in-chief Jim    Shooter created the story of two warring alien factions. These    robotic characters, capable of transforming into myriad    vehicles, were named the Autobots and the Decepticons, and the    Transformers    franchise was born.  <\/p>\n<p>    Since the '80s, Transformers has exploded in    popularity, with over two dozen animated series and movies,    seven live-action films, and hundreds of toys. Given its almost    40 years of existence, many franchises have used    Transformers as a foundation, producing several    rip-offs and clones. Each varies in how much \"inspiration\" it    takes from its parent series, and they all range in quality,    with some standing on their own and becoming their own thing.    These 15 are just some of the best (or worst, depending on your    perspective) rip-offs of the Transformers franchise.  <\/p>\n<p>    The '80s were rife with toy companies trying to match    Transformers success, and while many simply copied the    transforming vehicle aesthetic, some ideas were more novel.    Milton-Bradley was among the latter, combining the robotic    alien narrative with construction toys like the Erector Set to    create Robotix. This allowed for kids    to be involved in the building of powerful, motorized machines,    connecting them with the story of the two warring factions.  <\/p>\n<p>    Sunbow and Marvel Productions partnered with Milton-Bradley to    create the Robotix cartoon, attempting to match their    past success with The Transformers: The Animated    Series. The central conflict wasn't between     Autobots and Decepticons but Protectons and Terrakors.    These robotic shells contain the life force of their creators,    who live on the planet Skalorr V. A human space shuttle crashes    on the planet, and the pilots split into two groups, each    choosing a side. They had the benefit of riding the Robotix    like mechs, but this didn't help it maintain the same level of    popularity of Transformers.  <\/p>\n<p>    Another benchmark of '80s toys and animation was G.I.    Joe. Taking the traditional army man toys of the day and    infusing them with unique stories and characters, G.I.    Joe became another massive franchise in pop culture. It,    too, saw many rip-offs and clones, but the most unique combined    elements of various popular series at the time.    M.A.S.K.    took the transforming vehicles of Transformers and    combined them with the military, super-soldier aesthetics of    G.I. Joe, creating a franchise that, while not nearly    as popular as its two inspirations, holds a level of reverence    with the fan base.  <\/p>\n<p>    M.A.S.K. follows the exploits of the \"Mobile Armored    Strike Kommand,\" an elite unit of special agents who piloted    transforming vehicles. They also wore masks that granted them    enhanced abilities, which they used to fight V.E.N.O.M.    (Vicious Evil Network of Mayhem). These villains, led by Miles    Mayhem, sought power and wealth through stealing precious    artifacts and technologies. Interestingly, Hasbro has    acknowledged their connection to Transformers; in the    IDW Comics, M.A.S.K. bases their transforming vehicles on    Cybertronian technology, meaning they are canon rip-offs of the    Robots in Disguise.  <\/p>\n<p>    Originally released in 2013, Super    Wings is an ongoing Korean children's animated    series following a group of transforming planes. Seemingly    taking joint inspiration from both Transformers and    Cars, the series is known for its cartoony aesthetics,    though these have gotten more complex and interesting as new    machines are added into the mix. The series has the tone of    most kids educational programming, focusing heavily on travel    and locations around the world, but the ideas behind the series    take obvious cues from the Robots in Disguise.  <\/p>\n<p>    Jett is a delivery plane for World Airport. Alongside his    friend and supervisor, Jimbo, Jett travels the world in order    to pick up and help deliver packages for children in various    locales. This often ends in some mishap or problem that    requires Jett to call in another Super Wing for help. Later    seasons see the introduction of more complex tech, including    some that give the planes elemental powers and an ally in the    transforming aircraft carrier World Robot. The series has    become a popular children's cartoon, which makes sense given    its simple premise and similarities to the    Transformers franchise.  <\/p>\n<p>    What if humans were the Transformers? That seems to be the    central conceit that inspired the strange 1986 animated series    and toyline Centurions. Similar to    M.A.S.K., Centurions took the best parts    about G.I. Joe and Transformers and mashed    them together to create something new, equipping powerful    robotic suits to specialized soldiers to give them a leg up in    a battle against evil. The show was weird, but while arguments    can be made as to its quality, it definitely lives up to the    tagline that was shouted several times each episode: Man and    Machine, Power Xtreme!  <\/p>\n<p>    The series followed the titular heroes as they battled the    villainous Doc Terror and his Doom Drones. Based in an orbiting    space station, the Centurions (Max Ray, Jake Rockwell, and Ace    McCloud) donned powerful exo-frame suits that allowed them to    equip unique sets of weaponized armor, each specialized for a    different combat scenario. The series ran for 65 episodes,    adopting the typical \"threat-of-the-week\" structure. The action    took centerstage over character and plot, which means that,    sadly, this novel idea has largely been forgotten.  <\/p>\n<p>    Let's be perfectly clear: Super Sentai, the    inspiration for Power    Rangers, is not a Transformers    rip-off. With its first season releasing in 1975, Super    Sentai preceded the Robots in Disguise by nine years, and    Battle Fever J, the first season to introduce mecha    combat, released in 1979. Nevertheless, Power Rangers    and their brand of mecha-based combat made their way to America    in 1993, nine years after Transformers, and while the    Cybertronians may not have influenced the plot or overall    designs, they did inspire a surge of interest in transforming    robots, helping bring the teenagers with attitude to American    televisions.  <\/p>\n<p>    The '90s were a time of increased interest in Japan and    Japanese storytelling. There was a massive surge in    localizations of anime and live-action series from the country,    with Sailor Moon, Dragon Ball Z, and other    Japanese series soaring to massive popularity in the United    States. Meanwhile, Transformers made fighting robots    cool. Stores couldn't keep Transformers toys in stock,    and this led to a tidal wave of new robotic toys. Power    Rangers allowed for Saban and Fox Kids to capitalize on    these two growing markets, while simultaneously saving money by    reusing film from the    existing Super Sentai series.  <\/p>\n<p>    While you may have heard of many of the titles on this list,    chances are Heavy Gear might have    escaped your notice. Despite the popularity of the board and    video games of the same name, this 3D animated series flew    under many fans' radars in 2001. Due to the clunky animation    and the younger intended audience, the series was far less    popular than Mainframe Entertainment had hoped for, leading to    a single season of 40 episodes. While the Heavy Gear    franchise focuses heavily on mech combat, strategic warfare,    and complex science-fiction world-building, the series solely    focused on the fighting robots.  <\/p>\n<p>    The show followed two professional fighting teams, the Vanguard    of Justice and the Shadow Dragons. The pair were pitted against    each other in a tournament, followed by several exhibition    matches. While the series loses some of its more in-depth war    narratives, the connections to Transformers come from    the mecha combat. Companies were trying to find the magic    formula of the Robots in Disguise, and most banked on the    spectacle of giant robots fighting. Many of these copycat shows    overlooked the depth of the storytelling in    Transformers, creating series light on plot and heavy    on action.  <\/p>\n<p>    Related:     Terrible Video Game Movies That Are Still a Lot of Fun to    Watch  <\/p>\n<p>    Combining elements of Power Rangers and    Transformers, 2010's Sym-Bionic    Titan is one of the most original series on this    list. Created    by Genndy Tartakovsky, the series followed Ilana, Lance,    and Octus, two aliens and a robot from the planet Galaluna.    Ilana, a princess, was forced to flee her home after a coup.    The three landed in Sherman, Illinois, where they masqueraded    as typical high school students. When the monstrous Mutraddi    and General Modula arrive on Earth, though, Ilana and Lance don    powerful robotic battle armor, and together with Octus, they    can merge to form the unstoppable Sym-Bionic Titan.  <\/p>\n<p>    While it only aired for 20 episodes, Sym-Bionic Titan    showcases the possibilities of a \"rip-off.\" Taking elements    from several mecha and alien war storylines, the story melded    them together to create something distinct and interesting. The    character designs harken back to those seen in    Transformers, as does the general plot structure, but    Tartakovsky took these similarities and twisted them into    something new. For that reason, fans still hold Sym-Bionic    Titan in high regard, and though it had a short lifespan,    the series is still considered one of Tartakovsky's most    unique.  <\/p>\n<p>    Guillermo Del    Toro's 2013 hit mecha science-fiction film Pacific    Rim held all the trademarks of the director's best work.    It was a dark examination with incredible monster designs,    intimate storytelling, and plenty of robot-alien combat. Its    sequel, Pacific    Rim: Uprising, lost Del Toro's direction, and    instead of breaking down genre tropes, it instead leaned    heavily into them. It took inspiration from nearly every giant    robot franchise, from Transformers to    Robotech to Power Rangers, and while fans    were less invested in this campier, fun action flick, it was    still an entertaining summer blockbuster thrill ride.  <\/p>\n<p>    Pacific Rim: Uprising is a direct sequel to Del Toro's    film. After the Battle of the Breach and the closing of the    Kaiju portal, the Earth has seen relative peace. Former Jaeger    pilot Jake Pentecost, the son of the late Pan-Pacific Defense    Corps director Stacker Pentecost, makes a living selling Jaeger    parts on the black market, but after an altercation involving a    young woman named Amara and her homemade Jaeger, Jake is    brought back into the PPDC. He is just in time for the newest    crisis, as a rogue Jaeger, classified as Obsidian Fury, has    begun attacking key PPDC members and locations around the    world.  <\/p>\n<p>    Including any Asylum film on a list of rip-offs is a bit of a    cheat. The company has made their name with \"mock-busters,\"    intentional rip-offs of some of the world's most popular films.    Low budget and often low effort, these films are the best of    the worst, leaning into their campy premises and creating some    of the best \"so-bad-they're-good\" films in movie history.    Transmorphers is the company's    attempt at parodying the Transformers live-action    franchise, just with far lower-quality animation, character    designs, and acting.  <\/p>\n<p>    The most interesting change of pace with Transmorphers    is that it isn't the battle between two robotic alien races.    Instead, it is your typical alien invasion story. Years before,    the alien robots arrived on Earth and drove humanity    underground. A resistance force was formed among the surviving    human soldiers, under the command of General Van Ryberg. After    a confrontation with a new breed of robot that can disguise    themselves as parts of the terrain, the resistance decides to    reinstate a disgraced officer, Warren Mitchell, to help them    capture one of the aliens for study.  <\/p>\n<p>    There are some rip-offs that take the ideas presented in the    original IP and expand on them in new and unique ways, and then    there are some like Gladiformers: Robos    Gladiadores. This blatant, unapologetic rip-off    of Transformers sees an evil empire run by the    Supremobots holding a deadly gladiator tournament, capturing    other transforming robot aliens from across the universe.  <\/p>\n<p>    Julius Drive, the prince of an unnamed world (how's that for    world-building?), is sold as a slave into the tournament, and    forced to fight for the entertainment of Locutor's forces.  <\/p>\n<p>    The series suffers from stunted animation and plenty of clichs    throughout. Produced by Video Brinquedo who have made their    name with cheap knockoffs of popular franchises (looking at    you, Little Panda Fighter and Ratatoing), the    plot is somewhat original, with the robot coliseum leading to    some fun fights and interesting characters, but the film's    horrendously low budget and overall aesthetic make it one of    the worst rip-offs of Transformers. Despite all of    this, the film did receive a sequel in 2009, so if you are    somehow invested in the adventures of Julius Drive, there is    more to see.  <\/p>\n<p>    Transformers is about so much more than giant robots    at war. While the live-action films focus mostly on the    explosions and the intense action of the Autobots vs. the    Decepticons,     the films ignore the deeper narratives and more complex    characterizations that made the Robots in Disguise famous.  <\/p>\n<p>    1993's Exosquad was another in the    long-line of rip-offs that focused on giant robots fighting an    alien menace, but it came the closest to matching the magic of    Transformers in its overall narrative. The story had a    darker tone, exploring concepts like slavery, PTSD, and the    general horrors of war.  <\/p>\n<p>    Exosquad takes place in the 22nd century. Terrans have    expanded beyond Earth, terraforming Venus, Mars, and beyond    with the help of genetically altered Neosapiens. The Neosapiens    of Mars stage a revolution, taking over the Terran territories,    while Earth's Exofleet is sent to deal with a space pirate    threat. Unhappy with their years of slave labor, the Neosapiens    have decided to take back their rights by any means necessary.    With war now raging on the homeworlds, the series follow Able    Squad, a group of Exosuit pilots, as they undertook operations    to undermine the Neosapien resistance.  <\/p>\n<p>    Related:     15 Saturday Morning Cartoons That Every '90s Kid    Remembers  <\/p>\n<p>    The Asylum makes it explosive return to this list, and this one    is a little on the nose, even for them. In 2018, Travis Knight    released Bumblebee, the sixth film in the live-action    Transformers film franchise and a soft reboot of the Michael    Bay era. The film was generally well-received by many fans with    its more personal, character-driven story of the titular    Autobot's arrival on Earth. Hornet    has none of the charm of Bumblebee, relying more on    the gimmick of giant robots fighting each other and its    interesting character designs than actual storytelling.  <\/p>\n<p>    Releasing three days prior to    Bumblebee,Hornet is the worst kind of    rip-off, capitalizing on the premise of a film without adding    anything new to it. The story follows an alien    invasion of Earth. These aliens are brainwashing humans,    forcing them to commit terrible acts of destruction. Humanity's    only hope is a high-tech, untested giant robot.  <\/p>\n<p>    The most unique part of the movie is its filmmaking. The story    is told through found-footage, switching between the recordings    from the humans involved, and the live camera feeds within the    giant robot's eyes, but even this unique premise couldn't save    this horrible movie.  <\/p>\n<p>    Do you know what the Transformers franchise needed?    More human\/robot romance. At least, that's what the producers    of the 2009 Hong Kong film Metallic Attraction:    Kungfu Cyborg seemed to think. The story follows    De Ming, an experimental cyborg peace officer who is assigned    to a small town for training. While stationed there, he    encounters Su Mei, a woman who falls in love with him. De Ming    must confront his lack of humanity, his Pinocchio-esque desire    to be a real person, as rogue cyborg assassins begin to plague    the town.  <\/p>\n<p>    Kungfu Cyborg is bizarre, mixing such disparate genres    that don't quite fit into place together. The robot designs are    taken straight from the Michael Bay Transformers    films, with clunky armored warriors presented in impressive    CGI. Despite the oddity of the premise, the film kind of works.    The story isn't anything particularly inspiring, but the unique    focus on the robotic characters and their mental states is    actually really interesting. Not only that, but the fight    scenes, while less intense and fewer in number, take a lot of    inspiration from traditional kung-fu movies, making this an    interesting experience at the very least.  <\/p>\n<p>    Given its release in 1989, Robot Jox    is surprisingly ahead of its time. It most definitely feels    dated, with animation that feels a bit stilted, but given its    release date, this film is a technical marvel. Inspired by    Transformers, director Stuart Gordon wanted to bring    the giant robot combat from so many animated series and films    into the real world, and he succeeded in a way that nobody    could have expected. While the film was critically panned on    its initial release and poor marketing kept it from box office    success, the film has become a cult icon with a hugely devoted    fan base.  <\/p>\n<p>    Playing on Cold War tensions, the film was set in a futuristic,    post-apocalyptic Earth that has suffered from the decimation of    its population by nuclear war. With open war outlawed, disputes    between the Market (America) and the Confederation (Soviet    Russia) are settled with gladiatorial mech battles. With Alaska    on the line, the Market sends in Achilles, one of their    greatest pilots, to defeat Alexander.  <\/p>\n<p>    However, after his first near loss against Alexander, Achilles    is nearly replaced by a genetically modified pilot named    Athena, and he must put his attraction to the woman aside to    prove he can defeat the Confederation bot.  <\/p>\n<p>    Many Transformers rip-offs try to hide their    influences behind an interesting twist or unique character    designs, but the Mark A. Reyes-directed    Transmutators leans heavily into its    inspirations. With a lead character that is clearly meant to be    a knock-off Optimus Prime, the only real difference between the    two films is that the transforming robots in this film are    piloted mechs instead of sentient alien defenders. It has    received nothing but poor reviews, making it one of the    all-time worst Transformers rip-offs, and while the    Asylum films are intentionally bad, this film is made all the    worse by how seriously it takes itself.  <\/p>\n<p>    In a far-future Earth, mutants and giant robotic aliens have    taken over the planet. Humanity's last hope is a rebel group of    survivors who have developed piloted mech suits from recycled    machine parts, and they must battle an army of mutated humans,    alien monstrosities, and horribly animated CGI robots in order    to survive. This film has a horribly low budget, with costume    designs on par with bad cosplay and some horrendous special    effects. The film has some fun ideas, but the execution makes    it one of the worst Transformers rip-offs of all time.  <\/p>\n<p><!-- Auto Generated --><\/p>\n<p>View post:<\/p>\n<p><a target=\"_blank\" rel=\"nofollow noopener\" href=\"https:\/\/movieweb.com\/best-transformers-ripoffs\/\" title=\"The 15 Best Transformers Ripoffs - MovieWeb\">The 15 Best Transformers Ripoffs - MovieWeb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p> In 1984, Hasbro partnered with Takara Tomy and Marvel Comics to repurpose two existing toylines into a pop culture juggernaut. Micro Change and Diaclone, the two toys in question, featured robots that could become everyday items, weapons, and vehicles, and they acted as a launching point for Hasbro's newest venture <a href=\"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/terraforming-mars\/the-15-best-transformers-ripoffs-movieweb\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[450968],"tags":[],"class_list":["post-1117716","post","type-post","status-publish","format-standard","hentry","category-terraforming-mars"],"_links":{"self":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1117716"}],"collection":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/comments?post=1117716"}],"version-history":[{"count":0,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/posts\/1117716\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/media?parent=1117716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/categories?post=1117716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.euvolution.com\/prometheism-transhumanism-posthumanism\/wp-json\/wp\/v2\/tags?post=1117716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}